Posts by Archive Authors

I remember when Ocean’s Eleven was first announced, and how disappointed I was. Steven Soderbergh was already well-respected by critics and serious film buffs due to his films Sex, Lies & Videotape, Out of Sight, Erin Brockovich and Traffic. He was the last person in Hollywood that needed to sell out to the masses by directing a re-make packed with eye candy. Not only that, but he chose to re-make a fantastic film that starred the Rat Pack. Essentially, Soderbergh decided to go to Vegas and relieve himself on the legacy of Frank Sinatra in the name of the almighty dollar.

head_imageWell it has all come down to this... Day 12 of our 12 Days Of Contests promotion. Today, to wrap it all up, we are giving 2 copies of the 6-disc (2x6= 12) set Atlas of the Natural World - Africa/Europe released by BBC.

So - enter away below by commenting! We have extended the draw dates for all 12 of our "12 Days of Contests" contests to Tuesday, February 5th... so check back at that time so see who won!

head_imageWe are back once again, trying to conclude our 12 Days Of Contests promotion. Today, for our Day 11 Edition, we go way back to 1959! That's right, we are giving away a copy of Ben Hur - 4-disc collector's edition (winner of 11 academy awards).

So - enter away below by commenting! We have extended the draw dates for all 12 of our "12 Days of Contests" contests to Tuesday, February 5th... so check back at that time so see who won!

What happened to Cuba Gooding Jr.? Since when did he have to take Eddie Murphy's sloppy seconds? The man has an Academy Award for crying out loud. OK, that was twelve years ago from Jerry McGuire, and Cuba has made Snow Dogs and Boat Trip since then, but I still kinda believe in him. After all, this is the guy who said "Show me the money" and made Tom Cruise say "I love black people!" Wasn't that great? Talent like that doesn't just fade away into bolivian like Mike Tyson would say.

Apparently Cuba didn't heed the advice that you should avoid working with kids and animals because they'll always steal the show from you. Or the advice that you should avoid crappy sequels to kids movies. Maybe he lost out to Scott Baio on Superbabies: Baby Geniuses 2 and decided never to miss an opportunity like that ever again. Maybe he needs to consider hiring a new agent. Maybe we never hear from Cuba again. Only time will tell if he can stand the test of time...

On the surface, The Kingdom appears to be a good way for Americans to relieve some stress by watching the demise of some middle-eastern terrorists. But The Kingdom is actually quite different from your standard action movie shoot 'em up. Yes, there is a lot of action, most of it occurring in the film's last half an hour, but the film asks some tough questions and is optimistic in its belief that Americans and Muslims can work towards one goal together.

While strolling through the local Blockbuster store, I'm always amazed at how many direct-to-video sequels there are to big name movies. Sure, Bring it On was never in the Lord of the Rings echelon of franchises, but it was still a successful movie at the box-office. Yet I still can't get over the fact that Bring it On now has its own trilogy, just like LOTR.

Most of these low-budget sequels exist solely to cash in on the movie's title, which is usually unrelated to the original film. The roles are recast or characters done away with, and some dumbed-down script that rehashes the first film is approved. But every once in a while, a cheapie comes along that does more with less, and surpasses the original. See my review for I'll Always Know What You Did Last Summer for more proof of this.

Director David Cronenberg’s masterpiece, A History of Violence catapulted him to the upper-echelon of today’s directors. Until AHOV, he’d previously worked on offbeat films that got mixed reviews, like Crash (1996), eXistenZ, and Spider, with the occasional brush with “commercial” films like The Fly.

We reported a couple weeks ago that Warner Bros Home Entertainment was going Blu-Ray exclusive once their contract with the HD-DVD collation was up. Despite Warner’s move HD-DVD is far from dead. Though HD-DVD is precariously on the edge of “losing” the HD disc format war. Even if one format wins out we should ask the questions: “Will the HD market go physical or broadband? If HD-DVD wins, will the lower priced players and uniform spec make the market successful? Can Blu-ray make the market better? Or are the IPTV technologies too attractive to keep HD discs strong?

”A philosopher once asked, ‘Are we human because we gaze at the stars, or do we gaze at them because we are human?’ Pointless, really...’Do the stars gaze back?’ Now that's a question.”

They do more than gaze in Stardust, a quirky, enjoyable film that’s not the epic tale it’s made out to be. The film adaptation of Neil Gaiman’s graphic novel of the same name, Stardust is a tale about a young man from a small English village who gets caught up in a magical adventure in another realm. With evil witches, fratricidal princes and a cross-dressing sky-pirate, there’s a lot of fantasy in Stardust, but director Matthew Vaughn’s penchant for Lord of the Rings-style sweeping cinematography creates a canvas much too grand for this simple fairy tale.

I don’t particularly care how many times filmmakers recycle old tales, so long as they produce enjoyable films. The Invasion revisits sci-fi scribe Jack Finney’s “The Body Snatchers” for the fourth time on film, following in the steps of the original 1956 film and the ’78 and ’93 remakes. Dave Kajganich wrote the screenplay, and Oliver Hirschbiegel (The Downfall) directed. Then Warner hired the Wachowski brothers (The Matrix) to rewrite some scenes and inject more action into the film, and James McTeigue (V for Vendetta) to direct the re-shoots.

So is The Invasion a case of too many cooks in the kitchen, or just the right creative balance to bring Finney’s classic horror tale to life in the new millennium?