Posted in: Disc Reviews by Archive Authors on September 6th, 2007
I’ve said in the past and still believe that Josh Hutcherson will be a pretty good adult actor if he chooses to go down that path. I liked his work in Little Manhattan and recently finished watching him in Bridge to Terabithia, but then he comes back and makes films like Firehouse Dog, which seem to flush away a lot of that goodwill in my opinion. He doesn’t try at all and becomes the typical sweet kid, rather than the intellectual who acts larger than his shoes.
Written by Mike Werb (Curious George) and Claire-Dee Lim and directed by Todd Holland (whose main director claims were directing fair shares of episodes for the shows Malcolm in the Middle and The Larry Sanders Show), the film centers around Rexxx, with three x’s, who is apparently a 21st century version of Benji, Old Yeller, or any other movie dog you’d like to slot in. During a stunt for his latest film, Rexxx accidentally falls from an airplane and lands in a truck full of tomatoes, so he doesn’t die of course. The movie would have to be called something other than Firehouse Dog if that were the case. But he does manage to get to New York, where Shane (Hutcherson) finds him and wants initially to get rid of him, before he finds out what the dog can do, despite the objections of his father (Bruce Greenwood, The Sweet Hereafter). But he grows to become part of the family more and more.
Posted in: Disc Reviews by Archive Authors on September 6th, 2007
(Supplemental material portions of this review are culled from Gino Sassani's review of said film in the Blu-ray format, so enjoy or read elsewhere.)
I've always enjoyed Hitchcock's Rear Window, and I've gotta say I was more than a little disgusted when I saw that it was going to be remade and modernized, with no less than Shia fricken' LaBeouf in the main role. Oddly enough, LaBeouf carries the role pretty well.
Posted in: Disc Reviews by Archive Authors on September 6th, 2007
(You’re going to have to forgive me, I’m pulling ample portions of this review from my earlier Divimax review of Dawn, with some exceptions of course.)
Anchor Bay, holding all (or most) of the keys in George Romero’s zombie film trilogy put out a copy of this film now before overloading us we on the remake, done in grainy, handheld 28 Days Later style by director Zack Snyder of 300 lore. A stopgap one disc version was released, followed by this huge-arse four disc version that we’re viewing now.
Posted in: News and Opinions by Archive Authors on September 5th, 2007
Wow - finally! My favorite movie of the summer will come out to play on DVD and HD DVD on October 16th. Both formats are OK initial releases, but leave plenty of room for future extended/director's/collector's editions - the DVD audio is particularly weak. Anyway, both releases have a slew of features - from chest-thumping Chevrolet goofiness to what sounds like a cool CGI-model explorer that takes up an entire HD DVD disc.
Posted in: News and Opinions by Archive Authors on September 5th, 2007
Wow - finally! My favorite movie of the summer will come out to play on DVD and HD DVD on October 16th. Both formats are OK initial releases, but leave plenty of room for future extended/director's/collector's editions - the DVD audio is particularly weak. Anyway, both releases have a slew of features - from chest-thumping Chevrolet goofiness to what sounds like a cool CGI-model explorer that takes up an entire HD DVD disc.
Posted in: Random Fun by Archive Authors on September 4th, 2007
Good question, posed by author Iain Levison.
Citing a number of insane trucker movies (Joyride, Thelma & Louise, and Duel among others), Levison turn the stereotype into a quasi-screed white-working-guy manifesto:
Posted in: Site News by Archive Authors on September 3rd, 2007
If you've noticed, were struggling with various server and software issues here. Apologies in advance, and thanks for your patience.
-Rod & the UpcomingDiscs team
Posted in: Site News by Archive Authors on September 3rd, 2007
If you've noticed, were struggling with various server and software issues here. Apologies in advance, and thanks for your patience.
-Rod & the UpcomingDiscs team
Posted in: Disc Reviews by Archive Authors on August 31st, 2007
I don’t care what anyone thinks, A Night at the Roxbury is awesome. Back when Will Ferrell and Chris Kattan would do the skits on Saturday Night Live I loved it, and when the movie came out I pumped. This was back when I was barley a teenager and for me, this one has still got it. The hard part is explaining why this movie is so funny to me and its cult following. It has no real story, character development, etc. But still it manages to keep me laughing, time and time again. I’ll get more into that later, for those of you who haven’t seen A Night at the Roxbury I’ll play it out for you.
It doesn’t really get much simpler than this; Doug (Chris Kattan, Corky Romano) and Steve (Will Ferrell, Blades of Glory) Butabi (Are they brothers? No…. Yes!) love the nightlife, and aspire to be club owners. The only thing is they can’t ever get into any clubs despite there flashy threads and their dad’s BMW. Until one night a chance accident with Richard Grieco (21 Jump Street) leads them into the doors of the infamous Roxbury. Here they meet the clubs owner Benny Zadir (Chazz Palminteri, Running Scared) and hit it off with him and some club girls. The girls of course think they have money, and spend the night with them at Zadir’s house party. The Butabi’s pitch an idea for a club to Mr.Zadir that he loves, but apparently the next morning his assistant Dooey (Colin Quinn, Saturday Night Live) says that wasn’t the first time he picked up some losers and dumped them the next day. Everything seems to be falling apart for the Butabi brothers, can they get it together? Wow that makes this movie sound a whole lot more dramatic than it is.
Posted in: Disc Reviews by Archive Authors on August 31st, 2007
Ted Crawford (Anthony Hopkins, The Silence of the Lambs) is a successful engineer who recently discovers his wife’s infidelity. He becomes aware that she has been sleeping with a police detective, which pushes Ted to the point of shooting his wife. Initially he confesses to the crime, and it looks to be an easy win for rising star district attorney Willy Beachum (Ryan Gosling, The Notebook). This is of course until Ted redacts his confession and engages in a battle of wits with Beachum. After enticing the arresting officer and adulterer into attacking him in the courtroom Ted’s case begins to look optimistic. Eventually he is acquitted of his charges and Beachum becomes obsessed with the case knowing that Ted is guilty. He literally puts his career on the line to find out what happened and even tries speaking with Ted’s comatose wife.
Fracture is one of those movies that I really wanted to like, but I couldn’t. The story wasn’t very intriguing and it just seemed to drag on and on with no real closure. As well, for a movie claiming to be suspenseful I can’t even recall one time where I was holding my breath. But despite the film having what I thought was a pretty weak script, the acting all around was quite impressive. In each performance he makes Ryan Gosling gets better and better, I think this Canadian native has quite a bright future ahead. I don’t think I need to mention that Anthony Hopkins played a terrific role as well, and they really paired up nicely. But great acting couldn’t save Fracture which was ultimately to stale. Not to say it was a complete waste of time either, this movie is worth checking out once but I couldn’t recommend it being worth a purchase.
