Posted in: Release Announcements by Gino Sassani on October 5th, 2011
BURBANK, Calif. – October 4, 2011 – On the heels of the phenomenal success of The Lion King 3D – which will cross the $80 million mark at the domestic box office today – The Walt Disney Studios has announced limited theatrical engagements for four of its classic films for the first time in 3D. The following titles from Walt Disney and Pixar Animation Studios will be released in 2012 and 2013:
· Beauty and the Beast – January 13, 2012
Posted in: Contests by Gino Sassani on October 4th, 2011
The horror giveaways just keep on coming. We also have three copies of the Scream 4 soundtrack on CD to give away. To win a copy of this prize, follow these instructions.
Contest is now closed Winners are Veronica Murillo, Burcu A. & Ben S.
Posted in: The Reel World by Gino Sassani on October 4th, 2011
Written by John Delia
When I see Seth Rogen’s name listed in the cast of a film, the first thing that comes to my mind is a wild comedy. But in 50/50 Rogen adjusts his bizarre persona and creates a character that provides the right medicine to a poignant situation. Although the film gets a little sappy at times, it delivers a strong, meaningful story.
Posted in: Contests by Gino Sassani on October 3rd, 2011
The horror giveaways just keep on coming. Our very good friends over at Anchor Bay are at it again. They have given us a frighteningly clever film on DVD to giveaway as part of our 31 Nights Of Terror. Wes Craven and the gang are back for Scream 4. You can win a copy of the DVD from Anchor Bay and Upcomingdiscs. To win a copy of this prize, follow these instructions.
Contest is now closed the Winner is Lori P.
Posted in: Contests by Gino Sassani on October 2nd, 2011
Ever thought about making your own zombie movie? In their continuing effort to help us kick start this year's 31 Nights Of Terror our very good friends over at Barron's want to share some more reading that's to die for. This time it's "Filming The Undead: How To Make Your Own Zombie Movie". This book covers it all from how to create make-up effects to understanding the technology of shooting a movie. Who will be the next George Romero? To win a copy of this prize, follow these instructions.
Contest is now closed Winner was Gabriel Chow
Posted in: Contests by Gino Sassani on October 1st, 2011
To help us kick start this year's 31 Nights Of Terror our very good friends over at Barron's want to share some reading that's to die for. Yes, we're giving away a copy of their wonderful book: 101 Horror Movies You Must See Before You Die. We recently reviewed their 1001 Movies You Must See Before You Die. It's a perfect companion for your frightening book shelf. These Barron's books are a ton of fun and are sure to start the debates flying when you share it with your friends. To win a copy of this prize, follow these instructions.
Contest is now closed Winner was Linda Brooks
Posted in: Disc Reviews by Gino Sassani on September 30th, 2011
"New York City 1958: In these concrete canyons, everybody's got an angle. The beauty with the sob story who killed her old man. The harmless geezer who's in bed with the mob. The kidnapped broad who's really a fraud. When a case gets too twisted for the cops, only one man can straighten it out: two-fisted gumshoe Mike Hammer."
My earliest memories of Darren McGavin are the tough reporter that stumbled upon supernatural creatures in Kolchak: The Night Stalker. That short-lived series had a huge impact on the likes of Chris Carter and would inspire shows like The X-Files and Supernatural. But Darren McGavin was already a steady veteran of television screens long before his Chicago reporter staked his first vampire. He first came into American living rooms in the 1950's as Mickey Spillane's fast-talking film noir detective Mike Hammer. As Mike Hammer he would influence another entirely different genre of television shows. There would be no James Rockford or Magnum PI without him. The character would reappear decades later with Stacey Keach in the title role, but if you want to know what makes the classic television detective tick, you have to go back to the source. A&E just made that possible, and you won't need a Delorean equipped with the optional flux capacitor to do it.
Posted in: Contests by Gino Sassani on September 30th, 2011
Anchor Bay Entertainment and The Weinstein Company have given us 2 copies of Ben Stiller's Submarine on DVD to give away to 2 lucky readers. This refreshing and original film stars Craig Roberts, Noah Taylor and Paddy Considine. To win a copy of this prize, follow these instructions.
Contest is now closed Winners are Brenda Witherspoon-Bedard & Andrew Dankleff
Posted in: Disc Reviews by Gino Sassani on September 30th, 2011
Leslie Nielsen was once a serious actor. He starred in one of the most important science fiction films ever made, Forbidden Planet. He was a staple on the 1950’s television dramas. His unique features and voice made him a busy character actor all the way until the 1980’s. That’s when the cornball kings Jim Abrahams, David Zucker, and Jerry Zucker cast him as the “don’t call me Shirley” Dr. Rumack in Airplane. From that moment on Nielsen went from being a serious actor to becoming the face of an entire comedy genre of corny films. If there was a subject to spoof throughout the 80’s and 90’s, you could count on Leslie Nielsen having a prominent role. Two years after Airplane he had a television series, for all of 6 episodes. It was a cop show spoof called Police Squad. In the show he stared as Detective Frank Drebin, a modern day Inspector Clouseau. He would bumble his way through the show’s unique cases, always finding a way to stumble on the solution. The only case he couldn’t crack was how to get people to watch the show. The brand of humor that Nielsen is now famous for has a very narrow niche. You either get it or you don’t. You either like it or you don’t, and most of America decidedly didn’t.
So what do you do with a miserably failed television show that ran just 6 episodes? You make it into a series of major motion pictures, that’s what you do. Six years after the series was gone and forgotten, the Abrahams/Zucker team decided to take it to the medium they’ve had so much success in already. What didn’t work at all on television appeared to have new life at the box office. The film brought in an impressive $79 million, which was a phenomenal number for a comedy in 1988. It went on to become the 8th highest grossing film of 1988. With a production budget of only about $20 million, this was a cash cow Paramount couldn’t afford not to milk. They did indeed go to the well twice more, with the bottom falling out on the third try. The audiences loved it, but they could only take so much.
Posted in: Disc Reviews by Gino Sassani on September 29th, 2011
The CSI phenomenon has been going strong for many years now, and CBS has ridden that wave to become the top network these past couple of years. It all started with the original CSI: Crime Scene Investigator. This Las Vegas show became an instant hit, and three years later we found ourselves in Miami for a spin-off. Two years after basking in the Florida sunshine, Jerry Bruckheimer caught lightning a third time; this time out New York would serve as the setting. While there are ties that bind the three shows to the CSI franchise, each show has a unique style. The cases also serve to distinguish the shows from one another. The leads for the three shows likely give the most character to the series. Gary Sinise as Detective Mac Taylor brings a strength that establishes this show’s credibility from episode one. Taylor is ex-military who lost his wife in the 9/11 attacks. He’s incredibly driven and passionate about bringing down the bad guys, but won’t allow his integrity or that of his lab to be compromised. Also, the New York show differs from the original in that the CSI personnel are full fledged cops and not just lab rats working for them. I find I like this version far better than the Miami setting, even though I can relate more to the Florida locations essentially in my own back yard.
The show does share some of the qualities that have become traditional essentials for the CSI franchise. Each opens with a song from The Who. I was bummed to hear that the original selection for New York was Behind Blue Eyes, one of my favorite Townsend compositions. It would have been a far better selection. New York has the same narrative style, which usually allows for an “A” crime and a “B” crime. The mandatory lab montages are intact, as are the CGI recreations of some of the internal body demonstrations. The show, like the others, focuses on the CSI team. Gone this season is Detective Stella Bonasara (Kanakaredes). In her place Sela Ward joins the cast as former FBI Agent Jo Danville. She specializes in the mental aspects of the crime. She's the team's answer to a behavior science unit and works closely with Mac. Detective Danny Messer (Giovinazzo) is all New York from the accent to his habits. He’s the kind of tough no nonsense New Yorker from an ethnic Italian hood who, you get a sense, could have just as easily gone the other way in the world of real-life cops and robbers. He's married to Detective Lindsay Monroe (Belknap), often called Montana, a country girl adjusting to the big city. Messer often looks after her like a sister, and these two have developed another of the show’s good character chemistries together. Now they have a kid and the relationship has taken another step in its evolution. Dr. Hawkes (Harper) started the series as the medical examiner, but now works as a CSI detective. Dr. Sid Hammerback (Joy) took over the medical examiner duties when Hawkes left. He's a thorough doctor who is always looking that one step farther than usual and often discovers what another medical examiner might have missed. Detective Don Flack (Cahill) is the beat detective that most often works with the team.