Posted in: Disc Reviews by Gino Sassani on September 23rd, 2010
The residents of Wisteria Lane have become household staples in the last four years. Even after watching the show, I’m still not sure I understand what it’s about, but I’ll try to give my take on it anyway. It would appear to this reviewer that the show owes at least part of its genesis to the HBO hit Sex And The City. There is the same narrative angle, this time by a deceased member of the group. Still, that narrative contains many of the same kinds of observations as the HBO show and appears to imitate it as often as not. The show also deals with the exploits, often sexual, of a group of women. This time they are married, but that doesn’t seem to stop the flings, or at least the fantasies any. Finally, the best correlation between the two shows is how much both depended almost entirely on the personalities of the women themselves instead of any particular element of story or concept. Here the women are the concept. In the first season it appears young housewife Mary Alice (Strong) commits suicide. She now looks down (or up, I guess) on her neighbors, offering the commentary that is the show’s narration. At the end of each episode she offers some tidy little wrap-up, adding comments on how the lives of these women are evolving.
The plot is pretty much standard soap-opera fare. There are love triangles, diseases, and the typical complications you can find on any given weekday during the networks’ afternoon programs. Of course, here we have prime-time production values and a decidedly A cast of actors. It’s very likely that Desperate Housewives might have actually benefited from the writers’ strike, which reduced the run of episodes down to 17. The writers spent more time dealing with the characters and less trying to pretend they were creating compelling drama. Where the show works is in these quirky, almost black-comedy moments between the characters. Since there is no “story” to really speak of, I guess it’s more important that you meet the residents of Wisteria Lane. Susan (Hatcher) is married to Mike (Denton). She’s kind of an airhead and is the housewife most likely to be on the outside of a joke or reference. Her husband might or might not be a murderer. Perhaps denizens of the show have a better grasp of the 411 on that situation than I got. Susan was raising her daughter Julie (Bowen) on her own before she married Mike. Lynette (Huffman) was once a big-time corporate executive who is now raising four kids and is married to Tom (Savant) who also left corporate America and runs a pizza shop. They are also raising Tom’s daughter from a previous affair, who absolutely hates Lynette. Katherine (Delany) is the local “perfect housewife”; she’s a cooking champion and is a bit of a snob, refusing to share her lemon meringue pie recipe with anyone. She and gynecologist husband Adam (Fillion) are the newest residents of Wisteria Lane. Bree (Cross) is a rival to Katherine in all of this homemaking stuff, but it appears they learn to work together before the season ends. Bree is married to Orson (MacLachlan), who has had more than one ex-wife turn up dead. Unfortunately for Orson, it is the husbands that are expendable in this show. Last but certainly not least is Gabrielle (Parker). She’s obviously the best-looking of the group and acts like she knows it. Her husband is the town’s mayor, but she spends far more time with lover Carlos (Chavira). She has expensive tastes and wants to be pampered. Together these ladies go through guys and catfights like they were pitches at the All Star Game.
Posted in: Disc Reviews by Gino Sassani on September 23rd, 2010
"Legend has it, in the mystic land of Prydain, there was once a king so cruel and so evil that even the gods feared him. Since no prison could hold him, he was thrown alive into a crucible of molten iron. There, his demonic spirit was captured in the form of a great Black Cauldron."
Posted in: Disc Reviews by Gino Sassani on September 22nd, 2010
“Some people say that fairies are the stuff of fantasy. They think the world is just what you can touch and hear and see, while others say the tales and legends cannot be dismissed. They believe with all their hearts that fairies truly do exist. Through all of time, human beings and fairies never met, till one special summer that we shall not soon forget.”
Tinker Bell has been a Walt Disney icon almost since its inception. The character has gone way beyond her appearance in Peter Pan. In the decades since, she has come to represent the magic of Walt Disney and its many incarnations. Seen at the beginning of every Disney title, Tinkerbell is likely as recognizable as Mickey Mouse and his many friends. John Lassiter and the animators of Disney’s new CG animation studios take on this monumental character in the third of at least five announced films to feature the little fairy. Lassiter brings his best magic, learned developing Pixar over the years, to create a feature that rivals the Pixar brand in quality and technological presentation. The animation is incredible. The CG environments are absolutely beautiful. With the help of Pixar, Disney has made the same strides in computer animation that it once made in traditional hand drawn animation. This picture is light years ahead of almost anything else I’ve seen outside of Pixar itself. Understand that this is a direct-to-video production with far less of a budget than a theatrical release, and the look of this world is even more incredible. Characters interpret with effortless smoothness, and the result is a nearly 3D presentation. The result is a quite amazing to look at.
Posted in: Disc Reviews by Gino Sassani on September 22nd, 2010
"If you people spent less time thinking about sex and more time concentrating on comic books, we'd have far fewer embarrassing moments."
Posted in: Disc Reviews by Gino Sassani on September 22nd, 2010
In 1993, three of the most influential executives in the entertainment industry decided to pool their talent, resources, and connections into the power company called Dreamworks. It was Steven Spielberg, Jeffrey Katzenberg, and music mogul David Geffen who formed the studio, at first to contribute to other films in production by other studios. It's no surprise that the studio's first impact was in contributing special effects. In 1997, the studio decided to begin creating their own brand of films. The first of those efforts was the Nicole Kidman/George Clooney post-Cold-War thriller, The Peacemaker.
In many ways the film itself became a victim of the milestone that it represented. It wouldn't be long before Dreamworks would start to live up to those expectations and in a huge way. But in 1997, films like Shrek, Gladiator, and Saving Private Ryan were still a couple of years away. So all of the massive expectations that came with such a powerhouse venture fell on The Peacemaker. And those expectations fell hard. The movie cost over $50 million to make and pulled in only $41 million in its domestic box office run. A mere speed bump in the upwardly mobile future of Dreamworks; a disaster for a film that deserved more attention for its own merits.
Posted in: Disc Reviews by Gino Sassani on September 21st, 2010
Alan Ball was pretty much an unknown to anyone but a few Hollywood insiders and fans of such television shows as Grace Under Fire and Cybill, where he wrote a mere total 10 episodes combined. When he began to shop the idea for American Beauty, he had originally conceived it as a stage production. Truth be told, he wasn't sure that there was a studio out there that would touch the awkward dark idea. But Dreamworks was still a young company with big ideas. If there was a studio out there that was going to take a flyer on a young talent with an oddball script, it was Dreamworks. Of course, they weren't going to take a very large flyer. The budget for the film was set at about $15 million. Not much even for 1999. The guys were willing to gamble. The gamble paid off.
The film didn't attract any of the established directors in the industry. I'm sure the budget had as much to do with that than anything else. Sam Mendes hadn't directed a feature film to this point. Actually, he hasn't directed all that many films in the decade since. With the small money and young, inexperienced director, this was looking more and more like an independent or festival film. But then something began to happen.
Posted in: Disc Reviews by Gino Sassani on September 21st, 2010
"The story I'm about to tell you is Camp Little Moose's darkest secret. A tale so terrifying, if your parents knew, they'd never a sent you here in the first place."
Scooby Doo has spanned generations and over 40 years. Since the 1960’s the name and conventions have become a part of the pop culture. The original cartoon series had a series of conventions. The Scooby Gang would drive around in their green Mystery Machine van and solve ghostly mysteries. Fans of the show quickly grew to learn that these spirits and goblins were usually just normal people using scare tactics to get revenge or make a profit. The cartoon classic spawned music albums, live action movies, and several new shows and animated features.
Posted in: Disc Reviews by Gino Sassani on September 21st, 2010
When Jim Henson had finally finished up with The Muppet Show, it was time to take his puppet creations in a slightly different direction. Fraggle Rock, like The Muppet Show before it, was originally produced and aired outside of the United States. With the Muppets it was England that gave the guys their break. This time it was CBS in Canada. The show did quickly find a home in the United States, this time on cable. HBO was just beginning to stretch its legs and break out of its reputation as merely a place to watch movies after their box office run was completed. The network also had a bit of a reputation as more of an adult network. Fraggle Rock was the perfect opportunity to expand on both fronts. The show developed a cult following, but never achieved quite the reputation and numbers that the Muppets had done. Still, it was a staple on the cable network for 5 years.
Fraggles are furry little animals that live underground. Each Fraggle is unique in many ways. They all have their own color and look. They pretty much live a simple life of socializing and having fun. In the world of the Fraggles, there is also a family of giant troll-like creatures called Gorgs. The Ma and Pa Gorgs considered themselves the King and Queen of the land, but Junior was the only other Gorg in the kingdom. He loved to try and catch the Fraggles, who would often raid his garden for their favorite food, radishes. There was also an entrance to Fraggle Rock in the workshop of Doc and his dog Sprockett. Doc was blissfully unaware of the Fraggles living under his home. But, Sprocket was always trying to alert him to their presence. In the final episode, Doc finally learned of the existence of the creatures.
Posted in: News and Opinions by Gino Sassani on September 21st, 2010
The “Little Bit of Butters” sweepstakes launched Monday September 13th and will run for four weeks with a grand prize of $5000 Butters Pimp Cash. The sweepstakes page is located here http://www.southparkstudios.com/butters_dvd and features a selection of videos and images that give fans a deeper look into A Little Box of Butters.
Posted in: News and Opinions by Gino Sassani on September 21st, 2010
Choose your own adventure as PRINCE OF PERSIA: THE SAND OF TIME comes to Blu-ray and DVD on September 14th.
In celebration of the upcoming release of PRINCE OF PERSIA: THE SANDS OF TIME on Blu-ray and DVD, Walt Disney Studios Home Entertainment has launched the PRINCE OF PERSIA SWEEPSTAKES.