Posts by Gino Sassani

"Space...The Final Frontier. These are the voyages of the Starship Enterprise. Its 5-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one has gone before!"

Since the relaunch of Star Trek on television via the Paramount + streaming service, I must admit to being a little underwhelmed. It's truly bad when Alex Kurtzman makes me pine for the days of Rick Berman. There have been some pretty good moments in the various new Trek shows. Picard has shown promise and has improved with a third season that looks very exciting. Lower Decks is just too campy for my tastes, and Discovery has so many ups and downs I feel like I'm on a rollercoaster. So along comes Strange New Worlds, and this is the Star Trek I've been waiting for these last decades.

“You got everything money can buy, except what it can’t. It’s pride. Pride is what got you here. Losing is what brung you back. But people like you, they need to be tested. They need a challenge.”

There have been a ton of boxing films. They’ve been popular going back to the silent era. Most of them have many of the same themes. But there was always something about Rocky that stood out above all of the rest. That “something” can’t really be described or defined. As the Supreme Court once said about the definition of obscenity: “I can’t define it, but I know it when I see it.” That’s all you can say about Rocky. Some might call it heart. That’s about as good a word for it as anything else. Rocky himself would call it “stuff in the basement”. It almost demeans it to put a word on it at all. Whatever you call it, you don’t necessarily see it in Rocky … you feel it. Now the first 4 films are out together on UHD Blu-ray in 4K.

"The Colosseum. The Roman Empire distilled to its most basic essence. It is a symbol of conquest. It's a symbol of dominance. It's a symbol of imperial power radiating throughout the Roman world. Any emperor had the Colosseum at his disposal to use as a tool to reassert his power and authority. The message of the Roman people is that life is a combat. It was also a judicial warning: do not test the power of Rome."

After over 2000 years of both heavy use and neglect, much of the structure still remains. It survived the many sacks of Rome and its rebirth as a Christian empire. The building survived the bombings and invasions of two World Wars, and it remains. Its history is a testament to the best and worst of human nature. Now History has given us a series of eight television episodes that explore both the mystery and the majesty that was the Roman Colosseum.

"There is an old saying that blood is thicker than water."

We've had Keeping Up With The Kardashians, Gene Simmons with his Family Jewels, and even Snoop Dog's Father Hood. It's become a bit of a trend to follow these celebrity families around and watch the drama of their privileged lives unfold on our television screens. You might think it's a relatively recent phenomenon, but would you believe they were doing it back in the infant days of television when we followed around a musician named Ozzie and his wife way back in 1952? No, we're not talking about Ozzie Osbourne and his family. I'm talking about Ozzie and Harriet Nelson. They were television's darling family before we ever heard about Lucy and Desi. The show actually started on radio like many of the fledgling industry’s early hits including the likes of Gunsmoke. Four years after the radio brought us The Adventures Of Ozzie And Harriet, they moved to television. While their two sons were played by actors on the radio, both David and Ricky Nelson joined the television show, and it went on to make television history, breaking records, some still held today. It was the first television series to ever hit 10 seasons, finishing with 14 still a sit-com record. It lasted from 1952 to 1966 with 436 episodes. Until The Simpsons, it was the longest running scripted television comedy and remains still the longest live-action scripted comedy ever on television. And while the stories were, of course, fictional, most aspects of the show were quite real. Their television home was modeled after their real home. Many of the family's life stories found their way to the series. The four family members were quite real, and you just couldn't fake these relationships.

"Inspired by the global threats of the Second World War, the U.S. Navy welcomes a surge of aspiring aviators ready to fight in what they called The Big Show. But now it's 1950, and after five years of peace, a true conflict is growing at the North and South Korean border. This is a story from America's forgotten war."

One of the best things about this job is that we get to see some of the up-and-coming talents as they evolve into superstars. I was lucky enough this week to get a double dose of one of the most dynamic young stars out there. Of course I'm talking about Jonathan Majors, who plays US Navy aviator and hero Jesse Brown. Just one night after watching the UHD/4K disc for this review, I was treated to my second dose of Majors at a press screening for the upcoming Creed III, where Majors plays the antagonist Damien Anderson. The roles could not have been more different, and Majors stole every scene in both films. I already can't wait to see him once again. I missed our screening of the new Ant-Man & Wasp film, so I have his portrayal of Kang to look forward to. The buzz I heard was that he had been the best part of the film, and I believe it after Devotion and Creed III. I'm sure there'll be more to say about this talented young actor, but let's talk about Devotion out on UHD Blu-ray in 4K from Paramount.

"Life is not like the movies."

Maybe sometimes life is exactly like the movies. You know the old phrase of art imitating life and that kind of thing. That's exactly the territory that's covered in Steven Spielberg's latest film The Fabelmans. It's an autobiographical film where the names are changed to protect both the guilty and the innocent. It's also the first time that Spielberg has directed his own writing in over 20 years. In those 20 years Spielberg has become something of a moviemaking machine, and I think he felt it was time that the machine walked away from the spotlight for a minute and allowed the man behind the machine to show his face again. It used to be about heart; lately it's been about box office, and more recently it's been about surviving after the hit the industry took with COVID. I think Spielberg had a lot of things to get off his chest, and it looks like he might have found the time and place to do just that. While the film is a love letter to people who still think movies are a kind of wizard's magic, it was also a little bit of therapy for this particular wizard. Like all autobiographies, it's not really finished, and that's the most profound takeaway I had when the film ended.

"You see, the four of us have a very important job to do. In fact, it might be the most important job in the history of the world."

What is it about a cabin in the woods that makes it a good place for the apocalypse? When I think of those isolated cabins, I think of good ol' Abe Lincoln or a group of guys bonding over a fishing/hunting weekend. But when it comes to folks like Joss Whedon or now M. Night Shyamalan, they see disaster. Where I see a day on the lake, these guys see the end of the world. It's not like Shyamalan hasn't brought us there before. The box office bomb After Earth comes to mind. So what about his latest effort, Knock At The Cabin? The trailers appear to pretty much give the plot away, but pleasantly there's a little bit more to it than that. I'm a huge fan of the man's mostly early works. The Sixth Sense, The Village, Signs, Unbreakable, and even the more recent Split and Glass are all first-rate films in my book. But lately it's been more hit than miss from the guy who grew up in the same Philly area playpen where I grew up. So, flop or fantastic? Knock At The Cabin falls somewhere in the middle, which is a new experience for me from a Shyamalan movie.

"On the day America remembers its dead, a special salute today for the war dead in Vietnam. An American serviceman who died there took his place today in a place of honor, The Tomb Of The Unknown Soldier. Almost 10 years after the last American left Saigon, the men who fought in Vietnam got their parade. Muffled drums and dirges. A coffin and a flag wrapped in plastic to protect it from the rain. Families of the men still missing in Vietnam waited for the coffin and remembered. They wonder if their sons are still alive and why the world sits back and allows the Vietnamese government to flagrantly violate the Geneva Convention. Rumors of physical and mental torture have made the wait more agonizing."

If the story sounds somewhat familiar, there are two reasons for that. The first Missing In Action film was released in 1984, so you've had about 40 years of imitations and knock-offs along the way. The other is that the film shares more than a little history with the Sylvester Stallone film Rambo: First Blood Part II. When Sly was shopping around his original ideas, Cannon Film Group was one of the places that listened to the pitch. So it's not a complete coincidence that the films went into production at the same time, with Missing In Action beating the Stallone vehicle to the box office by a few months. Both films did well, and they started a genre of war films that involved rescuing Americans still missing in Vietnam. It was in the early 1990's that the plight of missing servicemen in Vietnam was brought to the public's attention. Ronald Reagan gave it a bigger voice than had been given earlier, and he made it a point to address the issue. It shouldn't come as much of a surprise that Hollywood was on it as fast as they were. The franchise would become one of Chuck Norris's more iconic franchises, and the rest is, shall we say, history. Now Kino Studio Classics have brought the original three films together in a much deserved Blu-ray collection.

"We've come here to pay our respects to Great Aunt Nellie. She brought us up properly and taught us loyalty. Now I want you to remember that during these next few days. I also want you to remember that if you don't come back with the goods, Nellie here will turn in her grave, and, likely as not, jump right out of it and kick your teeth in."

Ian Kennedy-Martin was a television writer for the BBC in the late 1950's and early 1960's. When London adopted one of the world's first computerized traffic light systems, it gave him an idea for a series or television movie. The idea was pretty simple. A group of crooks would hack into that system and use a traffic snarl to get away with a big bank job. The problem was that the idea was too large a production for the BBC staff to pull off. So he sold the idea to his brother, Troy Kennedy-Martin, who wrote the final script for The Italian Job. He moved the action to Turin, Italy where one of the most sophisticated of these early computerized systems was in use. The rest is pretty much history.

"What about the old American social custom of self-defense? If the police don't defend us, maybe we should do it ourselves."

Vigilante justice has always been a popular subject in our movies, television shows, literature, and even comic books. Batman is nothing more than Bruce Wayne out to get back at criminals like the ones who murdered his parents when he was a kid. Batman is the ultimate vigilante. And let's be honest. Haven't you ever once fantasized that you could cross that line and punish some injustice or another that crossed your path? The subject has been around since stories have been told. There are those landmark tales, however, that for some reason or another reach the soul of the masses. For good or evil? You can decide that for yourself. But one of those iconic vigilante films has to be the original Death Wish with Charles Bronson. There's some extra visceral element that isn't in so many of the imitators, remakes, or even sequels. The film has its own storied origin tale and long history of roadblocks before it ever hit box office gold in 1974.