Posts by Gino Sassani

"In our findings on Gamera, we've ascertained that: Firstly, it is attracted to and consumes fire. Secondly, it also seems to possess an internal power plant, of sorts. This emits a signal frequency that can jam radio communications. In order to store up energy reserves, Gamera consumes inorganic resources. Not only does it consume petroleum as well as other mineral and fossil fuels, but Gamera may also seek out atomic bombs."

Ask anyone about Japanese monster movies and Gamera usually won't be the first name that comes into their minds. Godzilla would likely dominate the conversation, and for most of the last 60 years the folks at Toho have been synonymous with large monsters. But they didn't exactly hold a monopoly on the big beasts. Kadokawa Pictures had their own little monster franchise going on. It all started in 1954 with Gamera: The Giant Monster. From 1965 through the 1970's the studio would produce 8 Gamera films in all.

"You, sir, are guilty of disseminating disbelief. Killing dreams. Committing first-degree murder of fantasy, which by Fairy Law, in order to pay your debt to humanity, you are hereby ordered to serve time as a Tooth Fairy. The normal sentence is one week, but because you have the nerve, the unmitigated gall, to actually call yourself a Tooth Fairy, thus making a mockery of everything we stand for, I'm sentencing you to two weeks Tooth Fairy duty."

Dwayne (once The Rock) Johnson has made a bit of a new career move over the last few years. When he left the wrestling ring to "go Hollywood" the expectation was always that he would become an action hero. It's what his fans expected. It's what Johnson wanted, at the time. Movies like The Scorpion King were created completely as vehicles for Johnson to show off his physique and join the ranks of the big strong action heroes. It didn't exactly work out as well as everyone involved expected. He wasn't a flop, but he wasn't setting the movie industry on fire either. But with movies like The Game Plan and Race To Witch Mountain, Johnson appears to have a knack for working with kids in films targeted primarily at kids. He's become a big teddy bear, and it's paying off quite handsomely. While he still hasn't given up the wrestling gigs and an action role here and there, his biggest success so far in Hollywood has been with the kids.

"The Legend Had It Coming."

It seems that pretty much every decade has had its screen version of Robin Hood; sometimes it's on television. Robin Hood is one of the most popular characters in film, and there have been plenty of versions, each with their own particular take on the multiple legends that have made up the character over the centuries. Currently Ridley Scott has just released his own epic version of the tale with perfectly-cast Russell Crowe in the title role. In the early 1990's there were two films on the subject released. The first was the disaster that stared Kevin Costner, so abysmally cast as the titular hero. It was only inevitable that following one of the worst attempts to portray Robin Hood, Mel Brooks would see his chance to lampoon the legend. After Costner's film, the legend truly did have it coming.

For most of this last decade Mel Gibson might as well have vanished from the face of the planet. The once extremely popular actor had charmed the world. Women found his childish grin to be irresistibly sexy, and men bought into the “kick ass and crack a joke” style that made the Lethal Weapon films such a romp of fun. But lately, you expect him to be the subject of a “Where Are They Now” segment from a late show on television. It's no secret why Gibson climbed so quickly out of the public eye. I'm sure everyone still remembers the drunk-driving arrest where Gibson compounded his already serious case of bad judgment with even worse judgment. He tussles with the police officers who stop him and lets loose one of the worst anti-Jewish rants since Pharaoh unloaded on Moses. He apologized, of course, but some things just can never be put back into the box. There's an old Latin phrase that roughly translates to "In wine there is truth". The idea is that Gibson's true feelings were revealed by the reduced inhibitions of alcohol. Whatever his real feelings might be, none of us will ever know, and I don't really have an opinion, or care for that matter, except for the fact that it has removed Mel Gibson from the front of the camera pretty much ever since. His only projects have been as director, producer, and even writer. Even those efforts have been controversial. It's hard to watch The Passion Of The Christ without a visceral reaction to what you've seen. It's been a rough decade for Mel Gibson.

For those who have seen the British mini-series, and I reviewed it in these pages some time ago, you'll find that while the story doesn't really change, the dynamics of the story certainly change, and for the better. This wasn't a good story to drag out over six hours. The British version went into some fantasy elements that this version absolutely avoids. While Craven still appears to be seeing the "ghost" of his dead daughter, it appears to be more in his mind and a product of the grief. In the British series it got rather silly with her teaching him how to do laundry. It was quite absurd, after a time. The basic story elements do remain:

I've seen quite a bit from Steven Seagal of late. There was his reality series from his deputy job, and many of his numerous catalog titles are finding their way to Blu-ray. All in all, it's a pretty good time to be a Steven Seagal fan. The latest of these earlier films to reach high definition is the 1990 entry Marked For Death. It pretty much follows the established Seagal formula here, combing martial arts with the vendetta theme, that he has come to personify for so long. It has a little of what the fans are looking for, including the social messages that are a huge part of Seagal's films. I'll give him a lot of credit here. He does appear to have a huge heart, particularly for kids, and tends to press issues of importance to them in many of his films. He also manages to accomplish this without getting too preachy.

John Hatcher (Seagal) works for the DEA. He's in the middle of an undercover operation in Mexico that goes sideways. That means that people are going to get killed, and you can bet your bottom peso that one of those people is going to be someone that Hatcher cares very much about. Playing a family member or partner in a Steven Seagal movie is like putting on a red uniform and beaming down to a hostile planet with Kirk, Spock, and Bones. You'd be safer with a three-pack-a-day smoking habit topped off with a 5th of Scotch and a heroin chaser. No one's going to be selling you any life insurance. So naturally, since we don't see any family members running about, Hatcher's partner is not long for this script. When his partner does die, Hatcher rethinks his job and decides to quit.

"In the West there lives an animal that runs wild and free. Its strength and courage symbolize our pioneering spirit. That magnificent animal is the wild mustang."

In 1943 a very young Roddy McDowall played a young boy in the perennial classic My Friend Flicka. The film was about a rebellious boy who is given a colt to teach him responsibility. He eventually bonds with the horse and learns the necessary lessons. The film was followed by a 1956 television series that followed the adventures of Gus and Flicka and lasted but one year. In 2006, the story was revived in a remake filmed under the same name but shortened to Flicka before it was released. While the character’s last name was retained, the film went the route of a young girl instead of a boy. It was probably a natural choice. My wife stands as a perfect example of how much every little girl appears to like horses. When I was that age I was more interested in the tough-as-nails cowboys who rode them. The film didn't manage to excite a very large audience and pulled in the small sum of $21 million. You might have expected the story to end there. It hasn't. 20th Century Fox has brought back the friendly spirited mustang in a direct to video release, Flicka 2.

Our friends over at Lionsgate have given us  a copy of Dirty Dancing Limited Keepsake Edition on DVD to give away.
If you're a fan of this classic film, this is the edition to have. It is a 2-disc set that comes with over an hour of new bonus material. You get a newly re-mastered transfer of the film. Best of all is the full color hard-back commemorative book included in this beautiful edition. The release also contains a tribute to The Late Patrick Swayze. This is one nice release, to be sure.

To enter to win a copy of this Special Prize, just follow these simple steps...

"Step 1: Reconnaissance. First you need to identify your target."

If you are a regular reader here, you likely know that I have a fondness for Andy Griffith. I recently watched and reviewed in these pages one of his earlier comedy films, and rather enjoyed the old simple rural comedy. That's what makes this one so painful to write about. I think that Andy Griffith missed the boat when he was targeting the audience for his latest comedy, the sexually charged Play The Game. I'm going to just admit up front that this movie made me feel very uncomfortable. I think that many of Griffith’s fans might have the same problem. There are just some actors, particularly ones in their 80's, that I don't want to hear talking about their sexual function, let alone watch having sex. Andy Griffith would be at the top of that list, and I suspect I'm not alone there. But, that's exactly what you're getting into if you decide to pop this one into your DVD player. This will not be like anything else you've ever seen this particular actor do before, and hopefully I never will again. This is strictly for the adults. I'd say the over 95 crowd.

"Comrades, I've called you together again because the people of England face a grave crisis. Many years ago as Robin Hood, I led you as an outlaw band. Here in Sherwood Forest, together we resisted the tyrant King John. When he died, we dispersed because we believed that tyranny had died with him. But tyranny did not die. It merely slept. And now it has awakened again."

Speak the name Robin Hood and one immediately conjures images of the swashbuckling hero of medieval England. The character's origins go back as far as 15th century ballads that herald the daring deeds of an outlaw who fought against tyranny and injustice. In some texts the man is given a dual identity as one of the very noblemen that he had most of his fame defending the people against. The most popular modern notions have the figure in tights with a bow and arrow, equally talented with his sword. He robs from the rich to give to the poor. Such populist notions have been a part of the legends in whatever forms they have taken over the centuries. While the early legends and ballads place him at several locations in England, it is the famed Sherwood Forest dwelling that survives the telling to this day. Believe it or not, one of the earliest mentions of the character, Robin Hood And The Monk from around 1450, is actually a story of Little John as the prominent one, and Robin is merely a fanciful supporting character. He was considerably more religious during those days, dedicated to the visage of The Holy Blessed Mother. By the 16th century Robin Hood was the subject of a series of plays written by Anthony Munday. Here Robin's nobility origins are made clear, as is his hatred of tyranny. The character we know today, however, didn't begin to take shape until the 17th century and Martin Parker's The True Tale Of Robin Hood. Still, with all of this rich literary history, Robin Hood's iconic image owes much to the introduction of the motion picture. It is here that the flights of fancy were given free rein, and Robin Hood became one of the world's first superheroes.

"When I was young, about eight or so, I tried making friends with God by inviting Him to my house to watch the World Series. He never showed."

Jim Carroll was a promising young high school athlete. He was seduced into the dark nature of New York City's underbelly of drugs and violence. During his youth he was also an aspiring poet, who kept a poetic journal of his thoughts before, during, and after his slide into addiction. When he finally did manage to climb out of the hole and gain his sobriety, the entries became a popular piece of literature. Carroll ended up going on reading tours and doing various things to try and help others who might have fallen into the same trap. Director Scott Kalvert attempts to bring these "Basketball Diaries" to life with Leonardo DiCaprio in the role of Jim Carroll.