Posted in: Disc Reviews by Gino Sassani on March 26th, 2009
I was very eager to revisit this film now that it has come our way on Blu-ray and high definition. There are issues that I struggled with in my own viewing that I will discuss later in this review. In high definition this film becomes a case study in contradiction. It’s amazing how pretty a thing can be when it really isn’t very pretty at all. We are witness to bad things, but the director chooses to present these things amid a flurry of beauty. It’s a rather striking contrast, made more so on Blu-ray. It actually made for a much more effective experience, even if most of my initial feelings about the film remain unchanged.
Posted in: Disc Reviews by Gino Sassani on March 26th, 2009
"She was working in a bridal shop in Flushing, Queens 'Til her boyfriend kicked her out in one of those crushing scenes. What was she to do? Where was she to go? She was out on her fanny... So over the bridge from Flushing to the Sheffield's door. She was there to sell makeup, but father saw more. She had style! She had flair! She was there. That's how she became the Nanny! Who would have guessed that the girl we've described Was just exactly what the doctor prescribed? Now the father finds her beguiling. And the kids are actually smiling. She's the lady in red when everybody else is wearing tan... The flashy girl from Flushing, the Nanny named Fran!"
Not exactly Mary Poppins.
Posted in: Disc Reviews by Gino Sassani on March 25th, 2009
This is not your Friendly Neighborhood Spider-Man. If you’re at all like me, you grew up on the 1960’s cartoon series and, of course, the Marvel comic. A lot has changed since those early days of the web slinger. There’s been a not too successful television live action attempt. The comics themselves have changed significantly. You can’t discount the enormously profitable Sam Raimi films, that have given new legs to an old superhero. It stands to reason that a new cartoon series was in order. Enter The Spectacular Spider-Man, the 10th series based on the Marvel character.
Posted in: Disc Reviews by Gino Sassani on March 25th, 2009
Suspense began life as a very successful radio show on the CBS Radio Network. It premiered in 1942 and lasted just over 20 years on the nation’s airwaves. When television began to make its own waves on the air in the late 1940’s, naturally many of those first shows would be programs that had already shown strong appeal to the radio audiences. Shows like Gunsmoke had been staples on the radio for years and would be a nice way to entice the first television crowds to the new medium. Suspense was one of those shows. It first broadcast in 1949 and was broadcast live from a studio playhouse in New York City.
Posted in: Disc Reviews by Gino Sassani on March 25th, 2009
This is one of those direct to video sequels I never saw coming. It’s not like anyone was exactly breaking down the box office doors to see the first Happily N’Ever After film when it debuted in January of 2007. Universally panned by the critics and audiences alike, it disappeared rather quickly from the scene and was, or so we thought, destined to become a distant memory, a legend used from time to time to scare little children into behaving for their parents. “Clean up your room now, or I’ll force you to watch Happily N’Ever After again”. Most of us where never really sure it existed at all.
Posted in: News and Opinions by Gino Sassani on March 20th, 2009
Last night I was invited to be a part of a round table talk with two of the talents from the Disney animated film, Bolt. Here is the transcript of that interview. I was joined by other media members and we spent about an hour and a half talking about Bolt, the character of Rhino and the Super Rhino short that appears on the home release. I will be adding my Bolt review next week. Until then, enjoy the interview.
Posted in: Disc Reviews by Gino Sassani on March 17th, 2009
On October 9th 1986 the network television landscape did something that hadn’t been done successfully in its 40 year history. A fourth network broke on the airwaves. It was called FOX and wasn’t even going to broadcast 7 days a week. Most pundits in the television industry never gave it a chance. Most of the channels were in the double digit UHF range. This had long been considered the independent station area, and a lot of televisions didn’t pick up this band as well as the established VHF band. And for a while it looked like the network was going to disappear almost as quickly as it appeared. But by 1987 the network suddenly had two big hits on its hands.
Posted in: Disc Reviews by Gino Sassani on March 17th, 2009
In 1976 a New York media group conducted a survey of the NYPD detectives. The question was: “Of all the TV cop shows, which most accurately portrays life as a detective?” The overwhelming response was the comedy Barney Miller. Seems real cops related to the daily grind and weekly wackos of Barney Miller. Let’s not put aside that this was also one of the most consistently funny shows on television. I remember it took me a while to accept Abe Vigoda in such a light role as Fish. My first exposure to Vigoda was the ruthless mobster in The Godfather. Barney Miller always managed to be funny while still telling a good short story. The characters were always wonderful.
Posted in: Disc Reviews by Gino Sassani on March 16th, 2009
“When you wish upon a star. Makes no difference who you are. Anything your heart desires will come to you. If your heart is in your dream, no request is too extreme.
When you wish upon a star, as dreamers do… Like a bolt out of the blue, fate steps in and sees you through. When you wish upon a star, your dreams come true.”
The song has become a standard. Every kid knows it. Walt Disney Studios has made it their theme song. You hear it each time you load up a Disney disc. If you have been fortunate enough to have visited Walt Disney World, you’ve heard it the entire day long.
Posted in: Disc Reviews by Gino Sassani on March 16th, 2009
There’s a lot to want to love about this film. You have the return of the super powered Malone children, and more importantly, the same actors to portray them. Director John Hough returned to direct the sequel. The film also includes Christopher Lee and Bette Davis as the villains. Like I said, a lot to want to like. Something went terribly wrong along the way. Neither Christopher Lee nor Bette Davis take their roles seriously at all. I don’t think I’ve seen either accomplished thespian show so little effort in a performance.
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