Posted in: News and Opinions by Gino Sassani on March 20th, 2009
Last night I was invited to be a part of a round table talk with two of the talents from the Disney animated film, Bolt. Here is the transcript of that interview. I was joined by other media members and we spent about an hour and a half talking about Bolt, the character of Rhino and the Super Rhino short that appears on the home release. I will be adding my Bolt review next week. Until then, enjoy the interview.
SUPER RHINO VIRTUAL ROUNDTABLE WITH: Nathan Greno, Director of SUPER RHINO and Mark Walton, Voice of RHINO
Posted in: Disc Reviews by Gino Sassani on March 17th, 2009
On October 9th 1986 the network television landscape did something that hadn’t been done successfully in its 40 year history. A fourth network broke on the airwaves. It was called FOX and wasn’t even going to broadcast 7 days a week. Most pundits in the television industry never gave it a chance. Most of the channels were in the double digit UHF range. This had long been considered the independent station area, and a lot of televisions didn’t pick up this band as well as the established VHF band. And for a while it looked like the network was going to disappear almost as quickly as it appeared. But by 1987 the network suddenly had two big hits on its hands. The first was a silly cartoon, originally aired as a throwaway segment on a variety show. The cartoon featured the most unlikely of television families, The Simpsons. That show is still with us nearly 25 years later. The second hit was a live action series, also based on a very unlikely and this time seemingly unlovable family, the Bundys. Right from the start there was criticism that the name itself was a death knell. At the time America was still dealing with the pending execution of a far more infamous Bundy. Married With Children, however, would become an almost instant break-out hit.
Al Bundy (O’Neill) was a working stiff. He had seen his high school glory years evaporate into the rearview mirror of his ancient Dodge when he married his childhood sweatheart (no, I did not misspell), Peggy (Segal). The red-headed woman would soon become his curse. She was lazy. Peggy wouldn’t know what a stove looked like if it fell on her. She was content to sit around all day while Al worked for minimum wage at a mall shoe store. Tying Al to his meager existence were two children. Bud (Faustino) was a frustrated teen who couldn’t seem to find his cool. Girls scorned him, and he appeared to be headed to the life of his father. Daughter Kelly (Applegate) was a teen slut. She slept around and used her looks to make her way in life, which was likely good, because she was dumber than rocks. Al was also plagued by neighbor Marcy (Bearse) who was a feminist and usually a thorn in Al’s behind. Her second husband, Jefferson (McGinley) was often Al’s accomplice in trouble. Most of the material involved Al’s suffering and the apathy of his family to his lowly station in life.
Posted in: Disc Reviews by Gino Sassani on March 17th, 2009
In 1976 a New York media group conducted a survey of the NYPD detectives. The question was: “Of all the TV cop shows, which most accurately portrays life as a detective?” The overwhelming response was the comedy Barney Miller. Seems real cops related to the daily grind and weekly wackos of Barney Miller. Let’s not put aside that this was also one of the most consistently funny shows on television. I remember it took me a while to accept Abe Vigoda in such a light role as Fish. My first exposure to Vigoda was the ruthless mobster in The Godfather. Barney Miller always managed to be funny while still telling a good short story. The characters were always wonderful.
Captain Barney Miller (Linden) was in charge of the detective squad at New York’s 12th Precinct. Among his detectives were a colorful group of odd individuals. Detective Ron Harris (Glass) was writing a book that detailed his life as a New York detective. It was called Blood On The Badge and was far more fiction than fact. He prided himself on his stylish clothes and culture. Arthur Dietrich (Landesberg) was a know-it-all. He had an almost encyclopedic base knowledge on everything and anything. He would bore his colleagues with his endless drone of facts. Stan “Wojo” Wojciehowics (Gail) was the typical New Yorker everyman. He might not have been the brightest tool in the box, but he more than made up for it in heart. At times his desire to show initiative would end up getting the squad in trouble. Fish (Vigoda) was past his prime and spent more time in the men’s room than actually fighting crime. He was always suffering from one old age ailment after another. His bulky frame made him look intimidating, however. Nick Yamana (Soo) was a lovable Japanese guy who wasn’t always the first to understand. He had a literal way of interpreting speech which led to some very classic misinterpretations. He was also a gambling junkie, often on the phone with his bookie. From time to time the squad would be visited by the clueless Inspector Luger (Gregory). He often reminisced about his glory days and often expressed regret that he didn’t go down in a blaze of glory like his old friends had. He was usually intruding upon the squad’s time with long pointless stories. Finally, patrolman Levitt (Carey) was an ambitious uniformed officer who wanted to be a part of the squad, which he eventually did.
Posted in: Disc Reviews by Gino Sassani on March 16th, 2009
“When you wish upon a star. Makes no difference who you are. Anything your heart desires will come to you. If your heart is in your dream, no request is too extreme.
When you wish upon a star, as dreamers do… Like a bolt out of the blue, fate steps in and sees you through. When you wish upon a star, your dreams come true.”
The song has become a standard. Every kid knows it. Walt Disney Studios has made it their theme song. You hear it each time you load up a Disney disc. If you have been fortunate enough to have visited Walt Disney World, you’ve heard it the entire day long. We know the song, but did you know where it originated from? It was back in 1940 and the release of Walt Disney’s, in fact, the world’s, second ever feature length animated film: Pinocchio. Now Disney brings us this timeless classic on high definition and Blu-ray. What a marvel this release is.
Posted in: Disc Reviews by Gino Sassani on March 16th, 2009
There’s a lot to want to love about this film. You have the return of the super powered Malone children, and more importantly, the same actors to portray them. Director John Hough returned to direct the sequel. The film also includes Christopher Lee and Bette Davis as the villains. Like I said, a lot to want to like. Something went terribly wrong along the way. Neither Christopher Lee nor Bette Davis take their roles seriously at all. I don’t think I’ve seen either accomplished thespian show so little effort in a performance. It’s very obvious they considered them to be throwaway roles. Davis remarks she did it only because she wanted to be in a film her grandchildren would like. She’s particularly bad in a role that has her so caked in makeup that she could be a Jack Pierce creation from the Universal horror days. What’s worse, the children spend about 80% of the film apart.
It’s three years later, and the children are returning from their home on Witch Mountain for a holiday, of sorts. They’re placed in a cab and sent off on a destination that they never do reach. Instead they play a prank on the cab driver and disable the engine. Believing he has run out of gas, he sets off to get some. In the meantime Tia has another vision of yet another unfortunate accident. For the second time, the children try to save the day only to be exposed to those who would profit from them. Victor (Lee) is a mad scientist who was experimenting with mind control at the time. When he sees Tony hold his subject in mid air to prevent his death from falling off the roof, he decides he wants to control that power. Along with his rich patron, Letha (Davis) they drug Tony and take him away before Tia knows what happened. Now Tia has to find and rescue her brother. Fortunately, Tony has advanced since the first film. He no longer needs the harmonica and he can now communicate with Tia, but the drugs are interfering. Tia encounters the Earthquake gang, a group of young boys who wanna be tough and bad, but aren’t. With their help she has to rescue Tony, who has fallen under Victor and Letha’s control. They use his powers to their own ends, eventually to hold the world hostage at a plutonium plant.
Posted in: Disc Reviews by Gino Sassani on March 16th, 2009
Walt Disney has always had as a main theme in its movies the idea of empowering children. It didn’t matter what circumstances the children might find themselves in, Disney always found a way to bring them out of their predicaments with an inner strength that they never really knew or believed that they had. It’s likely one of the reasons the studio has been so successful with children’s films over the decades. Escape To Witch Mountain is one such film. It’s certainly not the greatest from the Disney vaults, but you could do a lot worse. The film holds a certain element of charm that I remember from my own childhood, and it appears to still have some miles in it 30 years later.
Tony (Eisenmann) and Tia Malone (Richards) are orphans. They have no memory of their real parents or of anything that happened to them when they were much younger. Now they find themselves, yet again, transferred to a new orphanage, after their latest foster parents were killed. They may not know about their past, but they are aware they have special powers that other kids don’t have. They have the power of telepathy and molecular manipulation. Tia’s powers are a bit stronger. She can put her thoughts in Tony’s mind, and she can use her levitation powers almost limitlessly. Tony must still move his lips to send thoughts to Tia. He also relies on an external force, in this case a harmonica, to focus his powers. They make no secret of these abilities, at least to the other children. Almost at once, Tony uses his abilities to defend himself against the orphanage bully. When the kids are on a field trip, Tia exposes her ability to predict the future when she saves the life of a man about to have a tragic accident. Unfortunately, the man, Lucas Deranian (Pleasence) has been on the lookout for psychic powers. His wealthy employer and benefactor has an obsessive desire for such things. When Aristotle Bolt (Milland) hears of the encounter, he desires to possess the children. Deranian poses as their long lost uncle with forged papers in order to get the children. Once at Bolt’s mansion, they are tempted by a life of luxury and excess. But the men did not anticipate their telepathy skills. When the children learn of their plans for them, they escape with the help of an ornery horse. It appears the children can also communicate with animals telepathically. They are aided, at first unwittingly, in their escape by a kindly, but rather gruff on the outside old loner, Jason O’Day (Albert). The three bond, and eventually they work to unravel the mysteries of the children’s’ true nature, and where home really is. But to get them home, the trio must evade Bolt, Deranian, and the police.
Posted in: Contests by Gino Sassani on March 15th, 2009
Sony Pictures has graciously given us one copy of I’ve Loved You So Long on DVD to give away.
To enter to win a copy of this Kristen Scott Thomas Drama, just follow these two steps...
The Contest is now closed The Winner is Lisa. Congratulations!
Posted in: Disc Reviews by Gino Sassani on March 12th, 2009
Actor Edward Norton first came to my attention in the heist film, The Score. I hadn’t heard a lot about the bright young actor, but I remember that he impressed me quite a bit. When you consider he was playing along with the likes of Marlon Brando and Al Pacino, that’s no small achievement. Somewhere along the way I missed the 1996 release of Primal Fear. Based on the William Diehl novel, the film would be the first major feature to star Norton. It was a breakout character and a breakout performance. He deservedly was nominated for an Academy Award for the role, one he likely should have received. Norton wears the skin of this troubled teen so closely and so effectively that it can be quite chilling at times to watch. Richard Gere might have been the bankable star for this movie, but Edward Norton walked away with the whole thing in his back pocket, and has never looked back. This was also the first feature for television director/writer Gregory Hoblit. Hoblit was best known then as the Steven Bochco protégé who worked on Hill Street Blues and NYPD Blue. His gritty attention to detail made him a perfect fit for these ultra realistic cop dramas, but perhaps it was his work on Bochco’s legal drama L.A. Law that better prepared him for the legal thriller Primal Fear. The combination would be a formidable one, and it makes me rather sorry I missed out on this one at the box office back in 1996.
Fortunately, the arrival of Blu-ray allows people like myself to visit these missed films in a format that brings out all of the detail and glory that the film enjoyed upon its original release. With a solid transfer and some care towards the print and transfer, you can take the trip you missed out on before. Primal Fear is one such missed opportunity brought to life in high definition.
Posted in: Disc Reviews by Gino Sassani on March 12th, 2009
Finally, this show has really gotten to me. I don’t know what it is about this 8th season, but I was far more interested in the show than I had ever been. Maybe I’ve spent so long with these characters that they started to come alive for me. Maybe I was resistant to a slightly different way of telling stories. Maybe it was that the stories became less about who was with who that I was finally able to enjoy the great courtroom drama and investigation elements of the series. Whatever it was, I am finally a fan.
Most of each episode is dedicated to the investigation of the particular case. For action junkies, this often means flying some sweet high tech aircraft. The show’s primary character, Commander Harmon “Harm” Rabb (Elliott) does a lot of the high flying investigations. He was once an ace pilot who developed night blindness, which essentially grounded him.
Posted in: Disc Reviews by Gino Sassani on March 12th, 2009
Richard Gere is Martin Vail. Vail is an egotistical hot shot lawyer who is looking more for news cameras than an innocent client. The truth is, he doesn’t give a crap if they did it or not. His only concern is what the case can do for him. He thrives on front page magazine articles and sound bites on the 6:00 news. It’s no surprise that when Vail sees a headline making case unfold live on the television, he chases the case. The entire city of Chicago witnessed police chase 19 year old altar boy Aaron through the railroad yards. He was running, soaked in blood, from the brutal murder of the local Archbishop Rushman. Vail moves in on the case like a shark attracted to blood. Unfortunately for all involved, the case will test his own patience and motives. There’s evidence of corruption leading into a who’s who of city fathers. There’s the expected church sex scandal. There might even be ties to Vail’s most recent case where he got a client a $1.5 million settlement from the city. All of this just feeds Vail’s drive and ego. He sees it as a chance to stick it to his nemesis, Schaughnessy, the district attorney who was once his boss. Schaughnessy is played quite convincingly by John Mahoney, best known as father to the Frasier boys. What a difference a role makes. The opposing attorney is his former girlfriend and coworker, Janet Venable (Linney). Vail is so focused on these huge possibilities that he’s blind to what might be right in front of his face. He navigates these dangerous waters with relish. But he never saw the truth coming.
Actor Edward Norton first came to my attention in the heist film, The Score. I hadn’t heard a lot about the bright young actor, but I remember that he impressed me quite a bit. When you consider he was playing along with the likes of Marlon Brando and Al Pacino, that’s no small achievement. Somewhere along the way I missed the 1996 release of Primal Fear. Based on the William Diehl novel, the film would be the first major feature to star Norton. It was a breakout character and a breakout performance. He deservedly was nominated for an Academy Award for the role, one he likely should have received. Norton wears the skin of this troubled teen so closely and so effectively that it can be quite chilling at times to watch. Richard Gere might have been the bankable star for this movie, but Edward Norton walked away with the whole thing in his back pocket, and has never looked back. This was also the first feature for television director/writer Gregory Hoblit. Hoblit was best known then as the Steven Bochco protégé who worked on Hill Street Blues and NYPD Blue. His gritty attention to detail made him a perfect fit for these ultra realistic cop dramas, but perhaps it was his work on Bochco’s legal drama L.A. Law that better prepared him for the legal thriller Primal Fear. The combination would be a formidable one, and it makes me rather sorry I missed out on this one at the box office back in 1996.