Posts by Gino Sassani

Who says no one likes a guy who’s negative all he time? Becker has got to be one of the most cynical, grumpy, and negative characters to grace our sit-com screens. He’s a guy you probably love to hate, and he’s also hilarious. Ted Danson spent over a decade behind the bar at Cheers and could have easily called it a career. You know, stop while you’re ahead. Instead he climbed right back into the television saddle and reemerged as Dr. Becker. This time he’s a medical doctor who hates everything and everyone around him. Refusing to display that little bit of a heart we all know he has, Becker spends most of his life complaining about everything. Never before has it been so much fun to watch a guy moan and groan for twenty minutes at a time. Fortunately for him, Becker is truly a dedicated doctor, and while he’s likely to complain about it the whole time, he’ll go to any extreme to help a patient.

 

In the 1940’s Walt Disney was asked by President Roosevelt to take a good will tour across Latin America as an ambassador of sorts. He declined the invitation, protesting that he wasn’t the handshaking kind and that the cause would be better served using someone else. Not to be deterred, Roosevelt made a counter offer. What if Walt would go to Latin America with a film contingent and then create some kind of a production out of the tour. A government subsidy was even offered. Walt accepted the invite but turned down the subsidy. And so, with a large party of animators, writers, and production crew, they took a whirlwind tour and left with what Walt himself described as a wealth of material. The footage obtained and the experience gained would feed into Disney productions for decades.

 

So here we are again with a third collection of episodes from The Young Indiana Jones Chronicles television series. This final series is called Years Of Change. Most of the episodes and features deal with the span of years between the World Wars. The 20’s were indeed an inventive time when people like Thomas Edison were at their peak. Peace was at hand, and no one really knew for how little time it would last. Most people had extra money and life was one big party. From our 21st Century hindsight, we know it was all doomed to come crashing down before the decade ended, but for most people at that moment life was good. Indy gets himself in some rather unlikely positions in this set. I can’t imagine him getting involved in a film production, but there it is. This set completes the trilogy of releases, and you now have every Young Indy adventure filmed. This is also the set you’ve been waiting for, as it features Harrison Ford’s single appearance in the show as Indy at 50 years old. It’s a bookend type of appearance, but it sure is nice to see old Harrison Ford as Indiana Jones for what we expected back then was the final time.

 

If you’re a fan of Perry Mason you need to approach this 50th Anniversary collection with mixed feelings. With no new announcements of future season or half season releases, this set does have the look of finality to it. The last set was the second half of season 2 released November of 2007. With this commorative release you get 12 episodes spread out from the remaining seasons starting with the third. While Paramount has made no such announcement, I get the feeling the powers that be are at least pondering the idea of stopping the run. I hope that is not the case, because this show deserves to be released in its entirety including the over 30 television films that followed.

Cheers was that kind of place that songs have been written about. Billy Joel’s Piano Man describes such a place where the patrons are, for the most part, regulars and pretty much family. In the days before huge screen televisions and satellite networks, Cheers would likely have been considered a sports bar. In those days the sports was more the talk of the place and not merely gathering to watch 127 games at a time. The bar’s owner was Sam Malone (Danson). Sam was a washed up baseball player for the local Boston Red Sox. He was a pitcher who liked to drink a bit too much. So, what does he do? He buys a bar. Actually the character has kicked the drinking and is always seen sporting a bottle of water. At first his bartender was his old baseball coach, until Nicholas Colasanto passed away after 3 years. Coach was replaced by Woody, played by Woody Harrelson. Woody was a farm boy with naiveté and small town charm reminiscent of Radar from MASH. His innocence was often the butt of the jokes. In a strange coincidence, the show’s popular theme song, performed by Gary Portnoy, sounded a lot like Harrelson’s voice, and for years it was believed by anyone too lazy to read the credits that Harrelson sang the tune. The barmaid was Carla, played by Danny DiVito’s wife Rhea Perlman. She reminded us a lot of her husband’s Louie character from Taxi. She was abrasive, sarcastic, and more than willing to kick a guy when he was down. She had a soft spot for Sam, however, and was often protective of him. Kirstie Alley played Rebecca Howe, an on again off again romantic interest for Sam and also on again off again owner of Cheers in later years. She replaced Shelly Long who played Sam’s romantic interest and barmaid Diane for the first half of the show’s run. The steady customers offered most of the stories for Cheers. Cliff, played by John Ratzenberger, was a postman who spent more time nursing a beer than actually delivering the mail. He often joked about how hard it was to fire a civil service employee. He was a knowitall and too often bored his comrades with longwinded explanations for even the simplest concepts. His best friend was Norm (George Wendt). Norm was one of the more popular patrons, greeted with shouts of “NORM” whenever he entered the bar. He sat in the same stool, usually griping about his life but unwilling to move off his seat and actually do anything about it. He was married to an unseen wife who worked while he loafed at Cheers. Finally Kelsey Grammer played psychiatrist Dr. Frasier Crane. You might recognize that character the most because he got his own show after 9 years on Cheers which lasted another decade. Frasier was the elitist who acted superior to the others but deep down just wanted to be one of the guys.

 

I was just a kid when Laverne and Shirley became a successful spinoff from Happy Days in the 1970’s, and while I remember that it was on often in our home I could not have recited any episodes from memory. Like most of my generation, I remembered the enigmatic opening rhyme from the show’s opening segment, and like most kids then I couldn’t pronounce it and still can’t; don’t even ask me to spell it here. The Cyndi Grecco saccharine ballad was a hit for a while, playing far too often during the summer pool months.

 

Does ultra realism make for a better movie? There have certainly been examples of startling realistic moments in cinema that have been quite effective, but mostly because they create an experience for us that actually reaches us in a way that we’ll never be able to forget. The storming of Normandy in Saving Private Ryan was one such incidence. Those of us who have never been to war walked away from that scene feeling like we’ve now experienced the closest thing possible without actually being there. It was the kind of movie moment that brought tears to men who had really been there. That’s the kind of visceral moviemaking J.J. Abrams might have been hoping for when he made Cloverfield.

Imagine Sheriff Andy Taylor older and now an attorney, and you pretty much have the set up for Matlock. Forget for a second that both characters were played by Andy Griffith. That’s not all they have in common. Matlock is every bit the “southern gentleman” that Taylor was. He might be a little smarter, but he walks and talks like Andy Taylor.

 

Wings was one of those unusual sitcoms that depended more on the characters than the situations they were in. While the setting was a small Nantucket airline owned by two brothers, most of the episodes had very little to do with flying. Rather, the writers populated this small airline with very distinctive personalities and let these interactions be fodder for the funny. The characters were played by more than competent actors, many of whom have proven themselves beyond this quaint sitcom. Timothy Daly played Joe Hackett, the older, more responsible brother who was often the show’s straight man. His rather adolescent sibling Brian was played by Steven Weber. I wouldn’t exactly say this was Oscar Madison and Felix Unger, but their conflicts over maturity fueled the characters. The airline’s love interest was Helen Chappel, played by Crystal Bernard. She was an aspiring symphony cellist who worked the airport’s lunch counter. For much of the show’s run she had an on again off again romance with Joe. By far the most animated character was mechanic Lowell Mather, played by Thomas Haden Church. It’s still amazing to me that this rather unintelligent character was played by the same guy who brought us Sandman in the latest Spider-Man film. Finally there was cabbie Antonio Scarpacci, played by the current Adrian Monk, Tony Shalhoub. Antonio is an Italian immigrant who has trouble understanding things most of the time, leading to some of the better moments in the series. Fay, played by Rebecca Shull, is the mothering member of the cast. And Roy Biggins (Schram) runs the rival airline and is often engaged in one underhanded scheme or another.

 

I couldn’t find her name anywhere on the credits, but I simply cannot believe that Rosie O’Donnell didn’t have anything at all to do with the film Conspiracy. The film is a thinly veiled pot shot at the current administration, or at least Dick Cheney. Gary Cole plays a guy named Rhodes, who is really intended to represent Cheney. Rhodes controls a multibillion dollar corporation that has managed to set itself up in Iraq making millions from the war thanks to corrupt government officials. His company, Halicorp, is obviously intended to be Haliburton. Rhodes has also taken control of a small Arizona border town. Here his vigilante friends patrol the border, turning back, and even killing, Mexicans attempting to enter the United States. He justifies his deeds in the name of counterterrorism, but the truth his he holds the entire town in fear. Enter MacPherson (Val Kilmer) who recently lost his leg in the Marines in Iraq. When he returns home he comes to Rhodes’s town looking for a Mexican comrade in arms. He finds that there’s no trace of his friend, and his questions have drawn all the wrong kind of attention. After some rather silly plot developments, MacPherson becomes a one man army to challenge Rhodes’s control. Apparently someone has watched Clint Eastwood’s Pale Rider one too many times here. Now Kilmer has grown old and rather obese in recent years, so the film needs to take that into account with his fighting style. After all, no one’s going to believe he’s got any real fight in that couch potato body. He wins his fights mostly by being able to duck really well. And returning a bowl of chili he recently ate on someone’s shoes. Figuring that Eastwood scowl was already done, Kilmer appears to be half asleep during each fight. I know I was. He does pack a mean nail gun, and you should just see what he can do with some rolled up paper. When they finally do put some real fire power in his hands, the rest just gets too comical.