Posts by Gino Sassani

Animal 2 is a direct to video sequel to a direct to video original film. I never saw the first film, but I suspect that you’re brought up to date in this one through some of the dialog. Because I did not see the first, it will not be possible for me to make any comparisons. Obviously the only real reason for this film is to provide a vehicle for Ving Rhames and in that respect it works OK. The story has enough originality to it to make all the street gang and prison clichés bearable, but only minimally. The box art claims this is the “unrated” version, but since there was no theatrical release I have to ask, unrated as compared to what? There are tons of F bombs and N words, but they come mostly in the horrid hip hop soundtrack and less in the dialog, although there’s plenty of “plain talk” there as well. It’s a good thing these guys don’t have to play by the same rules as people like Imus do.

On January 23, 2002 Daniel Pearl, a reporter for the Wall Street Journal, was kidnapped and eventually killed by terrorists while working in Pakistan. A Mighty Heart is based on this true story. The narrative comes from the book of his wife Marianne Pearl. While this is certainly the tragic tale of a murdered reporter, this film is more the story of Marianne and her struggle to locate Pearl in the 10 days from his capture until a video tape surfaced depicting his beheading.

I grew up on a steady diet of horror hosts. In the Philadelphia area where I grew up we had Dr. Shock. Every Saturday night my Dad and I would watch his bad puns and silly magic tricks; all the while I was being introduced to a world I was destined to fall in love with. And so I was exposed to Frankenstein, The Wolfman, and The Creature From The Black Lagoon. The friendship with those early year monsters continues today. But the 70’s are gone, and since the 1980’s it is Elvira who has inherited the lost art of the horror host. Unfortunately for us, the art should have stayed lost. Elvira is simply terrible as she cracks jokes only she laughs at. It’s obvious she goes out of her way to flash the only assets she has in order to mesmerize the adolescent boys who are being introduced to something radically different from what I was in the 70’s. What makes this set even worse is that the two films are as bad as Elvira. At least you can view the film with or without Elvira. I took the hit for you guys and kept her on so you don’t have to.

 

For decades it was the doomsday scenario. Cold War Americans lived in almost constant fear that the Soviets might drop a nuke on us and begin Armageddon. It was unthinkable that a conventional invasion could reach our shores instead. Red Dawn stirred its own mushroom cloud of controversy when it reached theaters in August of 1984. While the Cold War was actually closer to its end than any of us might have suspected, Red Dawn entered our collective consciousness as a shock to a system that had for some time moved beyond the culture of fear those older than myself knew growing up. By the 1970’s the air raid sirens and classroom drills were no longer commonplace in American cities. Growing up in Eastern Pennsylvania, it was Three Mile Island that caused a greater panic than a Soviet threat. We were all drilled to head to the school’s roof where we were told choppers would evacuate us to a safe zone in case of a meltdown. And like the silly duck and cover drills of the 50’s, we bought into it, ignoring the cold hard fact that we simply didn’t have the resources to evacuate every school in Pennsylvania at a moment’s notice. Deep inside I knew that should the emergency arrive, there would be several million school kid skeletons on the top of a lot of schools for the media to put on the rest of the country’s television screens. So along comes Red Dawn and, for a moment, brings the Cold War front and center all over again.

Medium was based on a real person with alleged psychic powers who apparently has helped out various law enforcement agencies in some actual cases. If you’ve seen the series, you might find that hard to believe, and the episodes are obviously fictional adventures and not based on the real Alison Dubois’s experiences. At first glance it might be easy to lump Medium in with Ghost Whisperer or The Dead Zone. Actually there are almost no similarities to any of those shows. Allison does not gain any understanding through touching and while she does see ghosts at times, that aspect of the show has been made to play in only a small percentage of the episodes. Allison accesses her powers through dreams. These nightmares are usually vague and often provide additional clues with each recurring dream. The formula for the show is that she must interpret these images and signs in time to do whatever it is she needs to do.She works as an assistant for the Phoenix District Attorney’s Office, but only the DA and one cop know how she comes across her tips.

Steve Carell is Evan Baxter in this “sort of” sequel to Bruce Almighty. He is a freshman member of the United States Congress about to start his first day. His campaign promise was to “change the world”. In the “be careful what you wish for” department, God (Morgan Freeman) gives him the chance to do just that. There’s just one catch, however. Evan has to build an ark…. You know the rest of that story. Suddenly animals begin arriving in pairs, and Evan makes a physical transformation into the traditional long bearded Noah. As you might imagine, this causes some troubles in his life as a Congressman. Try as he might, this modern-day Noah can’t escape his divine destiny. You’re probably thinking: “this sounds like funny stuff”. Wrong. This film meanders through a one-joke plot for most of its hour and a half. Steve Carell is no Jim Carrey and simply doesn’t have the chops to carry this off. The film resorts to mostly physical gags that are more gross-out than funny.

The CSI phenomenon has been going strong for 8 years now, and CBS has ridden that wave to become the top network these past couple of years. It all started with the original CSI: Crime Scene Investigator. This Las Vegas show became an instant hit, and three years later we found ourselves in Miami for a spin-off. Two years after basking in the Florida sunshine, Jerry Bruckheimer caught lightning a third time; this time out New York would serve as the setting. While there are ties that bind the three shows to the CSI franchise, each show has a unique style. The cases also serve to distinguish the shows from one another. The leads for the three shows likely give the most character to the series. Gary Sinise as Detective Mac Taylor brings a strength that establishes this show’s credibility from episode one. Taylor is ex-military who lost his wife in the 9/11 attacks. He’s incredibly driven and passionate about bringing down the bad guys, but won’t allow his integrity or that of his lab to be compromised. Also the New York show differs from the original in that the CSI personnel are full fledged cops and not just lab rats working for them. I find I like this version far better than the Miami setting, even though I can relate more to the Florida locations essentially in my own back yard.

Family Ties is likely remembered most as the series that launched the career of Michael J. Fox. There’s no question that he owes a great debt to Alex Keaton. It’s almost a bit awkward now to watch him as this young, extremely conservative teenager after Fox has spent so much of his life as a liberal poster boy in the last couple of elections. Politics aside, it’s hard not to credit his performances in Family Ties and the Back To The Future films for launching him into a well deserved lucrative career. The Michael J. Fox issue, however, might hide some of the other assets the show had going for it in its time. For one of the first times parents were portrayed as humanly flawed, and families were not the perfectly functional institutions most of these shows described. Up until Family Ties, these households were either perfect little examples of American ideal or they were so dysfunctional that they could hardly be considered families at all. This show obviously went for a bit of realism.

Until not very long ago this set was being billed as Jericho: The Complete Series. The show was originally cancelled and later revived through a fan campaign to save the show. It was never a ratings monster, and I must admit that I was never interested enough to watch it even once. Now the DVDs of that first season have arrived, and I’m given my first look at Jericho. My very first impression was that this show was very ambitious from the gate. Perhaps the show’s fatal flaw is that it attempts to tackle far too many serious issues, complete with complex undertones, with the largest ensemble cast I’ve seen yet. Add this to the fact that the world is still a little sensitive to terrorist attacks, and you have a recipe for keeping your audience relatively small. None of these things are bad elements in and among themselves, and I’m certainly not suggesting that these issues need to be abandoned. I’ve been a high school teacher, and one thing any of us can tell you is that there’s only so much a person can absorb in a given amount of time. What little enjoyment I did get out of these DVDs I likely would have lost if I also were contending with 20 minutes of mindless commercials to further distract my concentration. The series offers a lot of fear and panic with precious few moments of hope.

There are two very distinctive schools of thought about Walt Disney’s The Jungle Book. There are the Kipling fanatics who have never forgiven Disney for taking a story considered sacred in literary circles and creating something that honestly bears (pardon the pun) little resemblance to the original work. These folks rightfully point out that the story contains almost nothing recognizable about the story and characters from Kipling’s beloved classic. I have often condemned projects that take names like The Night Stalker and Battlestar Galactica and create a vision incompatible with the traditions I associate with them. Therefore this review might seem a bit hypocritical when I tell you I side with the other camp that considers this film to be a milestone, not only in Disney animation, but in animation history itself. The characters might be distantly removed remote ancestors to Kipling’s creatures, but they are truly classic creations in their own right. What better definition of a classic can there be than the influence that Jungle Book still has 40 years later, not only on our pop culture but on the careers and lives of today’s artists. I venture to say that more people are familiar with Disney’s renderings of these characters than Kipling’s I agree the caparison isn’t exactly fair, but it is accurate.