Posted in: Disc Reviews by Gino Sassani on September 6th, 2007
This was my first ever exposure to Grey’s Anatomy. Certainly I’ve followed the buzz the show has generated with its multiple awards and the feuding between two of the show’s actors. My first impression was not altogether a very good one. You see, season three begins with the aftermath of an obviously big ending from the previous year. From what I can gather, a character died and it left a void for a couple of the characters. I immediately began to feel like an outsider, a feeling I wasn’t very comfortable with. Fortunately, before I could give up feeling frustrated and hounded by an impending review deadline, something quite remarkable happened. Simply stated, I didn’t stop watching. In that moment of hesitation, I began to catch a glimpse of what everybody’s been going on about. The acting is surprisingly rock solid and not at all the flirty surface performances I had expected. So, for a short time, I was able to put aside my outsider feelings and begin to appreciate what I was watching. Before too long I was beginning to recognize the strong production values and clever writing which have been responsible for all that buzz I was hearing. While I avoided the needle scenes like the plague that spread through the hospital’s opening episodes, there is still a lot of high resolution f/x when it comes to wounds and surgery bits. This is by far the most realistic look I’ve seen in any medical show so far. The offbeat banter of the interns works well to offset the rather dramatic storylines hidden beneath this somewhat light series.
Posted in: Disc Reviews by Gino Sassani on August 27th, 2007
Every office has one. Peggy Spade (
If you come to the film expecting a cozy little dog film you can cuddle up with, you will be disappointed. Having a stubborn Siberian Husky myself, I am almost always suckered into pretty much any film that has dogs in it. I even converted my wife. A long standing cat person, she fell in love with the puppy dog eyes of a pointer mix. That should tell you that I am predisposed to like most dog films. I wish I could tell you I liked Year Of The Dog.
Posted in: Disc Reviews by Gino Sassani on August 14th, 2007
In the advertisements we are promised a thrilling heist film. I’m happy to report that those promises were quite wrong. The heist is pretty lame and never keeps up with the many superior attempts. Honestly, we’ve had too many of these multiple twist heist films, culminating in the Ocean franchise which went two films too long. Instead, what we get here is something far better. The Lookout is a compelling character study brought off entirely by a sweet performance by the lead. Who would have believed that Joseph Gordon-Levitt, the dweeb kid from 3rd Rock From The Sun, had pretty nice acting chops? Never a fan of the quirky series, I thought the acting considerably bad, so I certainly would not have been among the Gordon-Levitt faithful. The Lookout is a wonderful breakout performance that should, rightly enough, bring folks like myself into the fold. He carries the entire film on his shoulders. The entire success of this movie hinges on the emotional ride that Gordon-Levitt takes us on. This has to be one of the best portrayals of mental deficiency I’ve seen. Forget Forrest Gump or Rainman; this role isn’t cute or over the top. Here we’re confronted with a convincing enough performance that it might even be hard to watch if your own family has been touched in this way.
Writer/director Scott Frank doesn’t waste any time pulling us into his film. We start out with an adolescent midnight joyride that you just know will end badly for the passengers. Your prediction quickly proves correct, and Frank Scott is ready to move on. He doesn’t bother lingering on the tragic events, instead allowing us to see the tragedy not in the bloody remnants of the crash, but in the emotional aftermath for the driver. Chris (Gordon-Levitt) finds himself four years later scarred both physically and mentally. He has suffered brain damage, and this causes him difficulty in concentration and sequencing events. He has gone from a high school hockey hero from an influential family to a bank night janitor barely in control of his own life. Jeff Daniels spices up the film a bit as Chris’s roommate, Lew. Lew is blind and relatively cynical about most things in life. He offers a symbiotic relationship with Chris and both have obviously fallen into a routine. One of the best lighter moments in the film is Lew’s desire to open a café called “Lew’s Your Lunch”. Things change for Chris when a man who identifies himself as an ex boyfriend of his sister enters his life. Gary (Goode) invites Chris into his tight circle, which includes the attractive Luvlee Lemon (Fisher) who appears interested in Chris. Finding himself a part of a family, of sorts, creates a strong bond for Chris, until he discovers he was being recruited to rob the bank he works at. We are nearly an hour into the film before the mechanics of the heist begin and the action really starts. The true climax of the film, however, isn’t the bank heist; it’s Chris’s discovery that he has been manipulated into taking the fall for the crime. Now Chris must bring out whatever abilities his mind might still possess to get himself out of danger.
Posted in: Disc Reviews by Gino Sassani on August 9th, 2007
Wild Hogs is a pretty simple film for the most part. You have four guys who, for their own reasons, are finding their daily lives have gotten away from them. Their mid-life crises lead them to venture together on a cross country motorbike journey filled with enough peril to make them forget their ordinary lives and live the adventure of their dreams. The film has the standard sight gags that pretty much carry the first half of the film. Macy's character has a rather amusing computer glitch in a Wi-Fi cafe. A lot of these jokes, often dealing with a gay cop who thinks the four are a pretty hot and tempting, get carried too far and get stale rather quickly. I could certainly do without the naked butt shots myself. The film actually starts to get interesting once the Hogs begin to interact with a real bike gang led by Ray Liotta. The ending reaches quite a bit to deliver the standard feel-good climax that usually requires a pretty hefty shot of insulin to bring the sweetness down to a tolerable level.
Posted in: Disc Reviews by Gino Sassani on August 7th, 2007
Superheroes come in all shapes and sizes these days, so it doesn’t really surprise me to find out that one is a big blue tick. I don’t think The Tick has any special Lyme Disease Ray, and I have yet to see him bite anyone, but he sure has a knack for stopping the bad guys. This Ben Edlund creation is one of those American Dream success stories. The independent comic was created to promote a local comic book store in Boston. Edlund, only 17 years old at the time, tapped into a wonderful spoof of the comic superhero molds. He populated his book with very colorful characters easily recognizable as the original ones he was spoofing. Within 10 years The Tick would become a children’s cartoon staple. There is an appealing degree of wit and intelligence in this cartoon that honestly looks kind of stupid on the surface. The Tick isn’t the sharpest tool in the toolbox and is rather naïve for a super crime fighting master. He’s surrounded by an equally kooky group of characters, assisted mostly by his sidekick, Arthur. The villains are just as outlandish and out there as The Tick and his comrades are.
   The DVD set’s clever title is The Tick vs. Season Two. The collection could not honestly be called The Complete Second Season because one of the episodes is mysteriously missing. I’ve been informed that the episode, Alone Together, was removed for rights issues. The same thing happened in the first year. Sometimes spoofs can be a little too close to another property, and perhaps that explains the missing toons. Fans will also be a little bummed that favorite Micky Dolenze, yes he’s that wacky The Monkees drummer, no longer voices Arthur. Rob Paulson takes over the job, and the difference does take some getting used to. The episodes are also not quite as strong as the first season. The single standout has to be the Christmas extravaganza, The Tick Loves Santa. The Tick’s love for Santa almost keeps him from nabbing the bad guy when an electrical accident converts him into “Multi-Santaâ€, a clone-like group of larceny-minded Kringles.
Posted in: Disc Reviews by Gino Sassani on August 3rd, 2007
What do the following huge stars all have in common: Elton John, George Burns, Peter Sellers, Don Knotts, Bob Hope, John Cleese, Madeline Kahn, and Milton Berle? They all were guests on the second season of Jim Henson’s The Muppet Show. I can’t believe how many of the episodes I remember watching occurred in the show’s sophomore season. It would be pretty hard to argue that the series became the in place for A list entertainers to have a little fun. Like a neighborhood clubhouse, the top stars would come to the show and allow themselves to be often upstaged by Henson’s cute little creatures. They would place themselves in ridiculous situations and often allow themselves to be lampooned and ridiculed, and they always appeared to have a blast while they were doing it. Elton John singing his Kiki Dee duet, “Don’t Go Breaking My Heartâ€, with Miss Piggy has to be one of televisions most memorable moments. Not only do you have a guest list that would make Saturday Night Live envious, but you have something they never had, namely Kermit, Miss Piggy, Fozzie and Gonzo providing their special brand of Muppet madness.
   If you’re not familiar with this show, shame on you. In this series The Muppets, Jim Henson’s own design of puppets take over a concert hall and put on a weekly show. What this means is that you are actually getting to sit behind the scenes as the show is being put on “liveâ€. Some of the best bits are provided by Kermit’s frantic attempts to prepare guests and put out fires, literally. Miss Piggy is the show’s prima donna and is always making unreasonable demands to continue working on the show. The band is anchored by that loveable drummer, Animal. There’s another story here but, trust me, you don’t want to know. You’ll also see such running bits as Pigs In Space, a Muppet Star Trek, and, of course, our kitchen chef preparing many delectable delights for your culinary pleasure. That’s if he can catch the chicken. The eclectic nature of the guests means there’s usually something for everyone’s tastes. I found myself enjoying every show even if I did not care for that particular week’s star.
Posted in: News and Opinions by Gino Sassani on August 3rd, 2007
You will want to check out these two new Buena Vista TV on DVD releases coming on Tuesday: 8 Simple Rules Season One, and Home Improvement Season Seven.
Check out these samples, including clips from the blooper reels found exclusively on these DVD's.
Posted in: Disc Reviews by Gino Sassani on August 2nd, 2007
Superheroes are huge these days, at least most of them are. Some are a little under 3 feet. In the Disney afternoon universe of Ducktales comes Darkwing Duck, or DW as his friends and arch enemies refer to him. Darkwing appropriately enough inhabits a more sinister side of the Ducktales world where he is ever vigilante for the exotic criminals that threaten St. Canard. If you still don’t get the idea, think of Adam West’s Batman as a Disney duck. DW comes complete with the prerequisite Duckmobile and steady supply of crime fighting gadgets and gizmos. His faithful, if not overly intelligent, sidekick is Ducktales holdover Launchpad McQuack. When not fighting crime, DW has the expected secret identity of Drake Mallard. Just to finish the Batman comparisons, Drake has a ward, of sorts, Gosalyn, his adopted daughter. Like Robin, Gosalyn is ever helpful in DW’s capers. Once in a while DW is challenged by a secret villainous society, The Fiendish Organization of World Larceny, or F.O.W.L. for short. There are some 60’s secret agent themes to be found here, but they are far more Maxwell Smart than James Bond.
Darkwing Duck appears to be aiming at some of the adults in the audience. It appears to me that a lot of the cultural references and even plot points might be over the head of the typical afternoon cartoon crowd. Disney, cleverly, integrates enough of the 1960’s comic nostalgia to sucker in the parents as well. Lately I’ve been in my own trip down memory lane thanks to the release of many of my Marvel Comics favorites on DVD-ROM. I’ve been able to reacquaint myself with the likes of Spider-Man and The Fantastic Four beyond the modern films, recreated from the pages of their original exploits. Perhaps that makes me more alert for the obvious references. All of the villains could easily have come from these very color-splattered pages of adolescent excitement. This means that all you parents out there might end up joining your kids in watching these DVD’s.
Posted in: Disc Reviews by Gino Sassani on July 31st, 2007
In the same cinematic style of Sin City another Frank Miller graphic novel has found its way to the big screen. For those of you history buffs out there, you might recognize this story as the Battle of Thermopylae. Although 300 is large in part fictitious, the core elements of the historical story remain intact, and factual. Regardless of your knowledge of history, 300 is to be enjoyed by anyone, and everyone.
300 is told in a narrative from Spartan orator Dilios (David Wenham, The Lord of The Rings). It begins with a young Leonidas who is in the midst of his typical Spartan training. He is cast out into the wild and survive amongst the beasts throughout the winter, when he comes home he is crowned King of Sparta. Some time goes by and Leonidas (Gerard Butler, The Phantom of the Opera) now the fully grown Spartan King is faced with a problem. Persian King Xerxes sends messengers to Sparta demanding their submission to the Persian Empire. Insulted by the offer King Leonidas kicks the Persian messenger into a pit and the rest of his commandants follow shortly. Leonidas seeks the advice of the Oracle and requests permission to go to war, only to be denied. He then takes the matter into his own hands and gathers 300 of Sparta’s best warriors, to take on the dominating numbers of the Persians. The Persians demand that the Spartans drop their arms but the persistent group of warriors will not let up and they try to hold up knowing that they are facing sure death.
Posted in: Disc Reviews by Gino Sassani on July 31st, 2007
What time is it? That’s right, Home Improvement fans, it’s once again Tool Time. Unfortunately for the show’s followers, Season 7 would be its next to last outing, and even the most loyal fans seem to agree that the show had lost its edge by now. For me the decline started around the 6th year when the age of the boys created a need to shift stories away from Tim Allen’s routine and become a little bit more serious in tone. It’s not that situation comedies can’t find a great deal of success mining such a territory. MASH often ventured away from its comedic roots and occasionally brought us dead serious material, and it only improved the quality of an already good show. In the case of Home Improvement, the stories just became awkward as the writers tried to find ways to work in the boys’ increasing age and demands for screen time. True enough, Tim Allen never lost the persona that defined Tool Time, but there’s little question that it was not fitting in well with the deepening family issues the series began to explore. Suddenly Tim’s character was an inappropriate father and husband underneath the clever buffoonery. I will always remember Home Improvement for what it started out as, and these DVD’s just don’t represent that show any longer.
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