Posted in: Disc Reviews by Gino Sassani on June 28th, 2006
I’m a lucky guy. I was able to witness the game of baseball before we all became so jaded. While I wasn’t born early enough to have enjoyed Mantle, The Babe, or Joltin’ Joe, I was fortunate enough to watch the likes of Mike Schmidt. Mike stayed 18 years with one team. He never held out and was always responsible in his public persona. Oh, and he ended up being considered the best 3rd baseman of all time in nearly every millennium poll conducted. It is this experience growing up with Schmitty and his like that make these stories feel much closer to home than younger kids are likely to feel.
Posted in: Disc Reviews by Gino Sassani on June 28th, 2006
Hosted by Boston comic Fran Solomita, When Stand Up Stood Out is a detailed retrospective of the historic comedy boom that took the city by storm from the late 70’s to the early 80’s. You get the impression it was a fun crowd to be with most of the time. From the famous Ding Ho to the Comedy Connection, some of the nation’s biggest names worked out their routines to the local audiences.
The documentary tells its story very simply. With the use of extensive narrative, vintage clips, and countless interviews, you get a rather complete history of the phenomenon.
Posted in: Disc Reviews by Gino Sassani on June 27th, 2006
Coach is one of those shows that never seemed to make a lot of noise. I can’t remember any year it was on that it burned up the ratings or scored many awards. Still, it was the little show that could. It ran for nine seasons, always holding on to a loyal core audience. I’m sure most of the success belongs to the underrated talents of Craig T. Nelson. I’ll admit that this guy just never showed up on my talent radar until his unexpected turn at drama during The District. It was then I learned to appreciate his self-effacing subtle abilities.
Posted in: Disc Reviews by Gino Sassani on June 27th, 2006
So now we come to the fourth year of NYPD Blue. In the show’s ever-changing look this year was no exception. Most notable is the fact that a new camera operation crew toned down the jumpy camera moves a bit. Style was not sacrificed, but the series is now easier to watch. Smits and Franz are really starting to click now, and we begin to see the special relationship we know will evolve between their characters. This buildup is absolutely necessary for the coming payoff with Simone’s death in later years. Again, several characters came and went, most notably a couple of female detectives.
Posted in: Disc Reviews by Gino Sassani on June 16th, 2006
I’ve already had a lot to say about this show in my Season 5 review. All of it still applies. Richard Dean Anderson was fortunate enough, some would say talented enough, to have played two iconic characters in one life-time. I propose that he’s really played only one, but in two very different circumstances. I’ve already pointed out the similarities between the actor and his two roles, from their birthplaces to their hobbies and sports activities. This should in no way be interpreted as taking anything away from Anderson.
Posted in: Disc Reviews by Gino Sassani on June 16th, 2006
Growing up, that twangy Mike Post music provided a part of the soundtrack of my life. I remember walking around school and everywhere you turned you heard kids saying, “That’ll be $200 a day plus expenses.” We all printed up fake business cards. I can tell you firsthand that it takes more than the props. I didn’t have Jim’s natural charm and finesse. Somehow fifth grade’s Sister Margaret wasn’t buying that my NSA credentials meant my homework assignments were classified and above her clearance level. As I sat in detention wondering what could have possibly gone wrong, one theme kept going through my mind.
Posted in: Disc Reviews by Gino Sassani on June 7th, 2006
You might not know this, but there are two Jackie Chans. The original Chan was an intense martial artist. His films were quite serious and action packed. While humor was always an element to his style, these early films did not really capitalize on that element. The Asian productions were nearly a genre unto themselves. Still, international stardom was elusive to this talented actor.
The second Jackie Chan is the man most Americans are familiar with. Still a talented martial artist, these films show a lighter side to the actor.
Posted in: Disc Reviews by Gino Sassani on June 2nd, 2006
ALF is back, and just as funny as ever in this third season of mayhem. Unfortunately, we are again treated to syndicated cut versions of the show. Still, this appears to be all we’re going to get. Not sure if I mentioned it before, but having the episode titles has pointed out that each ALF episode uses a song title as the production name. This season songs like Stop In The Name Of Love, Funeral For A Friend, and Stairway To Heaven are represented. There are quite a few more “fantasy” episodes here. ALF is shown what life in the Tanner household would be without him.
Posted in: Disc Reviews by Gino Sassani on June 2nd, 2006
Monte Hellman filmed Back Door To Hell back to back with his better known Flight To Fury. This early Jack Nicholson film plays out very much like the throwaway it seems to have been. It’s certainly a brief affair, clocking in at just 69 minutes. Low budget films can often be impressive masterpieces. I have never seen a war film where that’s been true. After watching Back Door To Hell, nothing’s changed. The location and supporting cast make this at times feel more like Mexico than the Philippines. The settings are strictly back lot looking affairs, even when they are not.
Posted in: Disc Reviews by Gino Sassani on June 1st, 2006
This film’s slogan was “Sometimes murder is just a way to pass the time.” A better way to fill up those empty minutes would be to watch this film. The film is based on a highly publicized real life case out of Chicago. A play was produced in the 1920’s. A book would also be written by Meyer Levin, which is the source material for this film. The story would not end there. It would be made at least twice more, including Hitchcock’s first color film, Rope. The case was perhaps made famous as much for the presence of Clarence Darrow as the defense attorney than for the senseless act of violence it represented.
