Posted in: Disc Reviews by Gino Sassani on March 14th, 2006
Johnny Cash’s dramatic road to Christianity is no secret to his fans and thanks to the recent biopic, Walk The Line, it’s no secret to the masses. Cash made this film, he explains, to show people why he is so drawn to the Passion of Christ. This is no doubt a sincere effort to bring this expression to life. The film is entirely shot in the Holy Land. The film is enhanced by the wonderful locations. Cash attempted to follow the actual path of Christ. There is no doubt that the care and conviction Cash felt is evide...
Posted in: Disc Reviews by Gino Sassani on March 9th, 2006
In its first year NYPD Blue succeeded through controversy. Language and partial nudity was pretty much all the critics were talking about. Season two brought “the test”. Could the show survive a major cast loss with David Caruso’s well publicized split from the show? Season three, however, is when it all came together. It’s so much fun watching a quality series hit its stride, that season when everything falls into place and we see for the first time that we could be in for a sweet ride.
The cop show ...
Posted in: Disc Reviews by Gino Sassani on March 8th, 2006
MacGyver (v) To act in an extremely resourceful manner. To utilize everyday items in unconventional ways to achieve a difficult task. I predict it will not be long before you can open your trusty copy of Webster’s and find this character has officially entered our lexicon. There is little doubt but that it is an unofficial part of it now. Crossing over from the realm of pop culture and into our language is a phenomenal achievement for a television show.
I came to the MacGyver party rather late. Like ...
Posted in: Disc Reviews by Gino Sassani on March 1st, 2006
Echoes of Innocence calls itself an ultimate tale of good vs.evil. Don’t expect Exorcist level of evil quality in this one. Don’t even expect the good fight. Sarah (Simmonds) has a Joan Of Ark complex of sorts. She’s having religious visions, apparently inspired by the disappearance of a boy she once promised to save herself for. He publicly proclaims her commitment to virginity and frequently fasts to the point of near collapse. This is the film’s “good”. The evil is represented in the character of Alec (Vodvarka).
Posted in: Disc Reviews by Gino Sassani on February 24th, 2006
This is not one of Jack Nicoholson’s better known roles, but it deserves more attention than it has gotten. Nicholson can always be counted on to deliver a strong performance. It is that skill that turns an average idea into something much more.
Alex Gates (Nicholson) is not a nice man. And let’s face it. Nicholson excels at complicated characters, often with few redeeming qualities. Gates appears to have everything he could want. He’s an apparently successful wine merchant. He has a wife and stepson...
Posted in: Disc Reviews by Gino Sassani on February 23rd, 2006
The 1970’s was the decade of the muscle car. Films like Smokey and the Bandit and Cannonball Run raced into theatres, riding on the thrills of speed. If you were a young man, then you were right there ridin’ shotgun. Kicking butt and takin’ names. The Last American Hero makes the unfortunate attempt to combine this “need for speed” with a typical “against all odds” story. The result is a dead end street.
Junior Jackson (Bridges) is the son of a bootlegger with a real talent for running roadblocks. Wh...
Posted in: Disc Reviews by Gino Sassani on February 23rd, 2006
The film’s prologue informs us that the sport of sculling captured the nation’s attention long before baseball or football came along. We’re told that this activity created a national obsession with much the same pitfalls of modern sports. Somehow I can’t imagine, in this age of sports bars and ESPN, that rowing would demand the attention this boast assumes. I don’t remember my grandfather or great grandfather for that matter reminiscing about some great rowing move he witnessed with his dad as a child. The film al...
Posted in: Disc Reviews by Gino Sassani on February 22nd, 2006
The longest running show in prime time doesn’t feature cops, doctors, or lawyers. It’s hard to believe that The Simpsons have existed as long as the Fox network. While the series didn’t really begin until Fox’s second year, the characters were part of The Tracey Ullman Show, which did start the first year of Fox. Who could have guessed that an animated short from an otherwise horrible and doomed variety show would explode into such a phenomenon. The Simpsons have not only dominated the pop culture; they have placed...
Posted in: Disc Reviews by Gino Sassani on February 22nd, 2006
Eric Idle, Kohn Cleese, Terry Gilliam, Terry Jones, Michael Palin, and of course Graham Chapman formed Britain’s most famed comedy troupe. The exploits of Monty Python’s Flying Circus were truly “something entirely different”. Their off the wall antics have written an entire chapter in the story of pop culture. There certainly is not near enough space here for me to give the group its just due. So I won’t even try. If you’ve never heard of them, then stop reading, crawl back into the rabbit hole you’ve been living ...
Posted in: Disc Reviews by Gino Sassani on February 21st, 2006
Jack Webb built an empire out of the police drama. Dragnet laid the foundation that 50 years of cop shows would stand upon. In 1972 Webb turned his attention to the relatively recent phenomenon of the paramedic. Based on a California law, the Wedsworth-Townsend Act, which created one of the first paramedic programs, Emergency brought the exploits of these young, daring rescue workers to our living rooms every week.
Roy DeSoto (Tighe) and John Gage (Mantooth) were pioneers in the paramedic field. They would be stationed out of L.A.’s real station 51.
