Posted in: Disc Reviews by Gino Sassani on June 7th, 2005
“In the criminal justice system the people are represented by two separate, yet equally important groups: the police who investigate crime and the district attorneys who prosecute the offenders …” If you haven’t seen Law and Order, this is the set to begin with. Season 3 is most notable as the first year for Jerry Orbach. His 11 years in the role of Briscoe gave this revolving door series the kind of stability it needed. The powers that be at Universal added confusion to the mix when it released season 14 following season 2. I suspect the move was intended to deal with the unfortunate death of Orbach. His final season was obviously a “hot” item. Fortunately it now appears the releases will continue again from the show’s beginning.
Synopsis
Posted in: Disc Reviews by Gino Sassani on June 6th, 2005
Synopsis
Another cog in the Disney/Winnie the Pooh machine comes to life here, as Pooh’s Heffalump Movie brings back all the characters you love for a story about acceptance, no matter what you look like.
Posted in: Disc Reviews by Gino Sassani on June 2nd, 2005
I didn’t think that Scarlet Johansson had an active eye or ear for drama films, that she does different stuff and has generally been incredibly lucky. Apparently, she’s got a good knack for appearing in films that have good stories also, as she had been attached to this film for quite some time.
Based on the novel by Ronald Everett Capps, A Love Song for Bobby Long tells the story of Pursy (Johansson), who has recently found out her mother died, so she travels back to New Orleans and meets Bobby Long...(John Travolta, Michael), a former college professor who, along with his teaching assistant Lawson (Gabriel Macht, The Recruit), have left their college lives in Alabama and decided to come to New Orleans, and have stayed for years in the house that Pursy’s mother, Lorraine, owned. In the midst of it all, Pursy is a kid barely out of high school (who actually dropped out in 10th grade) and sees her mother’s former friends as scumbag alcoholics. Lawson has been trying to write a novel for several years, and Bobby seems to be slowly pickling himself to death.
Posted in: Disc Reviews by Gino Sassani on June 2nd, 2005
National Lampoon was still around? I didn’t think so. But sure enough, there is a staff, they still produce movies occasionally (the cinematic tour de force Van Wilder being among their recent contributions to cinema), and in order to satirize some of the absolute sheet on TV nowadays, came up with the Lost Reality series of discs.
With introduction from (who I’m assuming are) members of the Lampoon staff, the clips are a bit hit or miss. Some of the funnier bits are OK, and could have turned ...nto decent sketches with some polishing. For instance, “Scare Me” is basically a few kids that scare the crap out of people in various locations. The concept is OK, but using actors that see it coming takes the fun out of it. “Payback” is set up a la Punk’d, and at first seeing two parents that terrorize their 8 year old is funny, then it just goes downhill from there. Even some of the bits that you would think be funny just aren’t. Using the American Gladiator TV show from the ‘80s and putting midgets in as Gladiators dragged.
Posted in: Disc Reviews by Gino Sassani on June 2nd, 2005
Synopsis
The only thing I really remembered about Murder, She Wrote was that as a young American child, I used to see it being advertised after 60 Minutes and before a TV movie starring Tori Spelling or something. It would bother me even more because these ads were being announced by a semi-drunk pro football announcer, and put a damper on whatever football game I was watching. Enough with the plugs and get back to the action!
Posted in: Disc Reviews by Gino Sassani on June 2nd, 2005
Synopsis
Aaron Jacob Estes’ film Mean Creek has been favorably compared to films like River’s Edge and in a sense, Lord of the Flies, for obvious reasons, and that’s not a bad thing. Written and directed by Estes, the film begins with Sam (Rory Culkin, Signs), who “borrows” a camcorder owned by George (Josh Peck, Spun), and gets beaten up for it. Sam’s brother Rocky (Trevor Morgan, The Patriot) steps in as the protective, bigger brother and does a little scheming.>
Posted in: Disc Reviews by Gino Sassani on June 1st, 2005
Season Eight of MASH was most notable as the year one of the most beloved characters left the series. Radar, that down-home country boy, was perhaps the most reality based character in the run of the series. I’ve spoken to many G.I.’s who have informed me that the company clerk really runs any Army outfit. Radar had an element of innocence and sincerity that was skillfully portrayed by Gary Burghoff. Burghoff was the only cast member from the original film to reprise his role for the series. Year Eight would feature the first of a few appearances by Alan Alda’s real life father and 1950’s film star Robert Alda.
As miraculous as an 8 year run might be for any sitcom, MASH still had 3 additional seasons to go before leaving while still artistically on the ball. MASH set the stage for multiple cast changes long before Dick Wolf would claim the practice as his own invention with Law and Order. By the time the series ended, only three actors from that first episode remained: Alan Alda, Jamie Farr, and Loretta Switt. (While the character of Father Mulcahy appeared in the pilot, a different actor portrayed him.)
Posted in: Disc Reviews by Gino Sassani on May 29th, 2005
In terms of concept, it seems kinda cool and avant-garde: take the old cartoon Space Ghost, hire some writers and voiceover guys to interview some guests as part of a talk show and see what happens. The result, being Space Ghost Coast to Coast eventually did turn into a cult following and captured an older (read: 18-30) demographic for the Cartoon Network.
Though Space Ghost is a superhero, in this series he has kidnapped a couple of his villains to be a part of his talk show. You have ...orak, essentially an animated praying mantis that serves as the Paul Shaffer of the show. The producer is Moltar, who looks like he should work as part of a hazardous material recovery team. And in the middle of it all, you have a 15 minute, disjointed conversation between a varying group of eclectic guests and a seemingly detached masked hero and show host. The guests over the course of the season include Jon Stewart, Bob Odenkirk and David Cross, Jimmy Cliff, Beck, Ice T, Goldie Hawn and Colin Quinn, to list very few.
Posted in: Disc Reviews by Gino Sassani on May 25th, 2005
Much like previous con films before it like Matchstick Men and The Grifters, Criminal tells the story of a veteran taking a young inexperienced rookie under his wing and showing him the tricks behind the money, and the con artist philosophy.
Based on the Argentinean film Nine Queens, Richard (John C. Reilly, Magnolia) spots Rodrigo (Diego Luna, The Terminal) trying to hustle drink money in a club. He hustles Rodrigo out, and discovers Rodrigo is doing this to earn m...ney for his father, who’s incurred a large gambling debt to mobsters. Richard decides to show Rodrigo how the grift works, and Rodrigo even has a few tricks for Richard. Things become interesting when Richard’s sister Valerie calls him (Maggie Gyllenhaal, Secretary) from her job at a 4 star hotel to inform him he has a visitor. Valerie is aware of Richard’s work and hates it, and him, as he is in the midst of a legal battle with her for their mother’s estate. Throughout the day, Richard and Rodrigo help Richard’s hotel friend attempt to sell a counterfeit treasury document to a wealthy investor. Along the way, we discover the lengths Richard goes to to pull off the deal, and you see just how many people want a piece of the pie. As is the case with con movies, there’s a twist at the end that we don’t see coming, but in a sense, since Reilly is such a sympathetic face, you almost don’t want it to happen that way.
Posted in: Disc Reviews by Gino Sassani on May 24th, 2005
White Noise borrows much from the successful cycle of modern horror films. There is a tremendous likeness to both The Ring and FearDotCom. The use of a television screen for eerie f/x and a few shocks reminds us of the former, while the torture of the kidnapped victim in industrial and dank surroundings is taken right out of the latter. White Noise has some wonderfully disturbing moments. The atmosphere is rank with just enough possibility to be truly scary at times. Michael Keaton adds that element of respectability and believability which carries a weak script much farther than it deserves. I should also point out that the cinematography is simply brilliant. Transitions are masterfully crafted into a stunning visual experience. I expected this film to disappoint and it did; however, it was not quite the disaster I was anticipating.
The idea of EVP, Electronic Voice Phenomenon, has been around since about the 1970’s. The film’s use of the television is a new fictional wrinkle that obviously makes for more compelling drama. White Noise quickly leaves the arena of the EVP world and enters a mythos of its very own. It is this diversion that creates the biggest problems I have with the film. It seems Keaton sees not only dead folks but those soon to be dead. We are never given any explanation as to how this new development occurs. Normally that’s not a problem, but the film appears to go to great lengths to make sure we understand the principles of EVP, then fails us once the story ventures into new ground. The ending is a completely unsatisfying. I don’t need to be told everything, but would like to have more answers than questions when the credits roll. It seems three really bad dead guys are pissed off, but we never find out who they are or why they’re so angry.
