Posted in: Disc Reviews by Gino Sassani on May 23rd, 2005
Continuing in the bold tradition of centering a movie around a place or event in the African American community (see The Wash, Barbershop and Beauty Shop, to name a few), Queen Latifah has decided to run the horse into the ground, and subsequently throw it over the coals, in a film she wrote and appears in, entitled The Cookout.
The concept of the film is simple enough that everyone can identify with it; cookouts are a good time where friends and family, sane and crazy, can get t...gether over food and drinks, and have a good time. When Todd Andersen (Storm P) is drafted into the NBA, the next few days are a whirlwind of enjoying his soon to be fame, though his mother (Jenifer Lewis, Antwone Fisher) is trying to make sure he stays grounded and close to his roots. Though he does manage to buy a huge house and move into an upper class neighborhood, and everyone is afraid of the new neighbors, none more terrified than Mr. and Mrs. Crowley (Danny Glover and Farrah Fawcett). Todd decides to have a cookout with his family, some of whom are played by Frankie Faison (Red Dragon) and Tim Meadows (Ladies’ Man). Along with Todd’s family is his agent (Jonathan Silverman, Weekend at Bernie’s) and girlfriend (Meagan Good, You Got Served). During all of this, Todd tries to do what he can to balance his family with his newfound celebrity and keep his sanity, all at the same time.
Posted in: Disc Reviews by Gino Sassani on May 22nd, 2005
A cast that included Martin Sheen and Marlee Matlin made Hear No Evil appear promising. Sheen is too little used to be very effective, and Matlin’s acting is often overshadowed by a director too eager for use to experience her deafness. I always found that her strength was the power of her performance in spite of the handicap. This film goes to excessive lengths to remind us she is deaf, just in case we happen to miss the point. Often the soundtrack goes silent, apparently to portray the action from Matlin’s point of view. Instead, the technique is overused to the point of distraction.
The story is thin and the running time too long. The plot never really develops into anything more than a drawn-out cat and mouse game. It’s sad, but the best thing I got from the film was learning how to say asshole in sign. Too bad the director wasn’t around for me to practice my new skill.
Posted in: Disc Reviews by Gino Sassani on May 12th, 2005
“It’s been a long time getting from there to here.” 35 years to be exact. Enterprise is the fourth spin-off from the original 1960’s hopeful series. Rick Berman decided to set this series about 100 years before the days of Kirk and Spock. Enterprise has certainly taken a ton of heat since its debuted just 4 years ago. While much of the whining by the “get a life” fans can be delegated to the “Nitpicker’s Guides,” much of it is well deserved.
The most egregious infraction is the liberty the show has taken with established timeline of Star Trek. At times it does appear Berman has decided to insult the very fans that have made the program so enduring. The writers try too hard to make Enterprise the underdog in every fight. It sure seems like everybody else has shields and better weapons. Makes you wonder how Earth became the dominant member of the Federation. With that said, I have found this to be the most entertaining Star Trek since Picard and his crew flew their Enterprise in The Next Generation. The characters, with the notable exception of Hoshi, are the most compelling in many years. Finally there is a trinity of characters reminiscent of the Kirk, Spock, and McCoy relationships. Great effort has been made to create this chemistry with Archer, Trip, and T’Pol, the newest Vulcan. I particularly liked the nice touch of having the three often dine together while discussing the business of exploring space.
Posted in: Disc Reviews by Gino Sassani on May 11th, 2005
What the Bleep Do We Know!? appears to be a New Age film without actually saying the words “New” or “Age.” Consider this, the film, produced by Captured Light & Lord of the Wind Films, is about “a life-changing journey with Amanda (Marlee Matlin, Children of a Lesser “God), a divorced photographer who tumbles down a metaphysical rabbit hole.”
Now, that premise sounds interesting enough, you’re unsure where Amanda will wind up or how she’ll get there. But read on…”Her mind-bending voyage throug... the worlds of science and spirituality includes revelations by quantum physics experts, playful animation and even a conversation with a 35,000 year-old being.”
Posted in: Disc Reviews by Gino Sassani on May 11th, 2005
For those of you who think that all foreign films are drab and dreary, Los Debutantes may reinforce that belief. Written and directed by Andres Waissbluth, it tells the story of two brothers in Chile who celebrate Victor’s (the younger brother’s) birthday by going to a strip club. He falls in love with one of the dancers there named Gracia and attempts to pursue her (even during her day job, when she is the attendant at an adult theater), despite the feelings his older brother Silvio has for her.
The...story shows several different points of view in 30-40 minute periods, first you see the Victor’s, then Silvio’s, then Gracia’s, followed by the dramatic and violent ending the film seems destined for. Granted, the plot twists are familiar to other nonlinear films like Rashomon or Pulp Fiction, but the characters, particularly Gracia, dream of lives beyond their current state, and look to do better. Victor goes to school, while Silvio works to make Victor’s life easier.
Posted in: Disc Reviews by Gino Sassani on May 8th, 2005
Farscape is an acquired taste. Honestly, it took me a few viewings to get hooked. It is unlike any sci-fi show ever produced, with stories that are often too complicated to follow with a casual viewing. It requires your full attention or you can become hopelessly lost. The characters are never cut and dried good or evil, and the stories do not always end on a happy note and seldom with all of the loose ends brought together. The Henson creature creations are the most outstanding examples of puppetry I’ve ever seen in television or the big screen.
The Sci-Fi Channel relied on Farscape for the first three years to anchor its original programming. Having a smart and totally original program elevated the once repeat wasteland to the ranks of a premier program outlet. After the third season Sci-Fi committed to a fourth and fifth season of Farscape. Unfortunately, Bonnie Hammer, the president at Sci-Fi, decided not to honor her commitments. Near the end of season four the station abruptly decided to end the show. Fans were angry and “save Farscape” campaigns began to pop up like Hynarians at a buffet. It seemed that Farscape was doomed to end with a cliffhanger fans would never see resolved. That was until Henson and his crew pushed hard enough to secure financing and eventually an airdate for a mini-series that would conclude at least this incarnation of Farscape.
Posted in: Disc Reviews by Gino Sassani on May 7th, 2005
Kiss the Bride tells the story of a fairly large Italian family living in Rhode Island as Danni (Amanda Detmer, The Majestic) is preparing to marry Geoffrey (Jonothon Schaech, That Thing You Do!) and her sisters come home for the wedding. You have Nikki (Brooke Langton, Swingers), the oldest daughter with a degree but yet still shows up in a belly shirt on the beach each week on a popular TV show. Chris (Vanessa Parise) is a New York financial manager/workaholic, and Toni (Monet Mazur) as ...he youngest who will do anything to get attention. The mother and father will look familiar to you, as they are played by Talia Shire and Burt Young, who played Adrian and Paulie in the Rocky films.
Produced, written and directed by Parise, the film has been slightly compared to My Big Fat Greek Wedding, and may be, if that film had snorted a two foot line of cleanser, I could buy the comparison. This film is substantially darker and goes into each of the individual women’s conflicting emotions about the family and each other, but because the family’s so large, there’s nothing that carries out, or it’s left unresolved altogether. The scene that most typifies the movie is when Nikki and her boyfriend, whose relationship is deteriorating, are almost arguing (in between something between two other sisters), and the boyfriend asks if anyone wants to go out to play football, and everyone happily jumps at the chance. Just when you think the film may go somewhere, it goes into another direction.
Posted in: Disc Reviews by Gino Sassani on May 2nd, 2005
The third season of Starsky and Hutch offered some changes from the first two seasons. Two-parters were a little more prevalent, the tone was often more serious, and the light banter remained as did Huggy Bear’s schemes and dreams. Still, the actors were looking to stretch their thespian muscles in the third year.
The writers took more chances and the stories were far more intense. One of my favorite episodes begins the third season. The two-parter Murder On Voodoo Island featured prominent guest star Joan Collins. The body count on this one is likely one of the series’ largest, albeit without as much gunplay. In the 70’s this one was a bit spooky for the young crowd. Another intense two-parter was The Plague. Today the deadly disease plot is used by almost every series around long enough to run out of original ideas. In the 70’s this kind of epidemic scare was usually reserved to medical programs.
Posted in: Disc Reviews by Gino Sassani on May 1st, 2005
When first reading the synopsis of Control I thought that it would be something similar to the Michael Keaton-Andy Garcia movie Desperate Measures, and how violent criminals can be reformed somehow. Lee Ray (Ray Liotta, Goodfellas), a convicted criminal sentenced to death, is offered the chance to start life anew with the help of counseling from Dr. Copeland (Willem Dafoe, Spider-Man), along with some behavior suppressing drugs.
And of course, Lee Ray resists at first, but soon g...ows to appreciate what the drugs can do for him. He eventually is released to the outside, where he finds a job and meets a girl he’s crazy about (Michelle Rodriguez, Girlfight). He finds remorse about a man he’d disabled and attempts to make peace with him, but the man’s brother (and other criminal elements), soon come back to haunt him.
Posted in: Disc Reviews by Gino Sassani on May 1st, 2005
Very few sitcoms have the endurance to last nine seasons. Everybody Loves Raymond shares their long-running tenure with comedy heavyweight shows such as Friends, Frasier, & Cheers. Not even Seinfeld lasted nine seasons… it fell short, ending after eight. That says a lot for this show; I guess everyone does love Raymond.
All 26-episodes of the complete third season of Everybody Loves Raymond are included in this set. The episodes are all very entertaining; from “The Invitation” all the way to “How They Met”. If you haven’t had that chance to check out this show, now is your chance. So, what is this show about? I will let Warner Bros. give you a little synopsis… “Standup comedian Ray Romano stars as Ray Barone, a successful sportswriter who deals with his brother and parents, who happen to live across the street. Patricia Heaton ("The Goodbye Girl"), Peter Boyle ("While You Were Sleeping"), Doris Roberts ("Remington Steele"), and Brad Garrett ("Gleason") round out the stellar cast.”.
