Posts by Gino Sassani

Law and Order SVU really began to create an identity for itself in its second year. The addition of Ice T as Finn is one of the best casting decisions Wolf’s made since Jerry Orbach. I would have liked to see the combination of Munch and Finn used more often. Maybe I’m in the minority, but they are so much more interesting than Benson and Stabler. I think the show was bold and more edgy in year two. Part of the problem in year one was the inevitable comparisons to the original. Unlike the CSI franchise, Law and Order has created a unique vision for each of its shows.

Not to be confused with the current film of the same name, Taxi was one of the funniest shows in television history. There simply hasn’t been a sitcom to feature so many cast members who would go on to bigger but perhaps not better things. Christopher Lloyd’s Reverend Jim has to be one of the best characters television has known. In its third year Jim would finally be around for an entire season. The show simply swept the Emmys in its third year with statues going to Judd Hirsch, Danny DeVito, and Christopher Lloyd (oddly enough, for a script he penned for the series).

Nothing much changes in the second season of Las Vegas. Of course, Danny comes home from his secret and apparently tragic tour of duty. Mike is a full fledged member of the security team. Otherwise it’s business as usual for the workers at the Montecito. The show works well as an ensemble piece, but the relationship between Danny and Big Ed is more fully developed here and is beginning to dominate the series. James Caan continues to impress with work most of his peers would consider beneath him. The flashy fast paced camera work continues to offer a dizzying ride through the glitz and glamour of Las Vegas.

For the first time in Star Trek history it was decided to dedicate an entire season to tell a single story. Following a recent trend started by hits like Alias and 24, Enterprise boldly went where many had gone before. The problem with this grand idea is that character development and Trek lore were all given a back seat. Rick Berman felt the need for Trek to become more epic. Unfortunately what Enterprise really needed to do was return to its character and socially driven roots. The show did finally start in that direction, but not before losing a legion of fans.

Warm Springs is an HBO production based on a lesser known part of the life of Franklin Roosevelt. While most folks know about FDR’s debilitating bout with polio, few are aware of his long-term association with a rural Georgia resort. It seems the water there is high in minerals, which allows those suffering from crippling diseases a chance to stand or even walk in the super buoyant water. HBO films has a nice track record with historical films. Truman is one of the best Presidential bio films I’ve ever seen. This film limits itself perhaps too much and becomes more about polio than it is about FDR.

It was inevitable that the tragic events of 9/11 would spawn television and film dramatizations. The catastrophe quickly influenced almost everything produced immediately afterwards. Homeland Security is a failed NBC pilot. Unlike most discarded pilots Paramount decided to release this one as a direct-to-video feature. I’m not sure what the thinking behind this move was, but it was well thought out. The very things that made this a poor subject for a series make it an even worse feature release. There have been, and here will continue to be, dramas based on the attacks.

I Love Lucy changed the fledgling television industry in the 1950’s. This was a time when network television was less than a decade old. Most folks had never heard of television just 15 years earlier. I Love Lucy defined the concept of a sitcom. The show was driven by the very strong personalities of the cast. Desi Arnaz was considered a charismatic Latin lover by American women. Lucy played the perfect foil and found a mountain of gold to mine in strong physical comedy. So many modern shows owe their roots to this classic that it would be impossible to mention them all here.

First there was no James. This year no Florida. Yes, the Sunshine State is alive and well even after a year full of hurricanes, but the lovable mother Evans is not a part of Good Times 5th season. I found these episodes to be the show’s least funny. There’s no doubt that the scripts are trying way too hard to cover the awkward situations. The addition of young Penny is really no compensation. It doesn’t help that after 5 years JJ’s shtick is beginning to show its wear. Still, there are some good moments here for the show’s legion of fans.

ALF stands for Alien Life Form, but anyone who has seen this hit 1980’s comedy knows ALF stands for “laughing your ass off funny”. That’s what I had to say about season 1. Season 2 is just as funny, if not tons more. Of course, it helps that the show got its first full run of episodes in this year. Each episode shares its name with a song title. To the show’s credit, many are obscure. The big problem here continues to be the use of cut syndicated episodes. At least on this set the box clearly alerts you to this fact.

This is not your father’s Sinbad. The emphasis is on the Bad, very bad. Seek and ye shall find no Ray Harryhausen magic to carry you away to distant lands and grand adventure. Lou Ferrigno was much better as The Hulk than as Sinbad. His much too modern use of slang coupled with a wise-guy barrage of one-liners makes this a difficult film to watch. Trust me. This film is really bad. Most disturbing is the total lack of respect the producers of this mess show for the grand traditions of previous Sinbad films. There is no majesty and mystery.