Posted in: Disc Reviews by Gino Sassani on March 28th, 2005
What better a place to bring a city’s resurgence than Miami? The area would arguably look different if there was a different TV show that sparked a commerical revival. With Michael Mann in the producer’s chair, along with producing partner Anthony Yerkovich (whose only other cop drama he produced was Hill Street Blues), the flashy cop drama was the reason why a lot of people decided to stay home on Friday nights.
In terms of episode content, there was a lot of formulaic cop drama things, and the usua... clichéd dialogue is prevalent. I found myself shuddering at some of the things I heard when I was watching this first season of episodes again. But there are very good episodes within this run. Aside from the introduction of Tubbs (Philip Michael Thomas) to Crockett (Don Johnson) in the first episode, along with Tubbs’ pursuit of the drug dealer who killed his cop brother, No Exit features a young Bruce Willis as an arms dealer with a dark side. Milk Run has Crockett helping a couple of naïve college kids nab a cocaine dealer and get home safely, and Dennis Farina (who later starred in Mann’s TV project Crime Story appears periodically throughout the season as a drug dealer who evades arrest, and later, witness relocation. And what may be the best episode, Evan features an old partner of Crockett’s and the friction that still exists between them and a deceased partner. Set against a couple of really cool Peter Gabriel songs, this episode is probably the best of the season in my opinion.
Posted in: Disc Reviews by Gino Sassani on March 13th, 2005
I must admit that season 5 of South Park was not one of my favorites. I didn’t mind the more permanent death of Kenny. OK, I did mind losing Kenny, but that wasn’t what really brought the series down. It appears that the crudeness found in season 5 has no other purpose than for shock value which in itself is lost on South Park fans. You just can’t shock us anymore.
An episode with a running counter for how often SHIT appears is a perfect indication of how run down things had gotten. Don’t get me wrong. The...e’s still some real funny... well... Shit in this season. Butters annoys me. I think he’s intended to, but he really annoys me. I think the only reason I laughed at all this season is because I can’t help laughing every time Cartman says or does anything. I think one of the reasons for South Park’s drop comes from the domination of Trey Parker.
Posted in: Disc Reviews by Gino Sassani on March 11th, 2005
It’s hard to imagine that just 10 years ago Steven Bochco stirred up a hornet’s nest with the introduction of NYPD Blue. I say hard to imagine because after just three seasons The Shield has taken commercial TV to heights unimagined by anyone 10 years ago. Vic Mackey doesn’t just rough up suspects. He controls the streets he patrols. He’s not even above killing another cop to keep his thumb on crime in the Barrio district of L.A. Michael Chiklis, once known as the fatherly kind cop on The Commish, has t...tally sold us on this almost irredeemable renegade.
While F/X is a cable network, it still relies on the same advertising spots that the other networks depend on as their lifeblood. Unlike HBO or Showtime, F/X must also comply with stricter guidelines for decency. The Shield pushes that envelope to the very edge. Cinematography is gritty and often documentary in style. The music is harsh. The stories are extremely tight. Not a minute is wasted on superfluous trivia. This show grabs you in the first minute and reluctantly lets you go in the closing credits, only to lie in wait with another compelling episode to begin the cycle again.
Posted in: Disc Reviews by Gino Sassani on February 25th, 2005
Every now and again a show comes along that on the surface probably isn’t that great. Still, something about it endears itself to you, and you might never completely understand it yourself. The Greatest American Hero is one of those shows. Created by the same man who created James Rockford, Stephen Cannell, The Greatest American Hero was a welcome change to the run of hero shows that preceded it. Robert Culp is pure genius as “by the book” FBI agent Bill Maxwell. Connie Sellecca delivers a little more than scenery or...sidekick value. William Katt is a nice fit for the quirky teacher turned superhero. Of course, who could forget the hit theme song “Believe it or Not”? It’s amusing to find Ralph Hinkley asking his students not to call him Mr. H. When John Hinkley shot President Reagan, the show’s producers decided to limit the character’s name references to Mr. H. Later the last name would be changed to Henley.
Synopsis
Posted in: Disc Reviews by Gino Sassani on February 20th, 2005
In the world of television spinoffs it is rare that the newer material will live up to that which spawned it. All In The Family holds the record for number of spinoffs and coincidentally produced the most memorable. Frasier was an instant hit after Cheers. But how many of you remember After-MASH or Beverly Hills Buntz?
Angel, to anyone living under a rock, dates back to the pilot episode of Buffy The Vampire Slayer. I recently took another look at that maiden appearance. Who says vampires don’t age? This i... going to be heresy for some of you, but Angel is a far superior show. The darker tones and the good sense to stay away from the Scooby Doo Club antics made it a show to be taken more seriously. That was until Season 5.
Posted in: Disc Reviews by Gino Sassani on February 16th, 2005
Many seem to rule surfing out of hand as some sort of pastime for burnouts, potheads, or life’s free spirits. But Bruce Brown helped shine a light onto the sport with his release of 1966’s The Endless Summer, a landmark release that still is highly revered by people to this day for the revolutionary photography and its ability to capture the awesome feats of nature. And where some studios put out near-annual sequels, Brown waited 28 years to get his done, appropriately titled The Endless Summer II, repr...sing many more of the stunning visuals and amazing camera shots from the first. Bruce’s son Dana picks up from that film, and produces another film similar in style and substance to the first, although with a more hippie-ish title in Step Into Liquid.
The movie is about, well, surfing. There’s not too much more than that. Both in the Endless Summer II and Step Into Liquid films, Bruce and Dana combine the trademark Brown visuals with the usual “betcha didn’t know they surfed here” locations ranging from Galveston, Texas to Vietnam, shooting holes of truth through Robert Duvall’s immortal quote in Apocalypse Now, that Charlie does surf after all. The movie also shows you some of the current names of surfing, from ex-Baywatch actor (and multiple World surfing champ) Kelly Slater, to longtime big wave seeker Laird Hamilton. And the other main parts of substance have to do with the simple passion that some surfers have (like Dale Webster, who have caught waves once a day for over 10,000 days) or the joy that new people have when introduced to surfing for the first time (such as a group of Catholic and Protestant children who were united for a lesson). The movie culminates with a desire to catch waves in the Pacific, some of them reaching over 60 feet in height. At the end of the day though, the movie is about surfing, plain and simple, and the fascinating pictures nature can give us.
Posted in: Disc Reviews by Gino Sassani on February 13th, 2005
The Ring was an almost overnight success. Based on a Japanese horror film, it was “Americanized” and captured audiences with its creepy cinematography and wickedly sinister story. It was inevitable that the formula would be tried again.
You would think that The Grudge has everything necessary to continue that successful story. The Grudge is based on not one but a well known series of haunted house films in Japan. Spider Man’s own Sam Raimi teams up with Buffy herself, Sarah Michelle Ge...lar, and the result is a bit short of mediocre. The first problem I had with this film is how difficult it is to follow. Shifting timelines and choppy editing make you work hard to keep up. Now, I don’t mind putting in a little effort in a movie from time to time. The serious flaw here is it simply isn’t worth it. I never really end up caring for the characters who were in danger. What is perhaps worse, I find no sympathy or interest in what or why things are happening. When the payoff finally comes, it seems like years of your life have been wasted, and frankly I was too weary for there to be any effect.
Posted in: Disc Reviews by Gino Sassani on February 12th, 2005
After the Quentin Tarantino ode to kung fu chophouse films in Kill Bill Volume 1, Volume 2 shows us the substance behind the style. You see why a Hattori Hanzo sword is as prestigious as it is, you see how and why Elle Driver (Daryl Hannah) lost her right eye, you even find out what the Bride’s (Uma Thurman) name is. But at the end of the day, this movie is about killing Bill, so you see Bill (David Carradine), in all his splendor and glory, and you see the relationship that the Bride and Bill share, both befo...e and after the massacre in the remote church.
OK, so for those geeks like me who have done the unadulterated Kill Bill film festival (using the uncut, gorier version of Volume 1 thank you very much), here’s my take on things:
Posted in: Disc Reviews by Gino Sassani on February 12th, 2005
Uma Thurman (Gattaca) plays the Bride, whose bloody and battered face we see at the beginning of the movie. She is pregnant, but is shot in the head and left for dead. She actually is comatose, and stays that way for four years, before waking up one night from a mosquito buzzing in her ear. The Bride’s name is inconsequential, as any mention of her name draws a loud beeping sound during the movie, and her rehabilitation is also fairly hard to believe also, as she “focuses” in order to use her legs again. Then ...gain, the main attribute driving the story is revenge.
The Bride was an assassin before her coma, part of the Deadly Viper Assassination Squad (DiVAS for short) headed by Bill, who we find out later is David Carradine (from Kung-Fu, a more appropriate (and maybe better?) choice than the initial one of Warren Beatty, considering Tarantino’s penchant for casting 70s acting icons. The Bride wants to kill Bill, along with everyone in with the Squad, Vernita Green (Vivica A. Fox, Juwanna Man), Elle Driver (Daryl Hannah, Splash), O-Ren Ishii (Lucy Liu, Charlie’s Angels) and Budd (Michael Madsen, Reservoir Dogs). She will do anything to accomplish her goals, even wiping out a group of fighters named the Crazy 88.
Posted in: Disc Reviews by Gino Sassani on February 12th, 2005
Arguably the last funny member of Saturday Night Live has picked some strange movies to be in since leaving the sketch comedy show. Appearing first as a co-star in Old School and then later in the kid-friendly (but cute) Elf, Will Ferrell took his time in getting to what fans wanted, a good PG-13 or better comedy for him to stretch his comedic talent.
By and large, Anchorman does deliver on that, though occasionally Ferrell himself isn’t the one causing the laughs. As 1970s San ...iego newsman Ron Burgundy, Ferrell is the one everyone in town trusts, along with his newsteam. The chemistry is broken when female newscaster Veronica Corningstone (Christina Applegate, Married With Children) is hired. Ron has to resolve the conflicts between himself, his team and his new interest in Veronica…
