Posted in: Disc Reviews by Gino Sassani on October 28th, 2004
CSI hasn’t changed much in its first four years. Expect more of the same here. The unique photography and f/x material is pretty much as solid as it was in the first episode. I’m not sure I like the “scruffy” Grissom look, but the show is as good as it’s ever been. As in each of the previous season, Gil Grissom leads a team of Crime Scene Investigators (CSI) on the night shift in Las Vegas.
Audio
Posted in: Disc Reviews by Gino Sassani on October 27th, 2004
Michael Shanks returned to Stargate full time in Season 7. What continues to impress me is that after 7 years the quality of this show just keeps getting better. I’m rarely moved by film or TV, but “Fragile Balance” was one of the most moving hours of television I’ve ever seen. The writers and actors continue to collaborate to create the best science fiction show ever. I’m sorry, but that might even include Star Trek. Season 7 brought us even more complex stories, if that was possible. The characters each had opport...nities to go off on their own this year which was quite refreshing. The F/X continue to be the hallmark for any production current or future.
Synopsis
Posted in: Disc Reviews by Gino Sassani on October 23rd, 2004
The time: Prohibition. The smell of bootleg gin and the sound of bullets lingers in the urban air. It’s Chicago. It’s Good vs. Evil. Elliott Ness vs. Al Capone. Kevin Costner vs. Robert DeNiro. Brian De Palma directs this wonderful period piece. The film drips with as much stylish atmosphere as outlawed booze. I’m not sure if the credit belongs to David Mamet’s imaginative script or De Palma’s direction. Both were at the top of their game with this film. Sean Connery must certainly bear mention as the no nonsense me...tor Malone. In less than 20 years this film has easily earned its classic status. It’s hard to believe that Andy Garcia was an unknown at the time.
Synopsis
Posted in: Disc Reviews by Gino Sassani on October 16th, 2004
What Science Fiction fan has not read Ray Bradbury’s groundbreaking book, The Martian Chronicles. The book is not really a novel, but a series of shorter works that follows the settlement of Mars. Even though the Martian canals of medieval times were already disproved by the 1940’s when Bradbury began the project, he insisted on conforming his Martian landscape to such fancy. The series of works translate well to the mini-series format; however, the necessary f/x to pull it off just weren’t available in a 1980 TV bud...et. Cast members like Rock Hudson and Darren McGavin help to elevate the made-for-TV simplicity of the script. The mini-series is a direct allegory to European exploration and eventual exploitation of North America. The Martian natives succumb to human disease and commercial spirit much like Native Americans during the time of the conquistadors.
Synopsis
Posted in: Disc Reviews by Gino Sassani on October 16th, 2004
Season 4 of Voyager is most notable for the addition of Jeri Ryan’s Seven Of Nine character. The stories grew a bit more complex. The season appears to have regarded style above substance in year 4. There is a modest attempt to develop a mother/daughter kind of relationship between Seven Of Nine and Janeway. The problem is that, like the potential for conflict inherent with the addition of the Maquis members of the crew, this conflict is all to often resolved in a Brady Bunch “What have you learned from this, Seven ...f Nine” formula. No question the Borg and Species 8472 offer a better group of adversaries than the Kazon were ever capable of. I judge this season to be one of bright moments and missed opportunities.
Season Synopsis
Posted in: Disc Reviews by Gino Sassani on October 8th, 2004
How else am I to begin the review for the most anticipated films ever to be released on the DVD medium?
"A long time ago, in a galaxy far, far away..."
Posted in: Disc Reviews by Gino Sassani on October 7th, 2004
There were a lot of changes to Lost In Space in Season 2. The most significant was the decision to begin filming in color. There’s no question the show just looks so much better in color. The second drastic change was the overall mood of the show. Season 1 was much more serious and atmospheric. By the time the second year rolled around it became obvious that the trio of Smith, Will, and the Robot was what was drawing in the viewers. From that point onward most of the stories would revolve around that relationship. Th... stories began to get considerably more campy. Season 2 brings us such memorable characters like the green skinned Athena, the Space Circus master Dr. Marvello, Arab Chieftans, and who can forget that rascal cousin Jeremiah Smith?For better or worse, this is what Lost In Space would forever be identified with. The first season was eventually cut out of future syndication packages.
Audio
Posted in: Disc Reviews by Gino Sassani on September 20th, 2004
With the success of Star Trek as both a television and film franchise, it made perfect sense to eventually pass the baton from the Kirk era to the Next Generation. Generations had promise, but could and should have been a far better film. The f/x were for the most part inferior to previous Trek films. The destruction of the Enterprise D is the notable exception. Perhaps it was unwise to attempt to blend the established film environment with the too recently completed television series.
The film might have ...een better served by taking more time to create a better film version of the Enterprise D. It’s obvious that the ship’s destruction was written into this film to allow for the necessary redesign of the Enterprise for future films. A greater participation by the rest of the original cast, while costly, would have gone further to portray the changing of the Star Trek guard. I have heard Nimoy speak several times on the issue. He declined the role not because of money as many speculate, but because Spock’s role was too insignificant and out of character. How I would have loved to see Picard, Data, Spock, and Kirk work together toward the film’s climax. Still, Generations did bridge the two generations of Star Trek in an emotional if unsatisfying fashion.
Posted in: Disc Reviews by Gino Sassani on September 20th, 2004
The Whole Nine Yards was a pretty funny film. It wasn’t outstanding. It wasn’t classic cinema. It certainly didn’t cry out for a sequel. The Whole Ten Yards goes one yard too far. Most of the original cast is back, but the film has no life. Even the laughs are forced. By now the novelty of the characters has long since worn thin. Bruce Willis seems to be acting for acting’s sake. The mood swings and unnecessary facial exaggerations seem to provide Willis with some distraction from how empty the rest of the film is. I...think he watched DeNiro in Analyze This or Analyze That too long. Amanda Peet’s assassin wannabe whining is no longer cute. It’s just annoying. Matthew Perry might be soon yearning for his Friends days if this is anywhere near his best film attempt.
Synopsis
Posted in: Disc Reviews by Gino Sassani on August 28th, 2004
ALF stands for Alien Life Form, but anyone who has seen this hit 1980’s comedy knows ALF stands for “Laughing your ass off funny”. OK, so the letters are out of order, but you know I’m right. It’s no surprise our favorite Melmac dude has made the DVD scene. The real shocker is that it took so long. Who remembers comedy from the 1980’s? There just wasn’t an awful lot to laugh at. ALF was the “muppet-like” creation of Paul Fusco, who also provides the wise-cracking voice of ALF. ALF’s making a comeback these days with ... new talk show on cable, so this was the perfect time to roll out the DVD’s.
Synopsis
