Posted in: Disc Reviews by Gino Sassani on September 20th, 2004
With the success of Star Trek as both a television and film franchise, it made perfect sense to eventually pass the baton from the Kirk era to the Next Generation. Generations had promise, but could and should have been a far better film. The f/x were for the most part inferior to previous Trek films. The destruction of the Enterprise D is the notable exception. Perhaps it was unwise to attempt to blend the established film environment with the too recently completed television series.
The film might have ...een better served by taking more time to create a better film version of the Enterprise D. It’s obvious that the ship’s destruction was written into this film to allow for the necessary redesign of the Enterprise for future films. A greater participation by the rest of the original cast, while costly, would have gone further to portray the changing of the Star Trek guard. I have heard Nimoy speak several times on the issue. He declined the role not because of money as many speculate, but because Spock’s role was too insignificant and out of character. How I would have loved to see Picard, Data, Spock, and Kirk work together toward the film’s climax. Still, Generations did bridge the two generations of Star Trek in an emotional if unsatisfying fashion.
Posted in: Disc Reviews by Gino Sassani on September 20th, 2004
The Whole Nine Yards was a pretty funny film. It wasn’t outstanding. It wasn’t classic cinema. It certainly didn’t cry out for a sequel. The Whole Ten Yards goes one yard too far. Most of the original cast is back, but the film has no life. Even the laughs are forced. By now the novelty of the characters has long since worn thin. Bruce Willis seems to be acting for acting’s sake. The mood swings and unnecessary facial exaggerations seem to provide Willis with some distraction from how empty the rest of the film is. I...think he watched DeNiro in Analyze This or Analyze That too long. Amanda Peet’s assassin wannabe whining is no longer cute. It’s just annoying. Matthew Perry might be soon yearning for his Friends days if this is anywhere near his best film attempt.
Synopsis
Posted in: Disc Reviews by Gino Sassani on August 28th, 2004
ALF stands for Alien Life Form, but anyone who has seen this hit 1980’s comedy knows ALF stands for “Laughing your ass off funny”. OK, so the letters are out of order, but you know I’m right. It’s no surprise our favorite Melmac dude has made the DVD scene. The real shocker is that it took so long. Who remembers comedy from the 1980’s? There just wasn’t an awful lot to laugh at. ALF was the “muppet-like” creation of Paul Fusco, who also provides the wise-cracking voice of ALF. ALF’s making a comeback these days with ... new talk show on cable, so this was the perfect time to roll out the DVD’s.
Synopsis
Posted in: Disc Reviews by Gino Sassani on August 28th, 2004
V: The Series was a great idea that couldn’t seem to hit its stride. It was plagued by budget restrictions and astronomical expectations. The result was the inevitable failure of the show. It just wasn’t possible to reproduce the f/x and epic tales of the two mini-series events with about a fifth of the budget. Judged on its own, the series wasn’t all that bad. A solid cast anchored by Marc Singer, Faye Grant, and Robert Englund picked up the slack left by the poor budget. The absence of Kenneth Johnson was also keen...y felt. Although there were still some excellent episodes, most notably the first, Liberation Day, too much time and effort went into the soap opera arcs, particularly the alien half-breed baby.
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Posted in: Disc Reviews by Gino Sassani on July 31st, 2004
Comic book characters have provided a large slate of movie productions in recent years. This really isn’t anything new; both Superman and Batman have each fueled successful film franchises (It should be noted that both are soon to return). Spider-Man’s record take opened a new floodgate. Some have been quite disappointing (The Hulk and The Punisher) while a few (X-Men and Spider-Man) have provided outstanding products. Hellboy fits somewhere in the middle. The character is somewhat lesser known and considerably more ...ecent. Ron Perlman is perfectly cast here. He almost makes this larger than life creature believable. Guillermo Del Toro creates a convincing world of dark hues with tremendous style that never gets pretentious or interferes with the story. At first this film looks unsettling, but as you allow yourself to be immersed in the rich shadows, you are completely transported away. It’s a hell of a fast 2 hours.
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 27th, 2004
The Second Season of Starsky and Hutch is often considered its best by long time fans of the show. Even Paul Michael Glaser expressed his feelings that the show peaked in the second year. By now the characters were well honed and the stories less 70’s cliché and tighter. The show often used the 2 parter now to tell more elaborate tales. The bad guys were meaner. The guys spend time undercover a bit this year, which added a tremendous amount of variety to what was really a formula show in the first year. That all impo...tant character chemistry was rock solid. Season Two of Starsky and Hutch is a great example of the better 70’s cop show.
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Posted in: Disc Reviews by Gino Sassani on July 22nd, 2004
It’s perhaps a sad commentary on the level of political correctness that Archie Bunker could never have graced network primetime in 2004. Archie was ignorant and an incredibly vocal bigot. Archie was an equal opportunity bigot. He didn’t just hate certain minorities … he hated everybody who wasn’t white blue collar protestant. Carroll O’Connor, who brilliantly portrayed Archie, was without a doubt one of the best actors to grace a network sitcom. Just watch his eyes and you’ll understand. All in the Family holds a re...ord for spin-off series. The Jeffersons, Maude, Good Times, and Archie Bunker’s Place are just a few of the highly successful shows that owe their roots to All In The Family. Rob Reiner, Meathead, has since followed in his father Carl Reiner’s footsteps as a highly acclaimed producer.
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Posted in: Disc Reviews by Gino Sassani on July 11th, 2004
Season three of Voyager was the most exciting so far. This is the year Q, one of Star Trek’s most beloved characters, adds Janeway to his list of captains to pester. The powerful Borg would also enter Voyager’s universe in Season three. The year would end with a cliffhanger that also introduces 7 of 9 to the cast. This was Kes’s final year. There’s no question that the show’s dynamics went from stun to kill. Episodes became a bit more standalone. The long overdone Kazon arc would be abandoned for more compelling dram.... George Takei appeared in a Voyager/Star Trek VI crossover episode that puts Tuvok on Sulu’s ship during the events of the final Original Cast film.
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 9th, 2004
In the greatest tradition of 1950’s producers like William Castle comes The Lost Skeleton of Cadavra. Castle fans will appreciate the “Filmed in Skeletovision” gag on the cover art. This is a wonderful send-up of the 1950’s science fiction genre. Most of the acting is deliberately over the top and the gags are often too obvious… but this is funny stuff. The music cues are dead on. Fans of Mystery Science Fiction Theatre 3000 will also find this film entertaining to the extreme. Andrew Parks steals the show wit... his portrayal of alien Kro-Bar. His facial expressions alone are worth watching this film.
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 6th, 2004
South Park had peaked with Season 3. The film was a huge hit and some of the best stuff came out that year. Season 4 would become a more up and down year. It’s obvious that the Stone and Parker team decided to push the envelope a bit further. This is also the year we got wheelchair bound Timmy. I liked Timmy at first, but he just gets old fast. One of the highlights of this season is the last episode. Another Mr. Hanky Christmas episode has the boys creating a special computer Christmas card called “The Spirit of Chr...stmas” this episode mirrors the actual start of Stone and Parker. I would have liked to have seen the entire original show at least as an extra here.
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