Posted in: Disc Reviews by Gino Sassani on August 28th, 2004
V: The Series was a great idea that couldn’t seem to hit its stride. It was plagued by budget restrictions and astronomical expectations. The result was the inevitable failure of the show. It just wasn’t possible to reproduce the f/x and epic tales of the two mini-series events with about a fifth of the budget. Judged on its own, the series wasn’t all that bad. A solid cast anchored by Marc Singer, Faye Grant, and Robert Englund picked up the slack left by the poor budget. The absence of Kenneth Johnson was also keen...y felt. Although there were still some excellent episodes, most notably the first, Liberation Day, too much time and effort went into the soap opera arcs, particularly the alien half-breed baby.
Audio
Posted in: Disc Reviews by Gino Sassani on July 31st, 2004
Comic book characters have provided a large slate of movie productions in recent years. This really isn’t anything new; both Superman and Batman have each fueled successful film franchises (It should be noted that both are soon to return). Spider-Man’s record take opened a new floodgate. Some have been quite disappointing (The Hulk and The Punisher) while a few (X-Men and Spider-Man) have provided outstanding products. Hellboy fits somewhere in the middle. The character is somewhat lesser known and considerably more ...ecent. Ron Perlman is perfectly cast here. He almost makes this larger than life creature believable. Guillermo Del Toro creates a convincing world of dark hues with tremendous style that never gets pretentious or interferes with the story. At first this film looks unsettling, but as you allow yourself to be immersed in the rich shadows, you are completely transported away. It’s a hell of a fast 2 hours.
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 27th, 2004
The Second Season of Starsky and Hutch is often considered its best by long time fans of the show. Even Paul Michael Glaser expressed his feelings that the show peaked in the second year. By now the characters were well honed and the stories less 70’s cliché and tighter. The show often used the 2 parter now to tell more elaborate tales. The bad guys were meaner. The guys spend time undercover a bit this year, which added a tremendous amount of variety to what was really a formula show in the first year. That all impo...tant character chemistry was rock solid. Season Two of Starsky and Hutch is a great example of the better 70’s cop show.
Audio
Posted in: Disc Reviews by Gino Sassani on July 22nd, 2004
It’s perhaps a sad commentary on the level of political correctness that Archie Bunker could never have graced network primetime in 2004. Archie was ignorant and an incredibly vocal bigot. Archie was an equal opportunity bigot. He didn’t just hate certain minorities … he hated everybody who wasn’t white blue collar protestant. Carroll O’Connor, who brilliantly portrayed Archie, was without a doubt one of the best actors to grace a network sitcom. Just watch his eyes and you’ll understand. All in the Family holds a re...ord for spin-off series. The Jeffersons, Maude, Good Times, and Archie Bunker’s Place are just a few of the highly successful shows that owe their roots to All In The Family. Rob Reiner, Meathead, has since followed in his father Carl Reiner’s footsteps as a highly acclaimed producer.
Audio
Posted in: Disc Reviews by Gino Sassani on July 11th, 2004
Season three of Voyager was the most exciting so far. This is the year Q, one of Star Trek’s most beloved characters, adds Janeway to his list of captains to pester. The powerful Borg would also enter Voyager’s universe in Season three. The year would end with a cliffhanger that also introduces 7 of 9 to the cast. This was Kes’s final year. There’s no question that the show’s dynamics went from stun to kill. Episodes became a bit more standalone. The long overdone Kazon arc would be abandoned for more compelling dram.... George Takei appeared in a Voyager/Star Trek VI crossover episode that puts Tuvok on Sulu’s ship during the events of the final Original Cast film.
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 9th, 2004
In the greatest tradition of 1950’s producers like William Castle comes The Lost Skeleton of Cadavra. Castle fans will appreciate the “Filmed in Skeletovision” gag on the cover art. This is a wonderful send-up of the 1950’s science fiction genre. Most of the acting is deliberately over the top and the gags are often too obvious… but this is funny stuff. The music cues are dead on. Fans of Mystery Science Fiction Theatre 3000 will also find this film entertaining to the extreme. Andrew Parks steals the show wit... his portrayal of alien Kro-Bar. His facial expressions alone are worth watching this film.
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 6th, 2004
South Park had peaked with Season 3. The film was a huge hit and some of the best stuff came out that year. Season 4 would become a more up and down year. It’s obvious that the Stone and Parker team decided to push the envelope a bit further. This is also the year we got wheelchair bound Timmy. I liked Timmy at first, but he just gets old fast. One of the highlights of this season is the last episode. Another Mr. Hanky Christmas episode has the boys creating a special computer Christmas card called “The Spirit of Chr...stmas” this episode mirrors the actual start of Stone and Parker. I would have liked to have seen the entire original show at least as an extra here.
Audio
Posted in: Disc Reviews by Gino Sassani on July 3rd, 2004
What we have here is a messy British independent film that takes most of its cues from the Agatha Christy 10 Little Indians formula. The film fails to provide enough setup or character development to ensure we give a crap about any of these people or what happens to them. As the dull actors and their equally dull counterparts disappear, I found myself looking forward to losing another one. Most of these chaps are complete unknowns. Only Paris Hilton’s name rang any bells. The producers were quite aware of this dilemm..., so they gave Hilton top billing and front and center on the cover art. The only problem is she’s just as bad an actress as these others. She also plays one of the shortest roles of the film. This is a complete yawner.
Synopsis
Posted in: Disc Reviews by Gino Sassani on June 27th, 2004
The USA Network series The Dead Zone is based very loosely on the early Stephen King novel or the film with Martin Sheen. Johnny still goes into a coma and comes out with psychic abilities. He even meets the infamous Senate candidate destined to destroy the world. The original tale and this surprising series ends there. This show is more about Johnny using his abilities for good whenever he can. One of the best episodes of the series, “Zion”, actually shows us why this show has varied from the original story. ...e find out that it was meeting Bruce, a physical therapist who was not in the original story, that kept him from the self-destructive path King had outlined for him.
Anthony Michael-Hall’s performance is one that has to grow on you. I have to admit I was a little put off the first couple of episodes from season one. Something about his portrayal does tend to rope you in. These episodes are light years ahead of anything from Season One.
Posted in: Disc Reviews by Gino Sassani on June 25th, 2004
The 1970s was a fertile time for feminist movements. This film was amazingly cited by both sides of the argument, never seeming to please either. Feminists considered the film to be a slap in the face of the “modern woman”. It was accused of undermining years of progress to the age-old stereotypes of a woman’s place. At the same time anti-feminists citied it as a mockery of what were considered wholesome American values. It’s strange that a film that was never intended to be part of these controversies couldn’t seem ...o please either side. The film quickly disappeared from the box office and was deemed an early failure. That was until frequent television showing gained a cult following that exists today. To many of us this is simply a quaint blend of science fiction and horror elements to produce a better than average low budget film.
What is extremely disappointing about this disc is it is actually just a re-release of the 2000 Anchor Bay edition. Not only are there no improvements, but the extras are exactly the same.
