Posted in: Disc Reviews by Gino Sassani on July 3rd, 2004
What we have here is a messy British independent film that takes most of its cues from the Agatha Christy 10 Little Indians formula. The film fails to provide enough setup or character development to ensure we give a crap about any of these people or what happens to them. As the dull actors and their equally dull counterparts disappear, I found myself looking forward to losing another one. Most of these chaps are complete unknowns. Only Paris Hilton’s name rang any bells. The producers were quite aware of this dilemm..., so they gave Hilton top billing and front and center on the cover art. The only problem is she’s just as bad an actress as these others. She also plays one of the shortest roles of the film. This is a complete yawner.
Synopsis
Posted in: Disc Reviews by Gino Sassani on June 27th, 2004
The USA Network series The Dead Zone is based very loosely on the early Stephen King novel or the film with Martin Sheen. Johnny still goes into a coma and comes out with psychic abilities. He even meets the infamous Senate candidate destined to destroy the world. The original tale and this surprising series ends there. This show is more about Johnny using his abilities for good whenever he can. One of the best episodes of the series, “Zion”, actually shows us why this show has varied from the original story. ...e find out that it was meeting Bruce, a physical therapist who was not in the original story, that kept him from the self-destructive path King had outlined for him.
Anthony Michael-Hall’s performance is one that has to grow on you. I have to admit I was a little put off the first couple of episodes from season one. Something about his portrayal does tend to rope you in. These episodes are light years ahead of anything from Season One.
Posted in: Disc Reviews by Gino Sassani on June 25th, 2004
The 1970s was a fertile time for feminist movements. This film was amazingly cited by both sides of the argument, never seeming to please either. Feminists considered the film to be a slap in the face of the “modern woman”. It was accused of undermining years of progress to the age-old stereotypes of a woman’s place. At the same time anti-feminists citied it as a mockery of what were considered wholesome American values. It’s strange that a film that was never intended to be part of these controversies couldn’t seem ...o please either side. The film quickly disappeared from the box office and was deemed an early failure. That was until frequent television showing gained a cult following that exists today. To many of us this is simply a quaint blend of science fiction and horror elements to produce a better than average low budget film.
What is extremely disappointing about this disc is it is actually just a re-release of the 2000 Anchor Bay edition. Not only are there no improvements, but the extras are exactly the same.
Posted in: Disc Reviews by Gino Sassani on June 20th, 2004
It is nearly impossible to escape the common comparisons between Monk and Columbo. But don’t get this show expecting it to be at all like the well-loved bumbling detective played for decades by Peter Falk. The two characters are nothing alike. The comparisons are made because we haven’t had a detective show since Columbo where the quirks and personality of the character himself were more important than the cases he solved.
Tony Shalhoub’s Adrian Monk suffers from a long list of phobias from germs to drink...ng milk. He also suffers from O.C.D. (Obsessive Compulsive Disorder). This means that Monk can’t stand disorder of any kind. This, of course, doesn’t help when you consider how few “neat” crime scenes there are. The series uses different writers to bring out the comedy and the mystery elements of the show. Shalhoub is what really makes everything fly. Expect that the show does go way over the top. But it’s all in good fun. On of the big surprises here is Ted Levine as the police captain. Levine, of course, is best known as the killer from Silence of the Lambs.
Posted in: Disc Reviews by Gino Sassani on June 15th, 2004
With the release of Spider-Man 2 in late June, it was no surprise that Sony decided to give us an upgrade of the first film. Spider-Man was probably the best superhero film to come along since the original Superman in the late 70’s. Perhaps not as recognizable as Batman or Superman, Spidey is still quite an American icon to the millions of us who grew up during the golden age of comics.
This film is a faithful adaptation. The only real complaint I’ve heard is the tweaking of the origin story. In the comics...it was a radioactive spider, not a genetically altered one, that sank its teeth into Peter Parker. The casting is exceptional with the possible exception of Kirsten Dunst. I can’t put my finger on it, but she is the weak link of the entire picture. Law and Order’s Simmonds is a dead ringer for J.J. Jamison.
Posted in: Disc Reviews by Gino Sassani on June 1st, 2004
Star Trek Voyager came into its own during season two. This was the first full season of the Star Trek spin-off. Superior to its sister show Deep Space Nine, Voyager once again brought the concept of exploration to the Star Trek universe.
The season was very uneven. There is the absolutely terrible and contrived episode “The 37’s” which start off with an old pickup truck floating in space. For the first time a starship lands, and I think that was an unwise development. This is the episode where the crew fi...ds Amelia Earhart.
Posted in: Disc Reviews by Gino Sassani on June 1st, 2004
In season 2, The West Wing was still superior to almost anything on television at the time. The problems began to surface, however. Season 2 concentrated far too much time on the whole MS deal. I missed the powerful insider political stories. Still, there is little question that the writing and production style of the show continued to shine. Up to this point only Hill Street Blues had more Emmy nominations in one season.
Audio
Posted in: Disc Reviews by Gino Sassani on May 31st, 2004
“In the criminal justice system the people are represented by two separate, yet equally important groups: the police who investigate crime and the District Attorneys who prosecute the offenders …” Season 2 has been called “The Lost Season” by Dick Wolf fans. These episodes were not included in some of the many syndication packages so have been seen less often in reruns. The show maintains its trademark tight storytelling. The addition of Paul Sorvino is both a good and a bad thing here. Sorvino is certainly a very f...ne actor and the character is one of Law and Order’s best. Still, much of the work seems below the accomplished actor, and he seems to either overact or just phone in the performance. It’s not really that hard to see why the mix didn’t last very long.
Synopsis
Posted in: Disc Reviews by Gino Sassani on May 6th, 2004
I’m not a big fan of “Reality TV.” I do watch Survivor, and I think that’s a really good show, but I don’t watch any of the others. When I first heard of the concept of “The Mole,” I have to admit that I was intrigued. Reality TV is all about real people reacting to each other’s most annoying personality traits and translating that friction into ratings. Well, “The Mole” puts a different spin on that concept by adding a dissenting element - one of the participants is “a mole” i.e. a nefarious agent of the producers ...laced to lead the group astray and prevent them from attaining the big cash rewards. I have to admit intriguing, but not intriguing enough to get me to watch week to week, until now.
Celebrity Mole: Hawaii takes a group of B-list celebrities (Stephen Baldwin, Corbin Bernsen, Michael Boatman, Kim Coles, Kathy Griffin, Frederique Van Der Wal, and Erik Von Detten) and pits them against each other in various games to win cash, and avoid termination (i.e. elimination – one person leaves the game at the end of each show) while figuring out who the mole is.
Posted in: Disc Reviews by Gino Sassani on May 3rd, 2004
The Monsters of Universal Studios during the 1930’s to the 1950’s truly are a legacy. This collection, while including many films already released, is an important set. Bela Lugosi’s Dracula, Boris Karloff’s Frankenstein Monster, and Lon Chaney’s tortured Larry Talbot/The Wolfman have inspired generations of filmmakers, writers, and f/x engineers. The influence on our culture is impossible to deny. When asked about Frankenstein, most of us conjure the classic Karloff image long before we think of Mary Shelley or any ...ther incarnation. These images are burned into our collective imaginations. They are signposts of fear that have been passed down from father to son and even mother to daughter. They are in essence our inheritance from an era long gone but somehow never forgotten. It is true that these films are tame by today’s standards. They have long ago lost the ability to terrify. That says more for the sadness of our own age than any blemish to these masterpiece classics. We are a hard people to frighten today, but no one ever did it better than these Universal classics.
The Monster Legacy Collection is made up of three individual monster collections which you can purchase separately…
