Posts by Gino Sassani

"Imagine a world without murder. Six years ago, the homicidal rates had reached epidemic proportions. It seemed that only a miracle could stop the bloodshed, but instead of one miracle, we were given three, the precognitive. Within three months of the precrime program, the homicidal rates in the District of Columbia had reduced 90 percent. Six years in the precrime program, and there hasn't been a single murder. Now, the system can work for you. We want to make sure that this great system that will keep us safe will also keep us free. On April 24, vote yes on the national precrime initiative."

From the mind of Philip K. Dick, there was a rush of box office gold that lasted several years.

It's Planet Of The Apes meets Cujo, and it sure isn't pretty. Part of me actually loves this kind of thing, but it has more to do with when the film is than how good or bad the film happens to be. For a lot of critics, we have just spent the better part of our holiday season being inundated by awards bait in one form or another. Everyone wants your attention right now. I have to vote in two guilds, and honestly by the time it's over and I've managed to cram 60-70 films or more into my Holiday activities, I'm honestly more than a little burned out. So after that little break as January begins, I always welcome that first film that asks nothing more of me than to sit there and soak it in. There aren't going to be any Best Picture nominations here. No one is going to be buzzing about Primate when we start talking Best Actors and Cinematography.

"Two little mice fell in a bucket of cream. The first mouse quickly gave up and drowned. The second mouse wouldn't quit. He struggled so hard that eventually he churned that cream into butter and crawled out. Gentlemen, as of this moment, I am that second mouse.” 

Frank, Jr. is that second mouse ... and then some. Before his 19th birthday, Frank Abagnale Jr. posed as a pilot, doctor, lawyer, and secret service agent in an uncanny crime spree that saw him forging millions of dollars worth of fraudulent checks. This film chronicles the fantastic yet true adventure with large doses of fun injected into the two-and-a-half-hour-long chase."

Merry Christmas from all of us at Upcomingdiscs.

Here's a special Christmas treat from G.E. Sassani.

I think I see your problem. You have this list. It’s a list of people you need/want to buy a Christmas gift for. The trouble is that they’re into home theater, and you don’t know Star Trek from Star Wars. You couldn’t tell a Wolf Man from a Wolverine. And you always thought that Paranormal Activity was something too kinky to talk about. Fortunately, Upcomingdiscs has come to the rescue every Christmas with our Gift Guide Spotlights. Keep checking back to see more recommendations for your holiday shopping. These gift guides ARE NOT paid advertisements. We take no money to publish them. This time we turn our attention to Warner Home Video's release of The Handmaid's Tale The Complete Series on DVD

"The water taught them peace. The fire will test their soul."

I don't really have to tell you what Avatar is. If you haven't heard of it by now, I have only one question to ask of you: how was that coma? Ever since he cleaned up at the box office with Titanic, James Cameron has been planning this movie series. The only trouble was that the technology to make it did not exist. Most filmmakers would have either tried anyway, or simply waited until the hardware caught up with their imaginations. Not James Cameron. He decided to invent the equipment himself. The result is a 3D filming process that allows for the most realistic images you likely have ever seen on a movie screen.

In the 1930’s and 40’s, MGM was trying to get in on the lucrative animation game. The field was dominated at the time by Warner Brothers with their Loony Tunes shorts, and of course, the iconic cast of animated characters coming out of the Walt Disney Studio. For years they had failed to find the right property to take advantage of the market. It wasn’t until the team of William Hanna and Joseph Barbera approached the studio with their first project that the times did change, at least a little, for the fledgling animation department at MGM. The project was far from an original one even for the time. It was a very basic cat-and-mouse adventure featuring a cat named Tom and a mouse named Jerry. There would be almost no dialog on the shorts. It certainly didn’t look like much of a hit to the studio brass, but with no better ideas on the way, they went ahead with the new shorts of Tom And Jerry.

Just as things started to get intriguing, what happened? The credits rolled. While I’m not completely surprised by the cliffhanger ending, I was mildly annoyed by it. Which is not to say that I didn’t enjoy this sequel that somehow managed to walk a fine line between funny and suspenseful. I won’t call it scary, because it’s still a little PG in that regard. However, the story was entertaining, as were the characters, most of which were reprising their roles from the first film. I wasn’t sure that a sequel could break new ground, but given that Five Nights At Freddy’s is both a popular video and book series, I suppose there are many places that the story can go. Josh Hutcherson, Elizabeth Lail, Piper Rubio, and Matthew Lillard reprise their roles and are joined by McKenna Grace, Freddy Carter, and Skeet Ulrich, which makes for a surprise Scream reunion. That said, if I am being honest, Ulrich felt criminally underutilized in this project. I expected that he would play a bigger start in the story, and I was really hoping for more interaction between him and Lillard in order to better signify the Scream homage.

From the moment I saw the trailer for Caught Stealing I immediately was taken back to the late 1990s, when so many films were trying to emulate the success Pulp Fiction had by mixing comedy and violence.  I mean, the kinetic energy of the trailer was giving me the same vibes I got when I first saw Lock Stock and Two Smoking Barrels and The Boondock Saints. This isn’t a bad thing at all; heck, I miss these kinds of films. Lately it seems all the action films now are bad John Wick knockoffs or the woke superhero films that lack anything resembling artistic merit. I had every intention on seeing Caught Stealing in theaters, because this just looked like the kind of film I’d have fun with, but unfortunately this had such a short window at the theaters that it was gone before it had a chance to even find an audience. The quick turnaround with these films moving from theaters to streaming is enough to make your head spin, and the film studios wonder why they are taking losses, and this isn’t even a big-budget film despite having a solid cast and a relatively well-known director at the helm.

It is hard to believe it has been nearly a decade since Mel Gibson last directed a film. Hacksaw Ridge remains one of my favorite war films made in the 21st century, and I thought for sure it signaled the return for Gibson, since he’s been in Hollywood jail since 2006. He’s managed to get some work in some bad direct-to-streaming films, though I feel the last great film we’ve gotten to see him on screen was 2018’s Dragged Across Concrete, which didn’t exactly set the box office ablaze. I’m bummed by this, because really he’s one of the few surviving icons from the 80s and 90s that I believe still has some talent and could give cinema a few more great films, that is if Hollywood could just give him that chance. He’s been attached for years to doing another Lethal Weapon, but I have a hard time believing that will happen, and then he’s been working on his sequel to The Passion of Christ, which in theory could give his career the boost he needs to go on to some bigger and better projects, bur unfortunately I’m just not too optimistic about that.