Posted in: Disc Reviews by David Annandale on November 2nd, 2009
John Krasinski and Maya Rudolph are a pair of 30-somethings who are expecting their first child. They have been counting on Krasinski's parents to step in and help, but when these two suddenly announce that they're moving to Belgium, our “heroic” couple embarks on a road trip to find the perfect place to settle down and have their baby. Numerous encounters with eccentric characters is the order of the day.
Posted in: Disc Reviews by Gino Sassani on October 28th, 2009
This time it’s a quad of whitewater rafters looking for some high adrenalin action. It doesn’t take long before they’re introduced to our favorite clan of cannibals and their arrows. This one doesn’t waste any time with a setup. You know what that title represents, and the filmmakers decide to give you what you want with no delay. Okay. Actually the raft trip IS the setup here. As the rafters escape into the woods, we just know they’re going to run into those snares and traps. And there you won’t be disappointed. This time a guy gets sectioned into three parts. As Kimberly Caldwell was beside herself in two sections for the second film, I can’t wait to see the setup by the time they get to entries 7 or 8.
The real meat, pun intended, of the film begins in a West Virginia prison compound. There’s about to be a high profile prisoner transferred to another facility. Because they fear his “boys” on the outside, they decide to do the transfer a week early with a U.S. Marshall undercover as one of the moved prisoners. You and I already knew that it’s not the mob guys they needed to concern themselves with. It’s no big spoiler to reveal that the bus doesn’t make it to the next stop. The Clan crashes the bus, and before you can say Deliverance, it’s the cons versus the cannibals with a couple of the good guys in the middle. Sounds like a perfect Wrong Turn sandwich, doesn’t it?
Posted in: Disc Reviews by Gino Sassani on October 27th, 2009
“It’s the end of the world. Society is in chaos. Government’s no longer in control. The world has been devastated by a catastrophic disaster, but you’re still alive. Overnight, you’ve been thrown back into the Stone Age. Modern conveniences are a thing of the past. Would you have the guts to survive? Welcome to the Apocalypse. Over the next 5 days contestants will be put to the ultimate test. These 6 contestants have been thrown together in a devastated wasteland with only the clothes on their backs and the will to survive. Rain or shine, in 5 days only one will be alive.”
At least they got the last part right. That’s the premise of the new reality show Ultimate Survivalist. Reality star Kimberly Caldwell is racing to join the cast of the new pilot. She’s complaining to her agent on the cell phone that she’d rather have some better parts. She should know better than to talk and drive. She runs over a pedestrian. As she stops to check on the unfortunate soul, she soon discovers this is no ordinary pedestrian. He’s one of that lovable cannibal clan from the first Wrong Turn film. Before long Kimberly gets her wish. She ends up in two parts, literally. Make that 5 contestants.
Posted in: Disc Reviews by Archive Authors on October 22nd, 2009
I guess they didn’t tell the producer and director of Wrong Turn that an official remake of the Texas Chainsaw Massacre would be gracing the screens in October of 2003. This movie borrows very heavily from the horror classic in terms of the setup, the killers, and the level of gore. Now that being said, this is an above average horror film with excellent makeup and special effects delivered by one of Hollywood’s greatest – Stan Winston, and a good performance by Buffy and Angel regular Eliza Dushku (although it is kind of weird seeing her scream and run away from villains that would be considered lightweights in the Buffy and Angel universe).
The film follows the ill-fated decision by the main characters to drive on a seldom used dirt road to avoid a lengthy delay on the interstate. Once they discover that a barbed wire trap laid in the middle of the deserted road has incapacitated their cars, four of the group of six leave the vehicles to find help. Well, you don’t have to think too hard to guess what happens next – our two remaining young people are the first to encounter the chromosomally challenged inbred hillbilly cannibal killers. Enter the first of many Hollywood horror clichés that are used in this film. The second cliché happens upon the viewer quickly thereafter as our remaining four young people come across the dilapidated home of the aforementioned chromosomally challenged inbred hillbilly cannibal killers. They first investigate the shack only to find a collection of various items that have been left by the previous victims of the inbred family, and upon further searching then find the remains of the victims on plates, in jars, and of course in the refrigerator. As this grisly find is made, the hillbilly three return home for an early lunch, while our heroes scramble to hide and not become dessert. Of course they are discovered as they make their escape (cliché #3) and spend the rest of the movie being chased, culminating in a showdown back at hillbilly central.
Posted in: Disc Reviews by Gino Sassani on October 22nd, 2009
“Yellowstone. Volcanic wonderland. Two million acres in the heart of North America, Yellowstone is deep in the Rocky Mountains, an isolated high plateau defended by rugged peaks; in the middle is the National Park. The park and the surrounding mountains form one of the most important and spectacular wilderness areas on Earth.”
There have been a lot of these nature shows coming to Blu-ray high definition lately. No less than two of them cover the beauty that is Yellowstone National Park. While there is a lot to learn about the natural treasure, more in fact than I suspected, it’s not going to be the facts that will drive you to watching this particular three part feature. It’s the absolutely stunning images that make this all that you could want in a travelogue documentary. You’ll soon find yourself completely mesmerized by images that look almost impossibly brilliant in color and sharpness to be real. If you’ve been to the park, this might serve as the ultimate way to recapture such a personal experience. If, like me, you’ve never witnessed the place with your own eyes, now you have. Everyone knows about Old Faithful, but Yellowstone National Park is about so much more.
Posted in: Disc Reviews by David Annandale on October 22nd, 2009
Enzo Castellari, Tarantino fave and director of the original Inglorious Bastards, here gives us a tale of wartime intrigue that sweeps from the retreat of Dunkirk to the Battle of Britain. During the Dunkirk evacuation, a team of Nazi saboteurs don English uniforms and mingle with the embarking troops. Captain Paul Stevens (Frederick Stafford) finds evidence that this has occurred, but no clues to the identities of the saboteurs. Indeed, the second-in-command of the group, Martin (Francisco Rabal) has become his close friend and roommate. The saboteurs target Britain's radar system, a critical part of the island's defense against the Luftwaffe. It's up to Stevens and his specially assigned team to stop the saboteurs before the Battle of Britain is lost.
It's amusing, of course, to watch a film all about England's fate hanging in the balance with not a single English actor in the mix. But the story is a good one, and the action is relentless, ranging from the epic scale (the Dunkirk scenes are quite spectacular) to the more personal (plenty of exciting gunfights around the radar installations). The dogfights are a somewhat less satisfying combination of rather obvious models and stock footage, but Castellari's inventive use of split screen keeps the visual interest high.
Posted in: Disc Reviews by David Annandale on October 18th, 2009
A mysterious figure digs up the shattered remains of an android in the desert wastes of a very grim, polluted future. The man brings the head and hand in for barter, and they are picked by Hard Moe Baxter (Dylan McDermott, in a role that nicely deconstructs Mad Max). Moe takes the hardware back to the flat of his artist girlfriend (Stacey Travis), who incorporates the pieces into a sculpture. Unfortunately, these remains are part of the M.A.R.K. 13 military droid, and when Moe absents himself, the robot reactivates and goes on the rampage.
Posted in: Disc Reviews by Gino Sassani on October 15th, 2009
If Santa’s making a list, he won’t have to check it twice when it comes to these cheerful little tykes. Lionsgate brings back their popular Ghost House Underground series from last October. The series title likely borrows a bit from the old Grind House Theater that Quentin Tarantino brought back to fashion in the last couple of years. I assume it is intended to denote a horror film that skirts the art house scene. So, how does The Children fit into that mold?
It’s Christmas time in the English countryside. A family has gathered to share some eggnog and Christmas cheer. It’s the typical normal slightly dysfunctional family, and they’re staying in the nice little house in the woods with the children. They definitely drink a lot as the bottle count climbs higher than the bodies after a chainsaw party in Texas. There’s the uncle who wants to get into the pants of his 15 year old niece. Another guy is trying to con his relatives into joining him in a pyramid scheme to smuggle illegal Chinese medicines into the country. But at least the kids are a cheerful bunch. That is, until they appear to contract some kind of a disease that has them spitting up tons of creamy green mucus. Soon the children begin to exhibit aggressive behavior, and before you know it they’re slicin’ and dicin’ their way through the paper mulch snow.
Posted in: Disc Reviews by Gino Sassani on October 14th, 2009
“What is sacrifice? What does it mean to make a real difference?”
What do Al Gore and horror films have in common? To begin with both have been making money trying to scare the crap out of you. The second is that the plot of The Thaw sounds like it could have been penned by Captain Al himself. Lionsgate brings back their popular Ghost House Underground series from last October. The series title likely borrows a bit from the old Grind House Theater that Quentin Tarantino brought back to fashion in the last couple of years. I assume it is intended to denote a horror film that skirts the art house scene. So, how does The Thaw fit into that mold?
Posted in: Disc Reviews by Gino Sassani on October 14th, 2009
“Its cold outside, There's no kind of atmosphere, I'm all alone, More or less.
Let me fly, Far away from here, Fun, fun, fun, In the sun, sun, sun.
I want to lie, Shipwrecked and comatose, Drinking fresh, Mango juice, Goldfish shoals, Nibbling at my toes, Fun, fun, fun, In the sun, sun, sun…”