Posted in: Disc Reviews by Gino Sassani on September 15th, 2010
"It is said some lives are linked across time. Connected by an ancient calling that echoes through the ages. Destiny."
The Prince Of Persia is not some new phenomenon sweeping the country. The original video game goes back quite some time to the pre-high-definition consoles of the late 1980's. Over the years the title has had some major staying power and has continued to flourish across several platforms and generations of graphics and game play. Today video games are more and more like movies themselves. Many of these games carry budgets as high as blockbuster effects-laden tent-pole films. It's big business. The technology has nearly merged between film and video game. And while Prince Of Persia is not the first game to be turned into one of these mega-movies, it just might be the closest thing to bridging that gap yet.
Posted in: Disc Reviews by Gino Sassani on September 15th, 2010
I did not see Tyler Perry's moderately successful 2007 film, Why Did I Get Married. I never thought that would present much of a problem with his recent Why Did I Get Married, Too. I've seen plenty of Perry's films and think that I have a pretty good grasp of where he's coming from. Early this year I watched and reviewed I Can Do Bad All By Myself. It was a new direction for Perry and, while he did include his famous Madea character, the film wasn't really about her usual antics. I guess I expected this film to follow in the footsteps of that rather impressive effort. Unfortunately, I may have misjudged my ability to follow this film without having seen the first. Either that, or Perry has gone terribly wrong somewhere along the way.
This is the story of four couples who have obviously been friends for a long time. As the film opens they are about to attend a marriage retreat, at least that's what the dialog leads us to believe. What they are really doing is gathering at a time-share condo in the Bahamas for a week of hanging out together. The only resemblance to a retreat is a tradition they share on their final night together. They gather on the beach around a campfire and take turns telling the story of why they got married. I suspect they should all know these stories by now, but this year the trip certainly threw in a few surprises. The most stalwart marriage is apparently ending.
Posted in: Disc Reviews by BABY on September 7th, 2010
Gino likes to listen to some guy named Warren Zevon who says that all of the werewolves are in someplace called London. He also sings a song that says "Don't knock on my door, if you don't know my Rottweiler's name". Well ... I ain't no stinkin' Rottweiler, and you know my name; it's Baby. But I wouldn't knock anyway, 'specially if you are trying to deliver more of these movies. I don't know what the Rottweiler's planning to do, but I promise I'm not going to lick you, and that spells B I T E. Don't you guys know we got too many movies in here already? How am I going to get any playtime in if you keep bringing more movies over here? Gino says that if you stop bringing the movies, he might not make any money. He says if they don't make any money, he can't buy any more treats. He calls that a catch 22. But the problem is while he's in there watching movies, my ball stays where it is, and I'm not catchin' anything. Since beggin' is beneath me, I guess I'm just gonna have to let somebody have it one of these days, and that spells O U C H.
Hey everybody. Baby, back again to bring you yet another dog movie from a dog's perspective. Ever since I was a little puppy I liked readin' those funnies in the paper. For some reason there was a lot of those things layin' around the place for a while. Since a dog's gotta do what a dog's gotta do, I would take a look at the comics while I took care of some business. Now what that business was, is none of your business, and that spells W E T. One of my favorite strips was this one called Marmaduke. Now, that dog is one funny cat, and that spells B I G. He was always gettin' into some kind of trouble or other. I always figured we'd get along great, because I get yelled at all the time, too. Anyway, the strip's been around since 1954. That's a whole lot of dog years ago. It was written by a guy named Brad Anderson. That means a lot of those comics were written, and a lot of fans must be out there. So now they've decided to create a whole movie based on Marmaduke. And, guess who got to watch it. That's right. Me, Baby.
Posted in: Disc Reviews by Gino Sassani on August 31st, 2010
Vampires are hot right now, at least that's what everyone keeps telling me. The truth is that everyone is absolutely wrong. Vampires are not hot right now. They've always been hot. Since at least since 1897 when Bram Stoker took the world by storm in one of the earliest examples of a horror novel. Of course, I'm talking about Dracula. Dracula, as a character, might have been based on the historical figure of Vlad the Impaler, but the vampire legend that Stoker perfected in Dracula is pure fiction. Still, it wasn't quite Stoker's novel that created the vampire craze, it merely lit the fuse. The explosion came just a couple of decades later with the Broadway production and Universal film based on the story. It was first on stage and then in the very first talkie horror film where Bela Lugosi would change Bram Stoker's rules and become the iconic symbol for vampires for nearly a century and beyond. Stoker's Dracula was a hideous, wretched creature who was not going to be seducing any ladies without his supernatural powers. It was Lugosi who delivered the vampire in the evening coat and cape. Here we see the cultured, handsome man who doesn't even need all of that vampire mojo to get the ladies. Of course, it doesn't hurt, and between the novel, play, and film vampires got hot, and they still are.
We've all seen the young girls out there swooning over the Twilight films and books as if the whole vampire idea had just been invented. It shouldn't come as too much of a surprise that the television networks and cable channels would be taking notice. No, it's not the swooning teenagers, it's the green being transferred from their pockets to their coffers. But vampires on television are not new either. Dracula itself was a series. In the 1960's and 70's there was Dark Shadows and the vampire Barnabas Collins. I rushed home from school every day to watch that show. Maybe that's why I missed so many homework assignments. I should have tried the "under a vampire's spell" excuse. Tim Burton and Johnny Depp are about to bring that franchise back to life. I can't wait. In the 1970's Kolchak began his monster chasing career going after a vampire or two. Then there was Buffy, and the craze reached another crescendo. The spin-off Angel only made the genre even hotter. Before that there was Forever Knight and The Hunger. I could go on for pages talking about vampires in television and movies. The Underworld franchise gave us Selene, and the sexy female vampire was reborn. Yeah, there were scary ones as well, but I was a bit distracted. HBO is mining vampire gold with yet another series of vampire books in True Blood. If you think this is going to end any time soon, you just haven't lived long enough ... yet.
Posted in: Disc Reviews by Gino Sassani on August 30th, 2010
It's been said that all good things must come to an end. In television that could not be more true. In the world of entertainment good things end, often quickly without a chance to leave any kind of an impact. Maybe six years wasn't exactly quick for Lost, but at least it can't claim not to have left an impact. The show changed how we watch television, and it will be a long time before anyone forgets about it.
For six years now, Lost has taken us through mystery after mystery. I’m beginning to think that the show’s title is more a mission statement for where they want to take the viewers. Each time Abrams appears to answer a question and move on, closer examination proves that nothing has actually been revealed. The series has become the poster child for misdirection and script sleight of hand. When I examine the 13 episodes from season 4, I’m left with the inescapable, pun intended, feeling that nothing significant has really happened here at all. But at the same time, it’s the most significant event of the series. All the while I find myself compelled to watch episode after episode. Abrams would have been a great drug dealer if that producing gig hadn’t worked out for him. The show started out with enough directions and plot devices to put our brains into overload. From that point on, he’s been cutting each dose a little bit so that we find ourselves drawn to each hour fix, chasing the high we got in the beginning. Of course, we already know we’re never going to feel that way again, but we’ll keep coming back for more as long as he continues to make us believe that we will. I’m not saying the show has declined at all. I’m saying that it doesn’t really ever go anywhere. Abrams continues to introduce major plot lines such as the hatch, the others, and now the freighter, with promises of linking it all together into some kind of epiphany, and for a short time he actually does. But hindsight leaves us scratching our heads, because once we come down we can’t really explain what the high was all about. And so, we’ll continue to tune in or buy the DVD’s to see where it’s all headed, even if we already know that we’re doomed to remain lost no matter how it all ends.
Posted in: Disc Reviews by Gino Sassani on August 10th, 2010
"Okay, first of all, let me get something straight. This is a journal, not a diary. Yeah, I know what it says on the cover. But, when my mom went out to buy this thing, I specifically told her not to buy one that said 'diary' on it. This just proves that Mom doesn't understand anything about kids my age."
I guess I missed out on the phenomenon. Apparently in 2007 a guy named Jeff Kinney created a sort of crude comic book. The figures are little better than stick men, and the wit is something from the sixth grade. I guess that pretty much matches the book's purpose, which is to cover the life of a smart-aleck from middle school. Of course, when I was young they didn't call it that. They called it junior high. Unless you went to Catholic school where it didn't even exist. Anyway, the comic built what you'd call a cult following. It was inevitable from there that the short little features would find themselves the subject of a motion picture.
Posted in: Disc Reviews by Gino Sassani on August 4th, 2010
"This is James Henry Trotter. He lived with his mother and father in a cozy little house by the sea. It was a wonderful life. They had each other, and they had their dreams. Then, one day a terrible thing happened. An angry rhinoceros appeared out of nowhere and gobbled up his poor mother and father..."
Posted in: Disc Reviews by Gino Sassani on August 3rd, 2010
"I always wondered why nobody did it before me. I mean, all those comic books, movies, and TV shows. You'd think that one eccentric loner would have made himself a costume. I mean, is everyday life really so exciting? Are schools and offices so thrilling that I'm the only one who ever fantasized about this? Come on. Be honest with yourself. At some point in our lives, we all wanted to be a superhero. Who am I? I'm Kick Ass."
You have to give the folks at Lionsgate some serious credit for the way they promoted Kick Ass. The film was generating a lot of buzz almost a year before it actually came out. It was a huge topic of conversation at last year's ComicCon, and I must have gotten promo alerts from the studio once a week for several months. But even with all of that hype, the film just refused to interest audiences enough to show up in any great numbers for the quirky superhero spoof. We're talking under $50 million for a film that got so much pre-release attention. And so it was with that history in mind that I rather cautiously approached the film when the Blu-ray arrived here from the studio. Most of what I had heard wasn't so good. I figured, at best, it'll be a nice diversion.
Posted in: Disc Reviews by Gino Sassani on July 19th, 2010
In an attempt to win over more of the male viewers into their audiences, filmmakers of the romantic comedy genre have tried many tactics. To date, very few of them have worked to any great extent. The problem appears to be getting the mixture just right. Too much of the guy stuff and you'll turn away your core "chick" audience. Too little and you're really not reeling in too many guys. Of course, we go anyway to please the ladies in our lives. Just between us, I once found myself at a Barry Manilow concert for a girl. Yes, I'm trying to get some help for that. We'll go. That doesn't mean we have to enjoy ourselves. Hopefully, it's just enough that we go,because no matter how much it tries to be a guy flick, The Bounty Hunter might as well have a neon sign hanging from the marquee that says "Ladies Only, Please".
Nicole (Aniston) is a reporter who is onto a big story, or at least it could be. She thinks that a recent death ruled a suicide was really a murder and that some cops are trying to cover it up. As you might expect, she's not too popular with the police department,and she's also facing a charge of assault on a police officer stemming from a "misunderstanding" between her car and a police horse. When she's ordered to appear in court for the crime,she gets a call from her informant who claims to have info that will break her suicide case, but he has to meet her now. Naturally, she blows off the court appearance to meet the snitch. Unfortunately, the snitch has been snatched by the bad guys,and now there's a warrant out for her arrest. The bail bondsman who posted her bail sends one of his best bounty hunters to pick her up;that'll be Milo (Butler),her ex-husband. For most of the film we have the two ex-spouses playing their own cat-nd-mouse game while the killer in Nicole's case is out to kill her. Then there's the mob boys that Milo owes a huge gambling debt to. Finally, to complete a hat trick of pursuers,there's Stewart (Sudeikis) who is in love with Nicole and decides to "rescue" her from her situation. As you might have guessed, Stewart is going to end up in a world of hurt.
Posted in: Disc Reviews by Gino Sassani on July 15th, 2010
The name says it all. With just those four words, you can pretty much figure out everything you need to know about Hot Tub Time Machine. This is very much a party film in the tradition of the Saturday Night Live alumni movies of the 70's and 80's. With the release of this movie, you no longer need to travel back in time to 1986 to watch a film that relies almost entirely on sex, drugs, and rock ‘n roll for most of its situational comedy. The rest gets filled in with your standard toilet humor. I'm not sure exactly when it happened, or who exactly I should blame, but at some point filmmakers decided that the only way to elicit laughter was to gross you out. Before long a sort of Hollywood arms race had started. Each new film had as its primary mission the objective to out-gross the ones that came before. If you wish to measure success on that axiom, Hot Tub Time Machine is a very successful movie.
Meet four guys who are in a desperate need to get a life. Adam (Cusack) has just lost his live-in girlfriend. It seems she took a lot of the good stuff, including the television, with her. Nick (Robinson) was once a promising local musician with a loving wife. Now his wife is cheating on him, and he works at a doggie spa named Sup Dawg removing crap from rich folks’ constipated dogs. Lou (Corddry) is divorced, broke, and alone. While getting carried away listening to a rock song on the car stereo, Lou almost kills himself in a closed garage with the car running. His friends, who really don't even like him that much, had long since abandoned him. Now that they think he tried to commit suicide, they get guilted into taking him out for a good time. Together with Adam's geek nephew Jacob (Duke), they decide to go back to the location of their glory years of youth, a ski camp. Of course, a lot has changed in 25 years. The place is now a ghost-town dump. On the bright side, their hotel room comes equipped with a hot tub. The four guys party hard and into the night. When they wake up, the place is packed and jumping like it was in the good old days of Winterfest 1986. There's a good reason for the change. The hot tub has transported them back to 1986 into the bodies of their younger selves. Their good times are hampered by the appearance of a cryptic hot tub repairman (Chase) who appears to know what's going on. He warns them that if they change anything, there could be dire consequences. Jacob's worried that he might not even be born.
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