Posted in: Disc Reviews by Archive Authors on November 19th, 2005
Ray Ferrier (Tom Cruise) is a middle-aged divorcee with a blue-collar job and a rundown home in the New Jersey suburbs. When his ex-wife unexpectedly drops his estranged kids—ten year old Rachel (Dakota Fanning) and sixteen year old Robbie (Justin Chatwin)—off for the weekend, Ray is less than pleased. He’s always struggled with his parental duties, but now finds it increasingly difficult to communicate with his children. However, events beyond his control are about to force Ray to come to terms with his responsibili...ies. Bizarre lighting storms herald the arrival of alien tripods, which explode from beneath the Earth’s surface and begin dispensing death and destruction on the surrounding countryside. Narrowly avoiding the first attack, Ray returns home, grabs his kids and embarks on a frantic journey across country to find their mother in Boston.
Tom Cruise is likeable in the lead role, and manages to pull off the everyman act fairly convincingly for someone as famous as he is. He’s definitely grown as an actor in recent years—starting with his turn in Paul Thomas Anderson’s Magnolia—and I am becoming increasingly interested in his work. Of the rest of the cast, only Dakota Fanning and Justin Chatwin have any real screen time. In this movie Fanning isn’t really required to do much beyond acting like a terrified ten year old girl, which she does with her usual brilliance. I’m constantly amazed by how self-assured and composed she remains in the presence of superstars such as Cruise and De Niro (not to mention a director like Spielberg). Chatwin also puts in a decent performance as Ray’s moody teenaged son, accurately portraying the kind of sullen resentment that many children of broken marriages harbor towards their ‘unfit’ parents.
Posted in: Disc Reviews by Archive Authors on November 18th, 2005
In the poor area of Richmond, California, Ken Carter takes charge as a basketball coach, and fights his way to transform a team of rowdy boys into a team of accomplished men. Based on a true story.
There are way too many problems with COACH CARTER to call it great, but it certainly has its heart in the right place at the right time. The very first immediate problem is the script of the film. A lot of the dialogue feels like it has been overly simplified for its audience. Almost all of the actors play stock...characters, and that includes Jackson. Carter is extremely “in your face” and actually a bit obnoxious at times with all his yelling and screaming. However, with Jackson’s charisma, Jackson is able to pull it off. Unfortunately, I can’t say the same thing for the other actors. Even though most of them try to act in a respectable manner, I felt like I had met the character already each time another new character was introduced. They are fairly good actors (except for the irritating Ashanti), so that helps the process, but they do not make enough of an effort to make the audience feel for them.
Posted in: Disc Reviews by Archive Authors on November 18th, 2005
Synopsis
Operation Market Garden is the most famous Allied defeat in the Second World War. An audacious plan scuppered by bad luck and worse decisions, it is recounted in this visually spectacular film. The goal is to seize a group of bridges across Holland, culminating in the brdge at Arnhem. Everything imaginable goes wrong. Richard Attenborough’s film stars just about every big name actor under the sun, and his re-enactment has so many extras and so much hardware that one feels he could have convi...cingly remounted the entire operation. The stellar cast isn’t required to do very much other than be manly, but the battle staging is undeniably spectacular.
Posted in: Disc Reviews by David Annandale on November 17th, 2005
Synopsis
Subtitled “The Best of the Tony Awards,” this is a collection of 23 performances from the Awards show broadcasts. The net is cast pretty wide here as far as the years are concerned, so you get to see a young Jerry Orbach (for instance) performing “Promise, Promises” from 42nd Street. Carol Channing, Robert Goulet, Tommy Tune and Harvey Fierstein are the hosts. Fans of musical theatre should expect miracles here, but this is of considerable archival interest.
Posted in: Disc Reviews by Archive Authors on November 14th, 2005
Synopsis
And Now for Something Completely Different (1971) was Monty Python’s first theatrical release, and consists of remounted, often more elaborately staged versions of many of their most beloved TV skits. You want your Dead Parrot, it’s here. So is the Lumberjack Song, How Not to Be Seen, and so on. As a one-stop intro to Python, it’s hard to beat.
Posted in: Disc Reviews by Archive Authors on November 14th, 2005
Virgin geek Virgil (Jay Michael Ferguson) sticks up for hot girl Kellie (Allison Lange) when a teacher rips into her for cheating on her history exam. Thankful for his bravery, Kellie invites Virgil over to her house to thank him.
If you haven’t guessed it by now, Sex and the Teenage Mind is a complete rehash of just about every teenage sex comedy ever made in the last 25 years. Even the red bikini featured on the DVD cover will have you screaming Fast Times at Ridgemont High.
Posted in: Disc Reviews by Archive Authors on November 8th, 2005
Synopsis
A series of meteor strikes hits a small town in Australia, turning its citizens into ravening zombies. A handful of survivors gather in the home of a survivalist who has previously encountered zombie fish and been abducted by aliens. The fight to survive begins.
Posted in: Disc Reviews by Archive Authors on November 7th, 2005
Synopsis
Things don’t get much more anodyne than this storyline, showcasing an impossibly idealized family and their trials of love and prize pigs as they travel to the eponymous event. This is strictly for the nostalgic and pure fans of Rodgers and Hammerstein (the songs generally are not as culturally engrained as those of Oklahoma!). There are two versions of the film here, and the 1945 take is easily the better of the two. The 1962 remake (and the third film by this name, a non-musical ver...ion having appeared in 1933) has Pat Boone in the lead (never a good sign) and is even more plastic. This version does, however, have Ann-Margaret pulling a bit of a show-stopper with her dance number.
Posted in: Disc Reviews by Archive Authors on November 4th, 2005
Synopsis
You don’t really care about the plot, do you? Gordon MacRae is romancing famr girl Shirley Jones, but thuggish Rod Steiger also has designs on her. And so on. But it’s the songs that matter: “Oh, What a Beautiful Morning,” “The Surrey with the Fringe On Top,” “I’m Just a Girl Who Can’t Say No.” And one could go on for much longer. The list is of tunes that one is familiar with without even knowing it, so completely have they permeated the mass consciousness. Fred Zinnemann’s film is handsome...and energetic without placing it in the same league as Singin’ in the Rain, and one might suspect that there is a touch too much attention paid to the technical, spectacle side of things, something that is reflected in the extras, but more on that below.
Posted in: Disc Reviews by Archive Authors on November 3rd, 2005
Synopsis
Jennifer (Cheryl Dent) has just been released from a mental institution where she was incarcerated after a psychotic episode during which she clawed out the eyes of her co-star during the shooting of a porn flick. After being waylaid in the desert by a couple of thugs, she is rescued by a group of flower children, who soon turn out to be more dangerous yet. They head to house with a bad reputation, and then the murderous hippies start being killed off one by one. By Jennifer, or by something...else?
