Dolby Digital 2.0 (English)

“Things never happen the same way twice.”

C.S. Lewis created an incredibly imaginative world when he wrote his Chronicles Of Narnia. The stories were an escape, of sorts, from a war-torn Europe. They integrated elements of Christianity in an effort to provide a semblance of hope in the form of a children’s fairy tale. And like all such tales, the world of Narnia was first and foremost a place of magic and bewilderment. It was a place where fantastic creatures of both good and evil thrived, living out epic lives of adventure. It was also a world where only children could enter. The stories became hugely popular, first in England, and eventually around the globe. Since that time we live in a different planet than the one Lewis was attempting to offer a respite from. Still, the images and ideals are remarkably relevant today. With such sweeping grand adventures and marvelous creatures, it’s no surprise that the franchise has found its way into films. The only real mystery is why it took so long. Perhaps it was necessary for the technology to finally catch up, providing a far more realistic and captivating experience. Some credit must also go to the enormous success of the Harry Potter and even the Lord Of The Rings films. With the investment of time and money required to bring such a world into existence on celluloid, there must be some reasonable assurance that, if done correctly, there was a large enough profit to be found. These earlier, and continuing, franchises have overwhelmingly proven that point. It was only a matter of time before the studio that practically invented movie magic would find such a place as Narnia and claim it for their own. When you combine these extraordinary histories together, can there be any question as to the results?

Dear Faithful Readers, Due to the nature of Sam Kinison's work on stage and off stage, this review may contain foul but funny humor, bad but heeeeelarious language, and not so politically correct (but correctly off the wall) jokes. Please be aware before you continue to read. Yours Always, Noms

*Yells into a microphone* NOW LET'S GET THIS PARTY STARTED! Oooooooo owwww owww owwwwwwww! For those of you who don't know, Sam used to be a preacher. No, I am not a liar dangit, look it up! But after his divorce with his first lousy skeeze who broke his heart into a billion pieces, I mean *cough* wife... he left that behind and became a comedian. And not just any comedian, an effin legendary comedian. It is just sad that his life was cut short, and not because of drugs or alcohol that HE used (which everyone and their mothers swore was gonna be the cause some day) but due to a drunk driving, 17 year old, kid. The world works in mysterious ways.

Here is a second volume of episodes from the Marvel cartoon's first season, which is geared towards young children. The review for the first volume, written by the highly skilled and suspiciously well-dressed Michael Durr, can be found here: https://upcomingdiscs.com/2010/07/12/marvel-squad-vone/ . Dr. Doom is still using his many evil minions to obtain fractals of the shattered Infinity Sword before the Superhero Squad, a team of Marvel heroes assembled for their unique skills depending on the mission as led by Iron Man, can stop him.

As it has been for every episode in this first season, the humour ranges from quirky one-liners that only slightly older viewers may catch, to extremely low-brow bodily function gags, mostly pertaining to farts and burps; though the latter only arises whenever Mole Man or Hulk are involved. Not to say that this makes it uninteresting for viewers young or old but is more unifying. As well, each episode often features cameos by many characters from the Marvel universe, much of whom are rather obscure as only hardcore Marvel geeks might know (show me an 8-year-old who knew who Thanos was before this show and I'll eat my Thor shirt!). Perhaps the most amusing cameo is The Punisher, being voiced by Ray Stevenson who actually played the violent vigilante in an R-Rated adaptation of the comic Punisher: War Zone; only here, he uses a metaphor about brussel sprouts when speaking about crime...but still has many a gun go off at random in an especially amusing scene.

"My name is Bob Baer. I used to be a CIA agent stationed in Lebanon during the Civil War. It was chaos. Bu, the real threat was always the car bomb."

The teenage soap opera sensation of the 90s came to an end with this, its 10th season. As one would expect, in a season all about wrapping up storylines, along with various assorted crises, romantic and otherwise, weddings are in the offing. One is supposed to be between Kelly (Jennie Garth) and Matt (Daniel Cosgrove), but is complicated by the brooding presence of Dylan (Luke Perry). Will Kelly and Dylan sort out how they feel about each other (and I note with amusement that the jacket copy describes the relationship between these two twenty-somethings as “age-old”)? Perhaps more promising is the wedding between David (Brian Austin Green) and Donna (Tori Spelling), which provides a reason for most of the cast, past and present (minus the problematic Shannon Doherty) to reassemble for the grand finale.

This was always a pretty slick package, and for all that it was about terminally pretty people, the series did delve into some heady topics (gay bashing is one that is handled this season). But the overpowering odor of cheese was never far away (I remember a particularly hilarious studio-set version of Paris that the gang visited), and how did anyone ever take Perry's Poor Man's James Dean impression seriously? This will be an enjoyable nostalgic trip for fans, though, and a startling reminder of how many cast members became household names, only to plunge into the Where Are They Now File within seconds of the series' cancellation.

A 911 operator returns to work after suffering the loss of her child during delivery, only to start suffering what seems like hallucinations of a lost girl and a menacing man. Obsessed with what she sees, she starts a journey from New York to Pennsylvania to discover the truth behind her visions.

Catherine Bell is solid as the lead but the supporting cast is less than stellar, placing the weight of the film onto her shoulders. Sadly, the pacing does nothing to help her. The building of this film's mystery could have been edited down to fit within a hour as if it were a prime-ime drama. Granted, the conclusion is interesting enough but the path getting there contains too many scenes of filler dialogue that seem only there to get it closer to a feature length of an hour and a half (which it still doesn't quite make). So all in all, Bell is largely left stranded while everytone else plods through the motions, and we the audience are left less than riveted (Fun Fact for Geeks: Keep an eye out for actor George Buza, who might be recognized from Sinbad or as the voice of Beast from the X-Men).

Based on the books by Jan Guillou this film is in fact the merging of two epics produced in Sweden. It also happens to be Sweden's most expensive production thus far. It tells the tale of a boy raised in a convent and trained to become a warrior by a former knight Templar. He falls in love and has a child with a young woman named Cecilia and the two are forced away from each other. Cecilia must pay penance living as a nun while Arn is sentenced to 20 years fighting in the name of God as a Knight Templar in Jerusalem.

This is indeed a huge production, and a beautifully shot one at that. The director of photography deserves any credit he recieves for making this film look as big and epic as it wishes to feel, allowing it to rub shoulders with the monster budgets of Kingdom of Heaven and Braveheart.

My dad was a Vietnam veteran. He did his time and came home to his wife (and eventually me). Because of when I was born, I never knew my father before the war. Therefore, I can’t really speak on his personality changes after he went off to fight the good fight. But in the same breath, I can tell you that we really don’t talk about that time except in very broad brush strokes. War is heck and hopefully my experience with The Dry Land is one that isn’t such a painful undertaking.

James (played by Ryan O’Nan) is an Army man and has come home from Iraq and arrives in the El Paso airport. He is greeted by his wife, Sarah (played by America Ferrera) and his best friend Michael (played by Jason Ritter). They exchange pleasantries and affection and go home to their doublewide trailer so that James can adjust to civilian life once again.

This series from Comedy Central began as a low-budget film hosting show in a small television station in Minnesota. It was the brainchild of Joel Hodgson. It ended up running for 11 years and a feature film version.

Mystery Science Theatre is an acquired taste. For me, I’ve really got to be in that certain mood to watch it. That’s the beauty of these DVDs. You pop them in when you’re ready. The idea is pretty whacked. Depending on the season you’ve got, Joel or Mike is trapped in space on the “Satellite of Love”. Doomed to spend his life watching very bad films, our hero makes the best of a bad situation. He uses his resources to construct a couple of robot pals. There's Crow T. Robot (Beaulieu), Tom Servo (Murphy), and Gypsy (Mallon). Part of an experiment together, they watch the films from the front row, constantly ranting throughout. If you’re like me, you’ve invited a few friends over to watch a schlock festival. The movies weren’t as important as the banter you created while watching. That’s exactly what you see here. The silhouettes of our host and his robots dominate the lower portion of the screen, where they provide alternative dialog and sometimes witty commentary on the action. The two evil station owners/mad scientists send them a new bad film each week to observe their reactions to the bombs. The films are broken up by off-the-wall skits and fake commercials to alleviate the tedium. This DVD collection is better than some because it includes films from four different seasons to give you a good sample of the overall series. This edition features an all Joel collection.

Melinda Gordon (Jennifer Love Hewitt) is basically the kid from The Sixth Sense, only with boobs, killer cheekbones, and a formerly lucrative pop career. I may not be entirely accurate about that last item, but until this 6-disc set arrived, I had not really watched the show. It always seemed a little too Touched by an Angel meets The Sixth Sense meets Jennifer Love Hewitt’s aforementioned cheekbones for my taste. Upon viewing the episodes in this set, I pretty much stand behind that assessment, and though it is still not my particular cup of tea, I can understand its appeal to its fans.

The show revolves around Melinda’s ability to communicate with ghosts, spirits of the dead who have unfinished business in this realm and are unable to cross over to the next world. Whether that’s heaven or another dimension is never expanded on in the show, so it avoids awkward questions about religion. In most episodes, she comes in contact with one of these troubled spirits, and then spends the episode working out what happened to them, what’s keeping them from crossing over, and things of that nature. She does this with the help of a stalwart group of friends, some of who have abilities of their own. Jamie Kennedy’s character, for example, can’t see but can hear dead people. A second gifted character is introduced in this season, but we’ll get to that in a minute.