Posted in: Disc Reviews by Archive Authors on February 25th, 2008
Well, since HD DVD has pretty much collapsed now, it only makes sense that we here at Upcomingdiscs clear off what’s left on the mantle, get the cobwebs out, and do our level best to take a look at this lame duck format if you will. I mean, there are movies on them after all, and Knocked Up was arguably a favorite of many in 2007, to the tune of over $150 million and helping to entrench Judd Apatow and Seth Rogen, those who were behind Superbad, as significant contributors to the world of motion picture comedy.
Knocked Up was written and directed by Apatow, who presumably translated his own life experience into this adaptation. Katherine Heigl (Grey’s Anatomy) plays Alison, a recently promoted network personality of the E! television network. To celebrate her promotion, her and her sister Debbie (Apatow’s better half, Leslie Mann of Big Daddy lore) go to a club, and Alison hooks up with Ben (Rogen), who seems to be her polar opposite. He’s unemployed, makes no money, and spends most of his time hanging out and smoking pot with his friends Jonah (Jonah Hill, Superbad), Jason (Jason Segel, How I Met Your Mother), Jay (Jay Baruchel, Million Dollar Baby) and Martin (Martin Starr, Stealing Harvard). So when Ben and Alison hook up, the result is predictable. I mean, look at the title!
Posted in: Disc Reviews by David Annandale on February 22nd, 2008
Just another working day in Los Angeles. Lexi (Mary McCormack) heads off for the commute, while hubby Brad (Rory Cochrane) stays home. His morning ablutions are interrupted by the news that a series of dirty bombs have just gone off in the city. Stymied in his attempts to reach his wife, Brad retreats home, where he acts on the instructions to seal up the house, as the bombs have released a deadly toxin. When Lexi does return, Brad cannot let her in, as she is contaminated. How's that for a strain on a relationship?
The first act of Right at Your Door is a propulsive exercise in panic. There is a genuinely alarming realism to the depiction of LA under terrorist attack, accomplished through a judicious and restrained use of FX and convincingly freaked-out radio news reports. This section of the film will not only conjure unpleasant memories of 9/11, but will generate a deeply distrubing you-are-there sensation for viewers. Once Lexi returns, the film becomes less about the attack then about the individual responses to it, and the action shifts to the emotional domain. After the frenzy of the first half hour, the second act inevitably feels a bit slower, and one has the impression of the plot marking time until the conclusion can begin. Said conclusion is dark and twisty, and very much in keeping with the bleak zeitgeist the film is tapping into.
Posted in: Disc Reviews by Archive Authors on February 19th, 2008
When MI-5 first hit American shores, Alias was in full swing, and the comparisons were inevitable. After all, both were sy shows set in a post September 11 world, and both were slick, fun thrillers. Fast forward to 2006, however, and the landscape has changed dramatically. Alias is now off the air, having crashed in spectacular fashion, yet MI-5 is still going strong. In fact, the show just seems to keep getting better and better.
I had my concerns when all the key members of the original cast departed one by one, but as the show goes on, I am realizing that the story lines here are much bigger than any one cast can handle. High pressure jobs such as these virtually demand a high rate of turnover, and the actors who come in to play these new characters are always first-rate. While early seasons dealt with your typical spy stories, more recent efforts are starting to tackle much larger issues of governance, such as terrorism and the delicate balance of power that holds a democracy together.
Posted in: Disc Reviews by David Annandale on February 16th, 2008
The neurotic Shannyn Sossamon goes to Paris to visit sister Alecia Moore (aka Pink). The outgoing Moore cajoles her mopey sister to attend a party in the city’s catacombs, where the bones of some six million people are stacked. It doesn’t take long before Sossamon becomes separated from her friends, and is pursued by a maniac through the maze of tunnels.
Other reviewers have commented on the film’s overuse of shaky camerawork, ADD editing and strobe lights. I won’t belabour the point here other than to note that they are absolutely right. That the film is not actually shot in Paris is painfully obvious thanks to the awful French accents of the Romanian extras. The leads are strong enough in their roles, but Sossamon’s character is such a bringdown that she’s hard to sympathize with. The ending manages to be simultaneously idiotic and clever. One senses a great deal of effort to transcend a limited budget, but this is ultimately another case of reach exceeding grasp.
Posted in: Disc Reviews by Gino Sassani on February 13th, 2008
There was a new Cowboy in
There is a discrepancy in the season numbers that I should explain here. Most episode guides will refer to this collection of episodes as the fifth season. The first season of
Posted in: Disc Reviews by Michael Durr on February 11th, 2008
The web has a way of delivering some of the most interesting material. Flash animation in particular can produce some very funny shorts. Furthermore, these shorts are unedited and can be downloaded by millions of people on a whim. These viral episodes can be played over and over again, with little care to the quality or the content. But what happens when they take that idea and decide to make into a feature length film? In this case, proof that people will download anything.
Jake is the king of poon nanni. He'll screw anything in a skirt and come back for sloppy seconds. However, Siton is not so lucky in the conquering of young females. In fact, he's never been fortunate enough to get a girl to sit a top of his knob. One night, Jake uses Siton as his wing man in his quest for more tastes of the forbidden fruit. After Siton fails to close the deal, Jake realizes that this character needs a little more help. We also find out that Siton is actually a prince. Thus begins the journey where Jake and Prince Siton go across the world trying to find beautiful women and more importantly one that gives the prince his first taste of that casual sex.
Posted in: Disc Reviews by David Annandale on February 8th, 2008
Here we are again with a semi-themed collection of SpongeBob cartoons (seven in all, for a brief 77 minute running time). Food is the recurring theme here, with the title episode seeing SpongeBob creating a Krabby Patty so perfect that he falls in love with it, and keeps it with him until Patty can be charitably described as “festering.” Collections like this don’t exactly have the same value as a complete season, but that doesn’t change the fact that the nautical nonsense at work here is, as ever, pretty damn funny.
Audio
Posted in: Disc Reviews by Gino Sassani on February 4th, 2008
I have watched these DVD episodes of the Ira Glass series This American Life, some segments more than once, and I have to say I just don’t get it. Perhaps it is because I never heard the radio program on which they are based. It is a somewhat popular show with a cult following. I tend to avoid public radio at all costs as it is far too heavy handed in its liberal politics for my particular tastes. Still, I approached the series with an open mind that knew literally nothing going in. I’m sorry to report that I still seem to know nothing about the show. So I began to try and research the series and found there is remarkably little information out there on it at all. Even Showtime, where the series originally airs, offers precious little about the program. I can’t even get a good handle on what kind of a show it is trying to be. The commentaries suggest it is a documentary of sorts, but their banter also makes one believe that they are actually attempting to spoof the documentary. Bad news Ira, Michael Moore’s already been doing that for years.
Posted in: Disc Reviews by Archive Authors on January 31st, 2008
I remember when Ocean’s Eleven was first announced, and how disappointed I was. Steven Soderbergh was already well-respected by critics and serious film buffs due to his films Sex, Lies & Videotape, Out of Sight, Erin Brockovich and Traffic. He was the last person in Hollywood that needed to sell out to the masses by directing a re-make packed with eye candy. Not only that, but he chose to re-make a fantastic film that starred the Rat Pack. Essentially, Soderbergh decided to go to Vegas and relieve himself on the legacy of Frank Sinatra in the name of the almighty dollar. Imagine my surprise when I saw the film, and it was nothing short of fantastic; an amazing re-creation of the spirit of the original film, while updating the plot to be both modern and classic at the same time. Soderbergh had won me over. Even with all that success, I never expected a sequel. The sequel, cleverly titled Ocean’s Twelve, was something of a letdown. It was missing the slick feel of the original, and it seemed like everybody simply phoned it in. I still enjoyed it, but it was nowhere near as fun as the first. Now we come to Ocean’s Thirteen, which sees the crew finally return to their Vegas roots. While I still consider Eleven to be the best film in this series, Thirteen is a worthy follow up. The camera work is clever, the story is tight, and the acting is sharper than the previous iteration. Newcomer Al Pacino does his usual fantastic work here, and the whole film moves along at a quick pace that keeps the action exciting from start to finish, with no lulls. The whole point of this film is cool, and it delivers completely. VideoI love movies shot in Vegas. The lights on the strip and in the casinos always pop in a way that is more spectacular than any other location on earth. This is a golden opportunity to really show off what the standard DVD format can do. Unfortunately, this disc just looks horrible. Images are way too dark, even during the daytime in the desert. The images severely lack definition, and they are very grainy. There is also a real problem with edge enhancement that makes many of the stars’ faces appear nowhere near as sharp as they should be. AudioThe audio here is a mixed bag. On the one hand, the music is fantastic; cool, peppy and slick. On the other hand, the audio quality it self is pretty average. There is not a lot of punch from the subwoofer, the surrounds are sparse, and the whole thing is lacking the flash that I was hoping to hear from such a slick film. Special FeaturesIt’s a real shame to say it, but the special features included on this disc are slim. In addition to the inclusion of some deleted scenes, there are also two special features here. The first is called Vegas: An Opulent Illusion- Las Vegas’ Influential Design Sense. See, now all this time I thought Las Vegas was the pinnacle of trashy design, but apparently I was mistaken. Independent of taste, this featurette appears to be a Travel Channel segment that discusses the architecture of Sin City, and is actually a very interesting and first-rate documentary segment. The other featurette is called Jerry Weintraub Walk and Talk- The producer takes us on a casino tour. This is actually a tour of the indoor set where this film was shot, and it reminded me of a similar extra that Martin Scorsese did on the Gangs of New York DVD. Unfortunately, it just lasts a little over two minutes. Final ThoughtsTo put it simply, good movie, bad disc. While not up to the same standard set by Ocean’s Eleven, this is a very entertaining film that deserves much better treatment on DVD. It’s possible that the HD DVD version fixes many of the audio and video problems present here, but I can not attest to that. Given the poor quality of the presentation here, however, I can only imagine that HD would be the way to go.
Posted in: Disc Reviews by Michael Durr on January 31st, 2008
Director's cut can be a misleading term. The very definition of cut means to take away. A lot of Director's Cuts add in footage to the original release to make it longer. Then there are Director's Cuts which don't even involve the director. They involve a team which could possibly care less about whether the finished product resembles a movie or a saturday morning cartoon. Then there are Director's Cuts which involve a family member like a son. That my friends is another animal indeed.
Erik (played by Tim Robbins) never got the Viking handbook on pillaging, plundering and raping. After a bout of self realization and a talk with his grandfather (played by Mickey Rooney), he decides to take his crew aboard his ship in search of Valhalla. There he will ask the gods to end the age of Ragnorok and bring sunlight to his home once again. However, along the way he takes a Odyessey-esque journey as he encounters everything from a dragon with hay fever to the people of Hy-Brasil to a rival monarch named Halfdan the Black (played by John Cleese) that stand in his way. This begins a hilarious escapade on the Viking Life and might even involve an invisibility cloak or two.
