Posted in: Disc Reviews by Michael Durr on August 7th, 2011
Hockey is one of my favorite sports. Unfortunately, figure skating is not. This actually paints an interesting parallel. How can two sports that both share skating on the ice cause love on one side and distaste in the other? It most likely stems from upbringing and society's mainstream views on the two subjects. But what would happen if a hockey player came to the world of figure skating, would I feel different about the sport? Perhaps, but I would be more interested to see a film about it. Enter: The Cutting Edge.
The alarm sounds, Doug Dorsey (played by D.B. Sweeney) wakes up in a panic along side a girl with a heavy foreign accent named Lita or Rita or perhaps Anita (it is actually Gita, played by Nahanni Johnstone). Doug is #9 on the American Olympic Hockey team and is to be the next big thing in the NHL. However, at this point he is four hours late and must get dressed and off to the finals with the West Germans.
Posted in: Disc Reviews by Michael Durr on July 23rd, 2011
When it comes to westerns, I certainly have a love hate relationship. For most westerns, especially anything with Clint Eastwood or spaghetti in the description, I have an extreme loathing and it is honestly hard for me to sit through. But then there is Tombstone which I think is one of the best movies of all time. This summer, I am even excited to go see Cowboys & Aliens. Maybe I just need a western that is out of the ordinary. However, I received Posse to review and by the looks of the cover, this might be a very conventional western or perhaps not.
An old black man (I don't normally get into race, but it is important here) (played by Woody Strode) spins us a story about black cowboys. He tells us to forget about the past and truth. One out of every three cowboys was black. He then goes into a few more facts before telling the tale of Jesse Lee and his posse. It all started long ago during the Spanish-American War, more specifically in Cuba around the year 1898.
Posted in: Disc Reviews by David Annandale on June 13th, 2011
Jean-Hugues Anglade plays Zorg (yup, that's his name), a handyman living in a beach-front house, scribbling away quietly in his spare time. Not so quiet is his tempestuous affair with Betty (Béatrice Dalle in her debut), whose passions overwhelm both of them. First, she moves in on him with no warning. Then, when she discovers his writing, she decides they must move to Paris so he can have a career as a writer. To make sure Zorg complies, she burns his house to the ground. Once in Paris, her plans for him fall apart, and so, bit by bit, does she.
Writer/director Jean-Jacques Beineix has both audience and characters sweltering from the get-go, setting the tone for another French tale of amour fou. Angalde and Dalle inhabit their characters perfectly (though one might be forgive for wondering what exactly Zorg sees in Betty, beyond the physically obvious). The film is stylish and dramatic, and if, at 185 minutes, it outstays its welcomd, it doesn't do so by much.
Posted in: Disc Reviews by Michael Durr on May 19th, 2011
When I got to college, I had no idea what I wanted to be. I had signed up for computer science so I could go on to be a video game programmer. The truth is, I placed that as my major because I did not know what else to put. As luck would find it, five years later would get me a degree in Finance which I have never used in the professional world. But there was one thing in college I knew for sure. I wanted nothing to do with any fraternity and I am guessing Brotherhood is not going to change this opinion.
We start off the story with four frat guys in a van (if that van was down by a river, I’m out of here). Frank (played by Jon Foster), the pledge leader puts on a mask and runs out to rob a convenience store and comes back. He demonstrates that he wouldn’t ask the pledges to do anything he wouldn’t first. The other three are noticeably frightened because they think they will be arrested. Eventually one of the pledges decides to do it and when they hit the next store, he completes his task quickly.
Posted in: Disc Reviews by Michael Durr on April 23rd, 2011
Boxing has never been a particularly popular sport for me to watch. The boxing world has always seemed to be one of lies and politics. But on the other hand, I will watch with interest any movie that has boxing as a major subject. Rocky, Raging Bull, heck The Great White Hype are all fine examples of exciting boxing movies. That is why when I received Knockout with Steve Austin, my interest was peaked a little to say the least. Let us see how it goes.
Matthew Miller (played by Daniel Magder) chews his nails and doesn’t like the fact that he is in the middle of nowhere (Tacoma, Washington). His mother, Christine (played by Janet Kidder) gets after him for his nail biting and tells him that he had to drop out of private school and go to public school because times are tight. She does it in a rather melodramatic manner and it is no wonder that Matthew didn’t just punch out her lights right there. That would have been a boxing movie to be proud of.
Posted in: Disc Reviews by Michael Durr on March 16th, 2011
Some of you might remember my review of Batman: The Brave and the Bold, the first thirteen episodes which can be found here. I found it to be a great little series that was rich in its roots. Well, six months have passed and we finally get a chance to look at the next thirteen episodes. With a little bit of luck, maybe they will be just as good if not better than our first look into the series.
When we last left the Batman, he had taken part in a two part episode where he was having a lot of trouble with the villain known as Owlman. In order to restore balance to the world, Batman had to not only become Owlman but then turn around and partner with the Joker to defeat Owlman who had donned the cape of Caped Crusader. Wrap your head around that one. Anyway, all is safe and we continue on to the next set of thirteen episodes.
Posted in: Disc Reviews by William O'Donnell on February 25th, 2011
A Wild West overlord is plotting to shrink the world's population. This evil plot is running along smoothly until a shrunken Texas ranger escapes in a whiskey bottle and finds himself saved by a plucky sibling duo named Luke and Lucy, along with their gaggle of wacky friends. The group become honourary rangers and set out to battle evil.
The character design, and over the top sense of adventure, are reminiscent of the Tintin series as these characters are based on those that appeared in Belgian comics under the same Herge banner that Tintin shares. Sadly, the CGI animation takes most all the life out of them with rigid movements and very poor lip syncing. Of course, being originally produced in Dutch, one can forgive some of the mismatched dialogue-to-mouths, but some more work could have been done to smooth it out.
Posted in: Disc Reviews by Archive Authors on January 3rd, 2011
From beginning to end, the emotional impact of Prayers for Bobby will leave you reaching for a tissue.
The screenplay for Prayers for Bobby is from the biographical novel by Leroy Aarons about the Griffith family. Sigourney Weaver plays her role as the matriarch Mary Griffith perfectly. Mary Griffith (Sigourney Weaver) is a devout Christian who believes that by the power of God and of prayer, all problems have a solution. Mary and her husband, Robert Griffith (Henry Czerny), raise their children under a conservative religious perspective. Their young son, Bobby (Ryan Kelley), believes he is gay. For years, Bobby has dealt with confusion, inner turmoil, and shame. Naturally, he is terrified to tell his family. Bobby knows his secret will change the way his parents and siblings look at him forever.
Posted in: Disc Reviews by David Annandale on December 15th, 2010
Six young men and women head off in two cars for a weekend trip in rural France. Along the way, the car with the three guys runs out of gas, fortunately within pushing distance of a filling station. There, our boys inadvisedly pick up a hitchhiker, who turns out to be an escaped psychopath. But no sooner have they started to worry about their new passenger when a mysterious fog and a ghostly vision send them careening off a cliff. Wounded and lost, they find that not only do they have a killer to contend with, but there is something monstrous and huge under the ground that is hunting all of them.
Clearly shot on a shoestring, but very ambitious in its special effects (an opening prologue featuring a meteor strike in 17th-Century France, giant tentacles reaching of the ground to grasp a helicopter), this is a film that certainly pulls out the stops. The plot is pretty packed, too, what with a ghost, a killer, AND a monster. But for all that, what the film needs is something quite inexpensive: a stronger script. The characters are set up quite well, but nothing much is done with them, and they wind up playing out in fairly conventional ways (the loser is the hero and vice versa, for instance). And for all the elements that are tossed into the mix, much of the running time still involves racing around to little effect in dark woods. Still and all, there is some fun monster work, and the just how much this little movie attempts to pull off, whether it fully manages to or not, is worthy of admiration.
Posted in: Disc Reviews by William O'Donnell on December 13th, 2010
The comedy team of Jason Friedberg and Aaron Seltzer should be commended for their unwavering attempt to destroy the spoof comedy entirely. Sure, they aided the Wayans brothers in creating the first Scary Movie film (which is decent spoof film) but in 2006 they started their campaign with Date Movie and continued right through Epic Movie, Meet the Spartans, Disaster Movie, and now Vampires Suck. Did they succeed? And did it take the recent loss of Leslie Nielsen to have us be reminded that spoofs where once a glorious and enjoyable thing.
Well, while their previous efforts (I'm cringing at the idea that any “effort” was placed into making their films) where bloated with endless pop culture references that were dated before being made, Vampires Suck mostly just runs on one, the Twilight series. Yes, there is still a parade of references made, mostly to reality TV shows such as Keeping up with the Kardashians and Jersey Shore, but they mainly stick with vampire and werewolf gags that have either been done already or are simply too weak and witless to even register as a complete joke.
![The Cutting Edge [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-cutting-edge-blu-ray-large.jpg)
![Posse [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/posse-blu-ray-large.jpg)
![Betty Blue: Original Theatrical Release [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/betty-blue-original-theatrical-rel-large.jpg)
