Posted in: Disc Reviews by Archive Authors on December 31st, 2012
In the same fashion as Batman Begins, Casino Royale the 21st Bond film ït starts over the franchise with a new outlook. Daniel Craig stars as James Bond in this film based on the 1953 novel by Ian Fleming, which hopes to rejuvenate the series by getting rid of some of franchise trademarks as well as the gadgets they supply. Grossing nearly 600 million dollars worldwide, Casino Royale was commercially a great success, but does the new bond fall short of past expectations, or does this reboot on the series provide for good cinema?
James Bond isn't yet an agent of double-0 status, but in order to accomplish this he is sent to Prague to assassinate a rogue agent who has been selling British secrets, as well as his associate. After accomplishing this, the film opening begins in traditional bond fashion with a fresh gun barrel sequence followed by the opening credits. Already the film appears to be a lot darker than past Bond films, and I have yet to hear a corny catch phrase as well.
Posted in: Disc Reviews by William O'Donnell on October 3rd, 2012
Dora sets out to teach kids a little English here, and a little Spanish there, as she goes on some Halloween themed adventures; most of which involving costume parades. The formula for each episode (Halloween themed or not) is identical, allowing kids to speak along with the characters, while grating the patience of nearby adults.
The way in which each character takes long pauses while asking questions of the viewers will either seem condescending and/or just flat-out creepy to viewers older than 5. That said, you simply have to be a pre-schooler to enjoy viewing multiple episodes of this show. The encouragement young viewers receive to participate and solve simple problems is all well and good for them. This jaded 20-something on the other hand, is just a little too unnerved to join this manner of edu-tainment.
Posted in: Disc Reviews by William O'Donnell on September 26th, 2012
The first word that springs to my mind when considering this box set is “essential.” I try to use that word without all of the marketing baggage that comes with it, conjured up by countless previous DVD releases of other films that have claimed to be “essential.” This set lives up to that term perfectly. Raiders of the Lost Ark alone is an incredibly important film (as my review below explains in a gushing fanboy-ish manner) and the entire series is a must have for any true fan of American cinema. This transfer to Blu Ray is a very successful one, making this the ultimate collection to purchase.
Raiders of the Lost Ark:
Posted in: Disc Reviews by Michael Durr on June 18th, 2012
Did you know that Power Rangers Samurai is the nineteenth season of Power Rangers? But the difference here is that Saban Brands bought back the franchise and have promised a more fun and humorous Power Rangers, similar to older seasons when they last owned the product. So, today I have for you folks a look at the first two volumes of this new series. Let us see if the new team holds a candle to the heroes of old.
47,48,49,50. Ready or not, here we go. So begins another game of hide and seek. However, this school yard game is cut way short when the Nighloks (an evil alien force) ATTACK! All of the sudden, we see the Red Ranger, Jayden (played by Alex Heartman) with his Mentor Ji (played by Rene Naufahu) heading off the pack. Ji offers the Nighlok pack the option to retreat but the Red Ranger is in no mood to give retreat this day.
Posted in: Disc Reviews by Michael Durr on June 18th, 2012
Did you know that Power Rangers Samurai is the nineteenth season of Power Rangers? But the difference here is that Saban Brands bought back the franchise and have promised a more fun and humorous Power Rangers, similar to older seasons when they last owned the product. So, today I have for you folks a look at the first two volumes of this new series. Let us see if the new team holds a candle to the heroes of old.
47,48,49,50. Ready or not, here we go. So begins another game of hide and seek. However, this school yard game is cut way short when the Nighloks (an evil alien force) ATTACK! All of the sudden, we see the Red Ranger, Jayden (played by Alex Heartman) with his Mentor Ji (played by Rene Naufahu) heading off the pack. Ji offers the Nighlok pack the option to retreat but the Red Ranger is in no mood to give retreat this day.
Posted in: Disc Reviews by Michael Durr on May 7th, 2012
As I get older, I find myself slightly more forgetful. Perhaps I will not remember where I put my watch (even though I own half a dozen), or maybe I will not see my sunglasses when they are conveniently strapped to my head. But at least I am not old enough yet to be clueless. This brings us to our next review starring Alicia Silverstone as the one and only Cher, a 15 year old Beverly Hills girl who is clearly Clueless.
Funky fresh 90’s music and go. Oh wait, that’s an eighties tune but covered by a nineties band. Cher (played by Alicia Silverstone) is another upbeat high school kid, who lives life like a Noxzema commercial. She has the best clothes and shoes and has lots of fun. She tends to fight with her dad over his daily dose of Vitamin C, (played by Dan Hedaya) who is a famous litigator. Cher does not like the idea of her ex-stepbrother Josh (played by Paul Rudd) showing up for dinner.
Posted in: Disc Reviews by William O'Donnell on February 3rd, 2012
Forgive the impending fun-with-words but, hot on the TAIL of the theatrical release of Red Tails is the Blu Ray release of this 1995 interpretation of the same story. Based on the actual group of airmen who were the first African-American fighter pilots in the United States Army Air Corps. This film follows the first cadets through their training and onto their various combat and mission in North Africa and Italy during World War II.
The true story that this film is based on is fascinating in its historical context. It is a shame that this film resorts to using overly staged scenes of corny drama to tell it. The lead cast is loaded with great talents, such as Laurence Fishburne and Cuba Gooding Jr, who certainly give good performances, but are stifled by cliched catchphrases instead of being given some deeper, character building, dialogue to perform.
Posted in: Disc Reviews by William O'Donnell on December 2nd, 2011
A pirate radio station offers to grant wishes to listeners on full moon nights, but all of said wishes come with grave consequences as it seems that there have been monthly murder/suicides occurring since the radio station's inception. Without knowing what sort of evil she might release, a teenage girl, who is grounded by her parents, makes a wish with the “Oracle” of the station and soon her friends are falling victim to evil possession.
Like a million horror films before it, we start of the film by being introduced to a band of sexy teenagers (played by actors most likely in their twenties) who pal around and generally act like annoying idiots (for lack of a more graceful label) to the point where I could care less if they fall victim to a maniac or curse of any sort....but we'll get to that later on. The story goes, one of the sexy teens is grounded by her parents and cannot attend a party where she was planning to meet up with her crush; which in the teenage world, seems to be the equivalent of having your limbs sawed off. In her angst she calls a mystical pirate radio station and makes a wish that starts off a set of tragic events involving all of her friends and family. Apparently, only a young girl's crush triangle and petty feud with her parents were at stake, which meant that the audience has nothing worthwhile invested in these characters when some of them start to die.
Posted in: Disc Reviews by David Annandale on November 1st, 2011
His troops defeated and massacred, General Pang (Jet Li) staggers away from the battlefield, more dead than alive. After a brief by intense overnight encounter with a mysterious Lian (Xu Jinglei), he falls in with bandits headed up by Er Hu (Andy Lau) and Wu Yang (Takeshi Kaneshiro). He finds a renewed purpose in life with this group, and forges the band into a formidable fighting force, one that will play an ever greater role in shaping the conflicts that are dividing China. But the fellowship he forms with his blood brothers has a fatal flaw: as fate would have it, Lian is promised to Er Hu. Betrayal and tragedy lurk in the wings.
First, the positives: this is a very handsome production, with a visual sweep that is appropriately epic. The battle scenes are expertly staged, whether these be small-scale skirmishes or grand campaigns. These are spectacular, exciting moments in the film. The characters and their story, however, are far less interesting. The love between Pang and Lian is difficult to empathize with – we don't really understand why these two are obsessed with each other, and must take it on faith that they are. All of which makes it difficult to care about the relationship, and thus its consequences are more irritating than tragic. And while Pang's internal conflicts are sometimes compelling, Lian's characterization is so perfunctory that she comes across as little more than venal, misogynist caricature. In the end, then, the film seems to drag on longer than its 113 minutes, as one finds one's eyes glazing over between the battle scenes. This is a beautiful movie, but an uninvolving one.
Posted in: Disc Reviews by William O'Donnell on October 11th, 2011
An aging soap opera starred, played by Sally Field, is the target of a jealous supporting cast and a conniving producer (Robert Downey Jr.). The head writer of her show (Whoopi Goldberg) seems to be the only ally she has as a former love's character (Kevin Kline) is recast to throw her off her game, along with a mysterious family member barging into her world and work life.
Soapdish relishes in Soap Opera story tactics just as much as it wishes to lampoon them. Twists, secrets, romance, backstabbing, tears, sex changes, melodramatic speeches...all of these elements are parodied in the show within the film, but also work their way into the real-life drama of these characters. The success of this film relies on being able to display how ridiculous soap operas can be while still selling the audience a complete (and often over-the-top) soap opera tale. This is truly a soap opera world as nothing is grounded in reality (Abandon all hope, Vittorio De Sica fans who enter here). The plot twists are painted in broad strokes and the physical comedy bits are motivated by pure nonsense. That considered, it is a truly funny journey peppered with some outstanding yet subtle visual gags (constantly panning past beefcake actors in the production hallways for example).
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