Posted in: Disc Reviews by Michael Durr on October 31st, 2010
For most people in high school, Romeo and Juliet by William Shakespeare is required reading. Sometimes more than once. Somehow, whenever it came time to read aloud in class, I always ended up with the part of Romeo. It certainly wasn’t for my striking good looks but apparently for my charming voice. As a result, I remember most of Romeo’s part to this very day. But would I be able to enjoy a fairly recent adaptation of Romeo and Juliet directed by Baz Luhrmann? We shall see.
Somewhere in Verona Beach there are two families who struggling for power, the Montagues and the Capulets. The blood feud has continued for years between Ted Montague (played by Brian Dennehy) and Fulgencio Capulet (played by Paul Sorvino). But everybody from their wives, Caroline Montague and Gloria Capulet (played by Christina Pickles and Diane Venora respectively) to their families have felt the impact.
Posted in: Disc Reviews by David Annandale on August 23rd, 2010
Michel Gondry is a director whose work has been characterized by its originality and personal vision. The likes of Eternal Sunshine of a Spotless Mind and The Science of Sleep have marked him as a filmmaker with a distinct vision. Here he makes what must be his most personal film yet, as it is a documentary about his family. More precisely, it is about his aunt Suzette, a strong-willed, redoubtable matriarch who worked as a schoolteacher in some of the most remote regions of France. Gondry and crew follow Suzette as she revisits her former schools, working her way through the decades and chronicling her life, that of her family, and, along the way, that of France.
As personal and culturally specific as the movie is, I fear that it might not translate very well for a North American audience. Some minimal familiarity with the context might be necessary to really get into the movie. Granting that, the film, with its mixture of new footage, model train transitions, and super-8 family movies, is fascinating and moving.
Posted in: Disc Reviews by David Annandale on August 23rd, 2010
Supermodel Joy (Claudia Udy) flits from man to man, never satisfied. There's the photographer who loves her, but he, it seems, is too much of a boy. Far more intriguing for her is the older man (Gerard Antoine Huart) she falls for, and keeps returning to, moth to a flame, despite his refusal to give up the other woman in his life. The root of Joy's problem seems to be twofold: she is haunted by the memory of having caught her parents in flagrante as a young child, and she is obsessed with her father, who left her when, again, she was very young.
So yeah, nothing creepy about the older man fixation at all, now is there? At any rate, this is glossy erotica cut very much from the same cloth as Emmanuelle, complete with pointless travelogue footage to show off all the location shots and half-baked philosophical musings about sex (or, more specifically, female sexuality). There is also a minor subplot involving Joy's nude shot as part of a campaign for the liberation of the aforementioned female sexuality, though this gesture towards feminism feels rather dubious, serving only as an excuse to get the heroine naked again. Well-produced though the film is, it lacks the narrative drive of something like The Alcove, meandering gently along to a rather abrupt conclusion. It is an interesting, semi-nostalgic reminder of the lost days of theatrical soft-core, but for sheer entertainment value, a dollop of Joe D'Amato-style sleaze will get you farther.
Posted in: Disc Reviews by David Annandale on August 19th, 2010
Miley Cyrus is displaced from New York to spend the summer by the sea in Georgia with estranged father Greg Kinnear. While younger brother Bobby Coleman thinks the set-up is just keen (especially former composer dad's work restoring the stain glass windows of a burned church), Cyrus stomps around in full Resentful Teenage Girl mode, until two things make her begin to open up: the need to protect a nest of sea turtles, and the attentions of the impossibly hunky Liam Hemsworth. Since this is a Nicholas Sparks story, true love and happiness will have to run the gauntlet of class snobbery, Disturbing Revelations ™, and the inevitable Third Act Fatal Illness That Brings Out The Best In Everyone (also a registered trademark).
Oh dear, am I waxing cynical? I suppose I am. Fans of Cyrus and Sparks will, of course, see this no matter what, and will probably get what they're hoping for. For everyone else, well, Kinnear does what he can, and should be congratulated for making his scenes as watchable as they are. But otherwise, we have a charmless lead, and a script so hamfisted, so filled with contrivances as predictable as they are overblown, that the film would be hilarious if it weren't so dull.
Posted in: Disc Reviews by David Annandale on August 10th, 2010
Jody Balaban (Leelee Sobieski) is a newly minted film school grad who, heady with the success her student film has brought her (an award presented by Garry Marshall!), heads off to Hollywood to find fame and fortune. Instead, she finds doors shut to the newcomer, the closest she can get to a major studio job being a stint directing traffic. But then she is offered a job as an editor. The only problem is, the studio in question is a porn outfit. Her dismay is all the greater since she has been put off sex due to the enormous childhood traumas of having been spanked for asking what a blow job was, and not being able to kiss the boy she had a crush on while playing Spin the Bottle. She takes the job, though, her plan being to shoot her own dream film, a romantic comedy called “On the Virge” (ouch!) on the sly, using the company's resources at night. Romance, meanwhile, might bloom in her real life, as she finds herself working with porn-director-who-once-aspired-to-something-more-and-is-devastatingly-handsome Jeff Drake (Matt Davis).
Writer/director Julie Davis's film is, apparently, rather autobiographical, drawing on her own early experiences in the industry. One hopes that she has maintained a healthy artistic distance from her protagonist, because Jody is hard to like. Her naiveté approaches a diagnosable condition, and it is coupled with a prodigious sense of entitlement, artistic self-regard, and snobbery. Though we see her learn to see the porn stars she works with as people and friends, she is so off-putting that it is hard to care enough to be interested in her emotional education. As well, the film itself presents the porn stars as lovable idiots, and so its own point of view doesn't seem far removed from Jody's. Furthermore, the look of Finding Bliss is simply not that interesting, making it hard to believe that Jody and Jeff are themselves unsung cinematic geniuses. On the other hand, Kristen Johnston as the porn studio's upbeat executive is good fun, and brings some snap to every scene she's in. Overall, though, the piece is simply too smug for its own good.
Posted in: Disc Reviews by Gino Sassani on July 27th, 2010
"This is Hell, and I'm going to give you the guided tour."
There have been a lot of great prison and prison break films over the years. Who can forget Dustin Hoffman in Papillon or Clint Eastwood in Escape From Alcatraz? Of course, more recently we had The Shawshank Redemption. Lock Up won't ever taste the rare air of those classic films. In fact, it's not really a prison break film at all. There is an attempted break, but it's not quite the focus of the film. I almost felt like I was watching the sequel to a break film. That's because Lock Up deals with the aftermath of a prison break and shows us the consequences on both the escapee and the warden who was responsible for preventing said break. And that's where I think this movie creates its own niche in the popular genre. It's a unique film that might have left its most exciting moments in a past that we never got a chance to see.
Posted in: Disc Reviews by Michael Durr on May 8th, 2010
Volume Five of the Animated Series known as X-Men is now upon us. Included here are the last fourteen episodes that haven't been put on disc for the masses. There is a lot going on in these twenty one minute chunks. There are some good things, bad things, funny things and more confusing things than probably should be in a children's animated show. So let us spend some time, the final time with our beloved mutant friendly superhero group.
The fourth season had left us on a climatic showdown. The four parter: Beyond Good and Evil had showed us some strange alliances as well as X-Men fighting together to save the day. Apocalypse was put away for another day as he could not defeat the mutant superheroes. Peace had come to the planet Earth even though we all the knew that it could not last. So we dive right into the final Volume of the X-Men.
Posted in: Disc Reviews by Michael Durr on May 6th, 2010
Iron Man 2 comes out this week and is set to do fantastic business. Usually I’m a person who waits for movies to hit dvd and blu-ray and I’m already planning to when I can go see this movie. But one of the things I’ve come to appreciate over the years is when a big movie such as Iron Man 2 comes out, there are disc releases that dip into yesteryear and help to get you in the mood. Imagine my surprise when I was asked to review Iron Man: The Complete 1994 Animated Series.
To do this correctly, I really have to break up this synopsis into two parts. There is the first season and the second season. Trust me, they are so different from each other, I’m surprised they were released together. Everything from drawing style to the characters to the way they craft stories is different. It’s a fun ride either way but you’ll certainly prefer one over the other.
Posted in: Disc Reviews by William O'Donnell on May 2nd, 2010
It's the Bronx in the early 60s and a psychotic man named Heinz (John Turturro) is released from jail and immediately starts stalking the girl he tried to rape (Jodie Foster), which landed him in prison in the first place. Upon hearing about his release, the son of a cop turned pacifist/activist is enlisted as protection despite his hesitancy and desire to move to Mississippi to support the Black communities' struggles there.
Posted in: Disc Reviews by Gino Sassani on April 28th, 2010
"Every town has a story... Tombstone has a legend."
![Romeo + Juliet [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/romeo-juliet-blu-ray-large.jpg)
![Lock Up [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/lock-up-blu-ray-large.jpg)
![Tombstone [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/tombstone-blu-ray-large.jpg)
