Dolby Digital 2.0 (Italian)

I think all of us want to be on stage, at least in theory.  For me, it started with some plays in high school.  But from there, those aspirations were cut short due to my father telling me that I needed a real job (which was his favorite thing to tell me in high school and college).  I don't think the decade I spent in karaoke bars (and actually singing) really counts for anything either.  So I've always been fascinated with theater, particularly when it comes to comedy.  When I saw King of Laughter as a possible review title, I took a peek at the trailer and decided to give it a shot.  After all, what's not to like about a story featuring the famous actor/playwright Eduardo Scarpetta in a battle with the courts over the concept of parody?  Let's take a look.

Favorite movies are usually easy to come back to.  It's a familiar song, stars you feel at home with, and even if you recite all the lines by heart, you can find something new to come back to.  In the case of Planes, Trains, and Automobiles, even though I had seen the movie probably around a dozen times or more, I was lured by the promise of new deleted and extended scenes but also a 4K-quality picture.  But as with life, you don't always get everything you want.  Let's take a look.

1982.  I was seven years old, and my mother, who loved horror movies, wanted to take me to see Poltergeist.  Unfortunately, around this time, my dad was usually on the road, and so there was no one really there to say maybe we shouldn't.  Honestly, even if my father was there and did say no, I doubt my mom would have listened.  It was PG; how bad could it be? In the next two hours, I was treated to something that resonates with me to this very day. From the moment I heard "They're Here", I knew I would never see static on televisions the same way.

Monica Guerritore is an unnamed wealthy socialite (all of the characters in the film are unnamed) who catches her husband in flagrante with another woman. To add insult to injury this woman is a TV personality of a sort unknown in North America, but common in France and Italy – an attractive woman whose only job is to let you know what's coming up next – and, rightly or wrongly, can represent, as is the case here, a certain form of empty glamour.

Bernardo Bertolucci is no stranger to controversy. His Last Tango In Paris caused quite a bit of noise when it was released. Novecento, as 1900 is known in its original Italian, has been a subject of controversy for decades. Since its 1976 original Italian release, American studios have been cautious about releasing the film in the states, at least as it was originally intended. First there is the running time. The film clocks in at over 5 hours. Theaters in the US face fierce competition for movie goers’ dollars.

Tinto Brass, reigning high priest of the handsomely mounted skin flick, returns with this portmanteau feature. Six couples spice up their sex lives as the women have sex with other people and their menfolk watch/hear about it/join in too.This is the most explicit film from Brass to come out on the Cult Epics label, in that a fair bit of the sex here is not simulated. The tone is consistently cheerful, and there are some quite funny moments. The performers look more like real people than one might expect, and so, all in all, this ain't deep, but it's better than most efforts of its kind.

Sometimes, I get a bit of an impulse buying urge. And a while back, I went and got a spiffy Philips 727 DVD player (which I've since replaced with a Toshiba upconverting unit). Sure, it's not a higher end player or anything, but for $80 and a hack using the remote control, it's now become a decent multi-region player. So after testing out a friends borrowed Region 2 disc to see if the hack worked, I picked up a couple of movies from eBay and Amazon.UK, so I'll do the occasional Region 2 review.

Carla (Yuliya Myarchuk) is a Venetian in London, looking for a flat in which she and her boyfriend Matteo can live once he actually arrives there. In the meantime, she has been in London for a month, and he is in Rome, pining for her. Both of them are getting a bit sexually frustrated, but Carla works that issue out with a series of affairs, and for some reason, Matteo seems to have a problem with this.We are once again in the of Tinto Brass' ass-worship and cheerful infedelity. The tone is established by Carla's opening credit stroll through Hyde Park (a walk which Matteo will recreate later to transformative effect), which is depicted as a carnal wonderland.

Synopsis

Lola (Anna Ammirati) delights in turning heads in her village, engaging in such antics as riding her bike with her skirt billowing up behind her. The men all think she's great, while the women aren't so fond of her (though the woman working on her wedding dress would clearly like to get to know her better, if you catch my drift). Her main problem is her fiance, who, much to her frustration, refuses to have sex before their marriage. Then there's her stepfather, who seems more than appro...

Synopsis

Asia Argento plays Anna Battista, who, when you get down to it, is really Asia Argento inthis intensely autobiographical film. Anna, a popular film star in Italy, stumbles from one bizarreencounter to another, pining for one-night-stand Kirk, in this picaresque tale. There isn’t much ofa plot, as such. Instead, we witness her descent into hell and ultimate redemption. The sex ispretty graphic, which is what caused all the fuss upon the film’s release, but what hasn’t beencommented ...