Dolby Digital 2.0 (Korean)

Korean horror has picked up in the last twenty years tenfold.  From films like Bedevilled and Thirst, they took on the revenge and vampire themes that a lot of classic horror films are built upon.  But honestly, I've been most impressed with films like The Wailing and Train to Busan.  The latter bred new life into the very tired zombie genre and made a darn watchable film, while The Wailing knew exactly what buttons to push when it comes to religion but then used that to make an interesting and thought-provoking film.  That's why when I saw that we had a copy of Seire, I knew I had to review it, even though I probably would be too scared to write about it for a few days.  I'm so glad I did.

When I started to review this film, I thought I would come up with a hokey beginning to celebrate the 31 Nights of Terror. That might have worked if I had reviewed It’s the Great Pumpkin Charlie Brown or a Lindsey Lohan movie, but to be truthful there is not much humor in this movie to be had. So let us skip the theatrics for at least one review and go straight into reviewing Bedevilled.

"An Asian man wearing a German uniform was discovered by the U.S. military at Normandy on D-Day. Upon questioning, he was identified as a Korean."

My Way cannily opens with this bit of real-life information. As the movie reaches its heartbreaking conclusion, we know only one of a pair of lifelong rivals-turned-friends — one Korean, one Japanese — will make it to the end.

In terms of major conflicts involving the United States, the Korean War has sort of gotten the short end of the cinematic stick with American audiences. Most people can easily rattle off their favorite movies dealing with World War II, the Vietnam War or the U.S. Civil War, but when it comes to the Korean War the options are comparatively more limited. Off the top of my head, there's M*A*S*H, the original Manchurian Candidate, and Don Draper suffering one of the most famous cases of identity theft. (I realize Mad Men is a TV show, so forgive me for reaching.)

Synopsis

Private Kang (Jan Dong-kun) is a coast guard – i.e. a soldier tasked with watching the South Korean coast for spies from North Korea. He is obsessed with shooting one, even though it is extremely unlikely that he will encounter any. One night, he sees movement and opens fire, killing not a spy, but a teenager having a tryst with his girlfriend. The boy isn’t just shot – he’s riddled with bullets and then blown to pieces with a grenade. No surprise, then, that the girl is traumatized to the p...

Phone director Byeong-ki Ahn admits he wanted to take the premise of Ringu and incorporate cell phones as the primary transmitter of terror instead of VHS tapes. (Just when these vengeful spirits will make the jump to DVD is uncertain -- and when they do, will it be Blu-Ray or… oh, I’ll save it for another time.) Anyway, he puts together an impressive-looking package with this horror tale, but unfortunately, the film itself falls flat on the wings of derivative, copycat storytelling.

Ji-Won H...

Synopsis

A silent pimp (the only words he speaks – a couple of brief sentences late in the film – are also the last words spoken in the film) sees a young college girl and instantly falls obsessively in love. When she humiliates him after rejecting his crude advances, he arranges events to drive her into debt and legal problems, and from there into prostitution. He watches her in the brothel every night through a two-way mirror, as she descends further and further into the degradation of this world.< ...

East Meets West

I don’t know a great deal about Korean cinema, but I imagine that H must have been a milestone in the Korean film industry – a distinctly Korean interpretation of a Western tradition. H is a dark psychological murder mystery, thriller, and suspense film, best compared to The Silence of the Lambs, or Kiss the Girls - not what one expects from the other side of the Pacific. There’s no martial arts to be found, and no running through trees, and pseudo-mystical mum...