Posted in: 2.35:1 Widescreen, Buena Vista, Disc Reviews, Dolby Digital 2.0 (French), Dolby Digital 2.0 (Spanish), Dolby Digital 5.1 (English), Drama, DVD by Archive Authors on October 28th, 2006
Synopsis
Don Haskins may not be as well-known as Jackie Robinson, Jim Brown, or other historical figures that have helped integrate sports with black players, but the impact that Haskins had on college basketball is arguably more significant than any coaching strategy could have possibly introduced, and it’s those events for which Haskins was at the helm that unfold in Glory Road, which some have unfairly labeled as producer Jerry’s Bruckheimer’s basketball equivalent to Remember the Titans.
Posted in: Disc Reviews by Archive Authors on October 22nd, 2006
Boffo! Tinseltown’s Bombs & Blockbusters is all about the magic of movies. It’s about doing it right and doing it wrong, and how there’s no sure thing. This HBO documentary doesn’t get very technical about making films, but it certainly does get personal with some of Hollywood’s heaviest hitters.
Through a well-crafted collection of interviews and clips from some of the best and worst movies of American cinema, this documentary brings us the perspectives of folks like Steven Spielberg, George Clooney... Richard Dreyfuss, Peter Bogdanovich and Morgan Freeman. Every single one of the interview subjects is dynamic and entertaining, and while their experiences and methods are all different, they all seem to agree on one thing: making a successful film is really hard to do.
Posted in: Disc Reviews by Archive Authors on October 22nd, 2006
Boffo! Tinseltown’s Bombs & Blockbusters is all about the magic of movies. It’s about doing it right and doing it wrong, and how there’s no sure thing. This HBO documentary doesn’t get very technical about making films, but it certainly does get personal with some of Hollywood’s heaviest hitters.
Through a well-crafted collection of interviews and clips from some of the best and worst movies of American cinema, this documentary brings us the perspectives of folks like Steven Spielberg, George Clooney... Richard Dreyfuss, Peter Bogdanovich and Morgan Freeman. Every single one of the interview subjects is dynamic and entertaining, and while their experiences and methods are all different, they all seem to agree on one thing: making a successful film is really hard to do.
Posted in: Disc Reviews by Archive Authors on October 17th, 2006
Garfield 2: A Tale of Two Kitties is a lot better than I thought it would be. Kids would love it, and it’s not too obnoxious for adults.
It’s a decent story for kids. Just before he’s planning to propose to her, Jon Arbuckle’s girlfriend, Liz, announces that she’s been scheduled at the last minute to speak at a conference in London, and she must leave right away. Jon decides to follow her there to pop the question. Garfield wants to interfere, so he and Odie smuggle themselves in Jon’s luggage.
Posted in: Disc Reviews by Archive Authors on October 15th, 2006
This remake of the 1976 horror classic The Omen is a solid psychological thriller. I should admit that I have never seen the original, so I can’t make a comparison. For opinions from that perspective, I imagine an Internet search will find more than enough.
I can, however, weigh in on whether I think this move should have been made, a question always asked about Hollywood remakes. My answer? Yes, because it offers the film to a new audience, of which I’m a part. And now that I’ve seen and enjoyed this new version of The Omen, I’m also interested in checking out the original.
Posted in: Disc Reviews by Gino Sassani on October 11th, 2006
The third entry into the X-Men franchise turned out quite a bit better than I expected. Early script turmoils were only overshadowed by cast problems. It seemed the bottom fell out when Bryan Singer decided to take on The Man of Steel instead of X3. Enter Brett Ratner, best known for the Rush Hour films. Give the man credit for overcoming a ton of problems to deliver a pretty good thrill ride film. Ratner adapted quickly to the f/x driven world of X-Men and managed to fashion a rather compelling tale. The idea of a...“cure” for mutancy is likely the best plot element in the franchise. Ratner was smart enough to not tinker much with the formula already established by Singer. The problem is, he played it entirely too safe. The story has the potential for a hell of an emotional tale which it never quite delivers. Don’t get me wrong. I enjoyed the film a lot, and I have nothing against these amusement rides, but I couldn’t shake the feeling that this film wanted to be something more than it was. In the greatest traditions of shows like Star Trek, there was a powerful message to be mined here. Instead, it sat there more like a clever plot device, which it certainly was. Ratner did a fine job of dealing with so many characters all wanting their own moments to shine. Hugh Jackman still steals the show as Wolverine, but this time Berry’s Storm and particularly Famke Janssen have meaty roles, if not too much dialogue. The real cast surprise has to be Kelsey Grammer. Who could have guessed that barfly Frasier would make such a fine Beast? Patrick Stewart’s death scene was visually stunning but a bit of a letdown. (Stay tuned after the credits for more on this situation.) The Golden Gate Bridge sequence is a very impressive display. Finally, I expected to see more humor coming from Ratner. The fact is, I guess I expected that there would be too much humor. Perhaps he tried too hard not to create X3:Rush Hour.
For the most part this will be the last X-Men film for at least a little while. A Wolverine project will most certainly be the next related film. There is talk of a young Magneto film. I wouldn’t expect to see Berry return to the franchise, as she was not exceptionally happy with her role. When the X-Men do return, I would expect to see more time spent on different mutants. The three films do work well together as a satisfying trilogy. Any future films will likely take a fresh approach to the franchise.
Posted in: Disc Reviews by Archive Authors on September 30th, 2006
Synopsis
The film opens with the Senate pornography hearings of the 1950s, which cracked down on bondage-movie purveyor Irving Klaw. As Bettie Page (Gretchen Mol) waits to be called to testify, she flashes back to the events that brought her to this point. After an abusive childhood in Tennessee, a failed marriage and a gang rape, she flees to New York, where she becomes first a glamour model, and eventually the most highly sought-after bondage queen.
Posted in: Disc Reviews by Archive Authors on September 25th, 2006
Ron Howard’s Backdraft tells the story of two brothers, Brian and Steve McCaffrey (William Baldwin and Kurt Russell), who are part of Engine Company No. 17 in Chicago. The two brothers always seem to have a sense of rivalry in their blood. Ever since their father passed away, Steve has always tried to prove to Brian that he is the true firefighter in the family. Well, despite all their problems, Steve and Brian soon find out that they will have to put aside their differences rather quickly since there is an ar...onist going around setting fires that are meant to kill off selected firefighters.
Having never seen this film before, I had only read numerous praise for this film. Critics loved the acting and, most importantly, the drama presented. Possibly because I saw the film Ladder 49 first, I couldn’t really get into Backdraft all too much. Granted I did enjoy the acting by Kurt Russell and Robert De Niro, but I couldn’t ever find myself feeling a connection to these characters. All I felt like I was watching a scene after scene of a huge fire explosion followed by Brian and Steve arguing. Speaking of the characters, I felt the role played by De Niro, albeit kind of useless in terms of using his acting abilities, was one of the only positives here.
Posted in: Disc Reviews by Archive Authors on September 21st, 2006
Synopsis
This is it. The finale. The many twists and turns and intricate plotlines of the series finally get wrapped up. If you haven’t been watching the series from the start, much resonance will be lost, but the last season is still comprehensible. For those in the know, this is where many of the stories come to some form of end. The battle between Schillinger and Beecher, for instance, has its final act during a performance of Macbeth, and that is precisely the kind of literate, neat, contrived, ...TT conclusion one would hope for. The series began in an almost realist vein, but before too long there were elements that were almost Twin Peak-sian in their bizarreness that crept in. The title does say it all – this is a kind of demented fairy tale, and what a wild ride it has been. Don’t expect all loose ends to be tidied up, and don’t hope for a lot of happy endings. The finale moments might seem a bit rushed, but they are certainly pretty dramatic.
Posted in: Disc Reviews by Gino Sassani on September 7th, 2006
Jean Harris made international headlines in 1980 for killing her on again off again lover and fiancée. Of course, such crimes are rather commonplace and would hardly merit all the attention let alone a feature film. The victim, however, in this case, was the famous Dr. Herman “Hi” Tarnower, better known to you and me as the “Scarsdale Diet Doctor”. The film claims to base its script on actual testimony from the well publicized trial. While this may in principle be true, the tale is obviously intended as a satire. T...e style very much lends itself to camp and black comedy. The murder is really the punch line to a very long joke. The testimonials are more like short theatrical vignettes. The feel is more like a staged production than a film. Even if the accuracy claims can be believed at all, they are most certainly exaggerated liberally. The story is obviously slanted heavily toward Jean Harris’ version of events. Given the title, I suppose this might be somewhat appropriate, if the filmmakers didn’t make her into some kind of a hero in the supplemental feature.
Mrs. Harris would quite honestly be a total loss if not for the performances of its two stars, Ben Kingsley and Annette Bening. Both deliver marvelous over the top performances that don’t feel so over the top. Kingsley in particular is devilishly great in his self absorbed role. Bening plays a convincing victim. Unfortunately even these performances can’t bring this film to anything more than camp. Harris contended she planned on killing herself and not Dr. Tarnower. Her explanation that the shots were the result of a struggle form the premise of the film as unrealistic as four shots from a struggle can be. Another unreal moment occurs when the detective allows Harris to wash her blouse in the cell sink after her arrest. I guess Nagey hasn’t watched too many episodes of CSI.
