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Come join the Baker family (all twelve of them) for a fun, entertaining and albeit crazy ride through their life. While trying to manage twelve kids and a job Tom and Kate Baker (Steve Martin, Bonnie Hunt) manage to do it all, while still staying somewhat sane.

With a great cast of Hollywood veterans and up and comers “Cheaper By the Dozen” offers something for kids and adults of all ages. The dynamic between Steve Martin and Bonnie Hunt presents a real sense of family togetherness and even the idea that a...ter twelve kids they’ve still “got it.”

Master and Commander is an epic tale that is adapted from 2 novels of a 20 novel collection by writer Patrick O’Brian. This Napoleonic-era story follows the escapades of Captain “Lucky” Jack Aubrey (Russell Crowe) and his intrepid crew aboard the British war frigate HMS Surprise, as they try to hunt down and capture or destroy the French warship Acheron. The Film gets off to a fast start as Capt. Aubrey and crew are ambushed by the Acheron and decimated in short order. This initial attack is well done and well acted ... the initial surprise and horror of the crew of the Surprise is visceral, which is then overtaken by the start of a fine performance by Russell Crowe as a battle savvy Captain who quickly sizes up the situation and inspires his crew to survive the initial assault. After the narrow escape we are introduced into a few of the other major members of the crew. Paul Betthany plays the ship’s surgeon Stephen Maturin, and the Captain’s close friend and confidant. This is a very fine performance in which the friendship the two share and their differences in opinion about duty are strained. After two narrow escapes, Jack Aubrey makes it his personal mission to track down the faster, more heavily armored, and more heavily armed Archeron even if it takes him to the far side of the world (which in this case is the Galapagos Islands).

The acting in this film is great. While these are men of war and duty, and the emotional tone is one of courage and bravery, there are many scenes where the fear is palpable and scenes of betrayal that are very believable. In particular the exchanges between Betthany and Crowe when Crowe has to pull rank is very moving – he has to do what he believes even if that costs him the most important relationship that he has on his vessel. The two major battles are well done – both the ship to ship cannon-fire and the chaos of the boarding scene at the end. The cinematography is excellent with wide sweeping shots of the ship on the open ocean in varying conditions from calm sunsets to “perfect storm” settings.

CSI continued to improve into its third season. The stories are as crisp and innovative as ever. Surprisingly, the show did not suffer from the addition of its fine but inferior Miami cousin. Minor characters like lab tech Greg are put to much better use. The f/x get better also, and a strong cast of guest stars doesn’t hurt the mix either.

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I am often fooled into watching a bad film because the box looked good. I can’t tell you how many times I have been in the video store and uttered the phrase “this looks good”, only to get home and be reminded that looks can be deceiving. Rare have been the times when I found a good film packaged in a bad box. It happens, but not that often. Lucky for me, this is one of those times.

Now, there’s really nothing special about this movie, mind you. The film is just a rehash of the plethora of teen slasher flic...s that came along in the late nineties. Films involving a group of teens, a mysterious killer on the loose, and some seriously goofy comedy. Sometimes, however, following the rules is not entirely a bad thing. This particular script involves a dorky kid’s crush on a popular cheerleader, a magic wish-granting totem, and a killer on the loose. What we are looking at is part Jawbreakers, part Scream, and part Final Destination. This is not a movie that surpasses its peers, but it certainly reaches their level.

Let’s face it… when it comes to boxing movies, there’s Raging Bull, and then there’s everything else. Rocky (and the subsequent cash driven vehicles) is a great film, but not really a great film about boxing. Even Daniel Day-Lewis’ The Boxer is more about the man than the sport. It’s hard to make a great boxing film. Not only is it extremely difficult to capture the action authentically, but very few actors have the physical ability to pull off such a role.

Well, I don’t know how easily...it was done, but John Leguizamo has made quite a valiant effort at conquering this challenge in this film, his directorial debut. The story is just what you would expect, chronicling the rise of a young poor kid from the streets as he wins fame and fortune, and loses himself along the way. The good news is, this predictable plot is peppered with some truly fantastic boxing segments. The viewer feels the momentum shifts in the matches, and is not just subjected to a highlight reel of punches, which seems to be the norm in so many of the movies of this genre.

Brother Bear is the story of a boy who becomes a man by becoming a bear. Kenai (Joaquin Phoenix) is a young man set on revenge against a bear he feels is responsible for his brother’s death. Going up against the beast and winning the battle, the great Spirits who guide Kenai transform him into a bear himself. As Kenai tries to undo the spell placed on him by the spirits, he meets Koda (Jeremy Suarez) a young cub who was separated from his mother. As the story unfolds Kenai becomes more find of Koda and “adopts... him, however, his main desire is to once again become human. Kenai’s journey takes himself and Koda to the salmon spawning grounds where they meet a group of other bears led by a huge black bear voiced by Michael Clarke Duncan. It is here that we learn that Koda’s mother was the bear that Kenai did battle with at the beginning of the film – he learns that Koda’s mother was attempting to protect Koda from ‘the hunters’ i.e Kenai and his brothers. Because of Kenai’s anger at the bear he attacked and as a result is the reason for Koda being without his mother. The climax of the movie comes when Kenai faces off against his remaining brother who believes that Kenai, in his bear form, is responsible for the death of Kenai and their older brother. While Kenai tries to avoid harming his brother he is torn when his brother starts going after Koda. Kenai does his best to protect Koda and at this point the spirits intervene and transform Kenai back to his human form. Kenai is finally reunited with his brothers but his joy is overcome with the responsibility that he feels for Koda and in the end makes the decision to remain as a bear and care for his brother bear.

While this sounds very serious, the comedy provided here is some of the best that Disney has offered in a long time. Now I am a huge SCTV fan so keep that in mind. The comedy relief is provided by Rutt and Tuke, a couple of moose voiced by none other than Bob and Doug themselves, Rick Moranis and Dave Thomas. How cool is that? And where else are you going to hear a line like, “How do you total a mammoth (referring to the trip that they all took on the backs of a herd of mammoths that Rutt and Tuke ‘crashed’ offscreen)?”

If you were one of the few of people who were waiting with bated breath for a sequel to the low-budget laugher, The Circuit, well thank your lucky stars because the day has finally come. If you sense sarcasm, you are right, because The Circuit 2 is even more of a stink-fest than the original, which is a feat in and of its self.

When we last left Dirk Longstreet (Olivier Gruner), he was recovering from infiltrating an underground fighting circuit to save his brother who had become wrapped up i... it. Now, Dirk is about to propose to his reporter girlfriend, Nicole (Gail Harris), who is once again trying to uncover an illegal-fighting ring, this time in the local state prison. As she is researching the story she is brutally attacked and left for dead. Dirk isn’t too happy about this and becomes an undercover inmate in the prison to learn more about the attackers. This time another reporter friend aids him, played by Lorenzo Lamas.

Synopsis

After a museum heist goes awry, Lorenzo Lamas works off his debt to Lance Henriksen bysigning on as part of a team for an even bigger job: stealing $250 million from a 747 in mid-flight. We follow the team of expert thieves prepare for heist, and then the big event goes down.But Lamas doesn’t trust everybody he’s working with, and he is right not to.

Synopsis

A rift has opened in the ocean floor beneath the Acrtic ice cap, melting the ice andthreatening to flood much of the world. (Never mind that this wouldn't happen: this is a moviewhere we see ice sink, just like in Voyage to the Bottom of the Sea.) The solution,ordered by some sort of world government cabal of the G8 at the "United Nations CommandCenter" (riiiiight) is to nuke the rift. Somehow, this will make everything all better. It turns out,however, that the rift ...as been created by giant intelligent electric eels from outer space (I kidyou not). In the undersea lab Hubris (okaaay) are tough soldier David Keith, ex-wife scientistSimmone Jade MacKinnon, and professional SOB Mark Sheppard. The SOB wants to nukeeverything, but MacKinnon works on establishing e-mail contact with the eels before everythinggets blown to hell.