Posted in: Disc Reviews by Archive Authors on April 15th, 2007
In fairness to the folks at the Disney Channel and this movie’s target audience, I’m stepping into the shoes of an 11-year-old girl for this review. Boy, these are tight.
Jump In! is totally a fun movie. It was a Disney Channel original, but now you can buy it on DVD to watch whenever you feel like it. The movie is about Izzy Daniels, a teenage boy played by Corbin Bleu, who was like, so cool in High School Musical. Izzy lives with his dad and his kid sister, and he likes to box. His dad loves...boxing even more, and since Izzy’s mom died his dad has been pushing him harder about boxing. It’s, like, all his dad talks about.
Posted in: Disc Reviews by Michael Durr on April 14th, 2007
Synopsis
Baseball films always hold a place near and dear to me. I would go see them with my dad when I was a kid and enjoy the plight of a team or an individual with a desire to win and overcome the odds. Sometimes it would be funny (Bull Durham), sometimes it would be sad (Eight Men Out), sometimes it would be uplifting (Field of Dreams). However, all of the above movies would have never been as successful without one movie in particular. That movie is The Natural . The Natura... (starring Robert Redford & Glenn Close and so many other great actors & actresses) is the story of a fairy tale; one where Roy Hobbs (Redford) grows up with a great gift. The gift to play baseball better than anybody who has ever played the game. However, fate deals him a cruel hand as he encounters a mysterious woman (played by Barbara Hershey) who guns him down with a silver bullet. This ends his career for the next sixteen years until he battles back to find a spot on the Knights, a last place professional team in search of a hero. From here, this is where the story begins of a man battling his health and his demons to capture the pennant and to have his name remembered for ever.
Posted in: Disc Reviews by Archive Authors on April 13th, 2007
Synopsis
Ian Fleming’s The Man With the Golden Gun was the only posthumous release for the established actor, and the book was such a success that producers Albert Broccoli and Harry Saltzman decided to try and recruit Roger Moore for the role immediately after You Only Live Twice to capitalize on the success of Fleming’s book. However, it wasn’t meant to be, and the film’s production was delayed several years while the George Lazenby era came and went, not to mention the Sean Connery era leav...ng and returning, only to leave again. When Moore came on, Live and Let Die was the first book they adapted, and The Man With the Golden Gun finally came to fruition in 1974.
Posted in: Disc Reviews by Archive Authors on April 12th, 2007
The Queen is all about Helen Mirren’s performance. All of the buzz I heard leading up to the Oscars was about Mirren’s remarkable turn as the queen bee herself, Elizabeth II of the United Kingdom, and rightfully so.
The film presents an intimate perspective on the royal family during the week of Diana’s death. Despite her majesty’s very public persona, she is actually a very private person, bound to tradition. She’s at odds with new prime minister Tony Blair (Michael Sheen, Blood Diamond), who...s her opposite in many ways – modern and image conscious in a political world that’s drastically changed since the Queen took power. The British people, in shock and mourning for their “people’s princess,” look to their leaders to recognize the traumatic event of Diana’s death. The Queen, however, fully intends to keep it a private, family matter, and spurns Blair’s suggestions to make public statements and to hold a royal funeral. Unfortunately for her majesty, her family’s inaction doesn’t play well with her people, and the royals become the subject of media scorn. Essentially, this is a story about one of the greatest public tragedies in recent history, and how it was handled by those in power, behind the scenes.
Posted in: Disc Reviews by Archive Authors on April 12th, 2007
After watching a bloated Tom Sizemore run around tunnels being chased by a man in a rubber suit while making bad jokes, it’s hard to believe that he used to be in good movies like Heat, Saving Private Ryan, and Black Hawk Down. And that’s probably the biggest impression I got from Bottom Feeder, just another example of the latest “anyone can make a direct-to-video horror movie” trend. My, how far Sizemore has fallen.
The plot is minimal, which is par for the course in most horror films... A burn-scarred millionaire seeks a serum that will regenerate his flesh, so naturally, he tests the serum on the scientist to make sure it works. However, the serum only works properly if it's taken with another anecdote. If not, it will turn you into a monster. And just think, I hate it when medicine makes you groggy. Don't you hate when that happens?
Posted in: Disc Reviews by Archive Authors on April 10th, 2007
Notes on a Scandal is an unsettling film, uncomfortable to watch because it highlights some of the darkest aspects of the human condition. It’s a film about loneliness, secrecy and obsession, and thanks to incredible performances by its leading ladies, it succeeds as a thriller.
Barbara Covett (Judi Dench, Mrs. Henderson Presents) is an aging schoolteacher and a voracious diarist. When young, beautiful Sheba Hart (Cate Blanchett, The Aviator) shows up as the high school’s new art teache..., Barbara initiates a friendship. Sheba invites Barbara to lunch with her husband and two children, and although Barbara comes off a bit odd about the friendship, all seems to be fine. That is, until Barbara discovers Sheba’s dark secret: she’s having an affair with one of her students, a 15-year-old boy. Revealing a dark side to her intentions for Sheba’s companionship, Barbara promises to keep the illegal affair under wraps, in hopes that the shared secret will bind them together forever. She asks only one price for her secrecy – Sheba must end the affair.
Posted in: Disc Reviews by Archive Authors on April 9th, 2007
Synopsis
Carlos Santana has been a veritable part-owner in the Montreux Jazz Festival, with a half dozen or so appearances under his belt in over three decades of performing. Some have been solo appearances, but others have been fruitful collaborations with various blues and jazz performers, some singers. In 1988, Santana and friend Wayne Shorter performed at the show as part of a brief tour. The songs performed are listed as follows:
Posted in: Disc Reviews by Archive Authors on April 9th, 2007
Synopsis
Carlos Santana has been a veritable part-owner in the Montreux Jazz Festival, with a half dozen or so appearances under his belt in over three decades of performing. Some have been solo appearances, but others have been fruitful collaborations with various blues and jazz performers, some singers. In 1988, Santana and friend Wayne Shorter performed at the show as part of a brief tour. The songs performed are listed as follows:
Posted in: Disc Reviews by Archive Authors on April 8th, 2007
On June 4, 1968, U.S. presidential hopeful Robert F. Kennedy was shot in the kitchen of the Ambassador Hotel, and later died in hospital. Bobby is the story of that day, and the people who were there.
It’s not so important that I summarize the characters and their stories for you. What you should know is that Bobby is one of those films that cuts between many plot lines that seem unrelated until the end, when an event brings them all together. In this case, we’re talking about 22 people at the...Ambassador Hotel, and the assassination that changed their lives forever.
Posted in: Disc Reviews by Gino Sassani on April 6th, 2007
When last we saw our courageous Atlantis crew, they were in dire straights indeed. The series had just completed its first season, and not without at times relying on the mother series, SG-1, for help along the way. Would the show now find its own legs in its critical sophomore year? Would the Sci-Fi Channel continue to support it or take out its legs unrepentantly as they had done with Farscape not many years ago? Oh, and then there was that pesky Wraith problem we were left with in the season 1 ending cliffhanger... The Wraith are about to destroy the city when a wormhole from Earth delivers an SGC unit to assist.
Martin Wood asserts in one of his interviews that Atlantis and SG-1 were beginning to look too much the same on the surface of things. So, one of the mission statements for the second year was to give Atlantis its own look and identity. Without a doubt, Atlantis became darker, but without losing its humor or charm. A hard thing to pull off, indeed.Season 2 brings changes for Atlantis. Some I like. Some not so much. I’m not sure I’m happy with more permanent and reliable contact being restored with Earth. One of the show’s strengths was its isolation. Thus, the temptation to lean too heavily on its parent show would be minimal. I know there was the danger of the Deep Space Nine Syndrome, but I’d be willing to risk it. First off, these characters are far more interesting than those DS9 had, and while they might have been cut off from Earth, there was indeed an entire new galaxy to explore. One of the best moves was to take a rather mediocre character like Ford and turn him into a wonderfully complex villain, of sorts. With a greater range to draw from, we find out that Rainbow Sun Francks was a far better actor than season one would indicate. If you haven’t seen his new persona, you should get these DVD’s just for that experience. Another brilliant move was to use Paul McGillion more as Dr. Beckett. Once a throwaway character, he has blossomed this season into one of the better members of the team. The character chemistry between Beckett and McKay (Hewlett) is priceless. The most significant change for season 2 is the addition of Ronon Dex, played by newcomer Jason Mamoa. For me the jury is still out on Ronon. I understand that he brings a hyped up action persona to the mix, but I might have liked to have seen Teyla provide more of that in the future. The portrayal is quite good, but I’m not sold on the mix yet. The character reminds me somewhat of Vin Diesel’s Riddick.
