Posted in: Disc Reviews by William O'Donnell on December 7th, 2011
Tim is the lone passive, sane voice in an insane world that whirls around him. Take the kooky scenarios you might find in an episode of Seinfeld, animated them (barely) and pepper it with some HBO-acceptable crassness, and you're looking at this show. Done in a minimalist 2D animation, each episode consists of two separate stories. By splitting the episodes in half, the two chapters make the show resemble the current trend of 10 to 15 minute long cartoons, popularized by Cartoon Network's “Adult Swim” programs.
Stories often end without complete resolution, but always cap themselves off with a punchline. The conflicts he finds himself in range from the domestic, such as work or relationship issues, to the ridiculous, like Tim needing to break a bond he developed with a circus elephant.
Posted in: Disc Reviews by William O'Donnell on December 7th, 2011
A small town girl named Lorie Walker is injured, which forces her to abandon her dreams of becoming a professional ballerina. After a chance encounter with an old friend, she is convinced to appear in a rap music video. The director of said video is immediately smitten with her beauty and takes her away to Los Angeles to become a Video Model.
The music video's Lorie appears in are of the lowest common denominator standard (her debut video seems to only consist of the lyrics “I got a big booty cutie” repeated over and over) and her roles only demand that she stand around and look pretty for the camera. If you are not a casual fan of modern (and may I say, low grade) hip-hop, these will be the first hurdles you have to cross to become invested in this film.
Posted in: Disc Reviews by Michael Durr on December 7th, 2011
By proxy, I get to see a lot of Tyler Perry movies. Whether it would be a review for this site or perhaps my wife wanting to see something with Madea, I have seen just about every movie the director has put out there. Most of the time I found myself laughing quite a bit but sometimes his movies find themselves a bit preachier than I can tolerate. But what would I think of a Tyler Perry play? Well, I found out the answer when I watched: A Madea Christmas.
We open to a rendition of Oh Come All Ye Faithful. I guess I should expect lots of singing in this one. The stage re-opens as we see Lilian Mansell (played by Chandra Currelley Young) lecturing Margaret (played by Cheryl Pepsii Riley) her maid. It seems that Margaret wants to go home to see her family on Christmas but Lilian needs her to help around the house. It appears that Lilian’s daughter, China is bringing home a man this holiday season.
Posted in: Disc Reviews by William O'Donnell on December 5th, 2011
A couple in their 30s decide to adopt an injured cat and have 30 days before receiving it. In that time, the burden of responsibility becomes too much and they start making drastic changes to their lives. I have reviewed enough films to realise that, unless it is a science documentary, a film title such as “The Future” can only imply a pessimistic view of it's namesake when coming out of the “indie” film scene. This film validates such fears to a tee.
SPOILERS AHEAD. BE WARNED.
Posted in: Disc Reviews by William O'Donnell on December 5th, 2011
The latest incarnation of Deep Purple is going the route of many “classic” rock and/or metal bands, and are putting being accompanied by a symphony for a special release. This particular concert closed out the 2011 Montreux Jazz Festival.
Many do not realize just how powerful a symphony sound can be without ever hearing one live. For this concert film, it helps when a heavy metal band is present to be matched and/or enhanced by the sheer boom that is power of a symphonic sound to help make for a nice example. The frequently bluesy riffs of Deep Purple, coming from songs both new and old, are complimented well by a large assembly of strings and horns. It should be noted that this is not a full symphony, but something similar to the size of a Count Basie orchestra setup. In fact, there are some songs where the symphony do not play at all, such a “Space Truckin'' whose chunky riffs might be best left alone.
Posted in: Disc Reviews by William O'Donnell on December 4th, 2011
This historical film looks at the three-year siege of Leningrad during World War 2. The film follows a Russian, female police officer who aids a stranded, English news reporter as they try to survive the siege. Said survival goes beyond enduring the battles between Russian and German forces as a lot of focus is placed on the starvation of the denizens of Leningrad as supplies become desperately limited and the people must live off of 300 grams of rations a day, an amount that declines as days go by.
There is a nice balance between depictions of those fighting the battles and civilians just trying to survive. The battles themselves are accurately brutal at times, and the city of Leningrad is looks as cold and wreaked with famine as its inhabitants. Visually, this film does a wonderful job of recreating the horrible images of war. There are dead bodies frozen on the streets and battlefields that the characters have to become acclimatized to.
Posted in: Disc Reviews by William O'Donnell on December 3rd, 2011
Somewhere, somehow, Usher has been dubbed the reigning “King of R&B.” I understand his sales are immense and popularity is undeniable, but I am hearing his name being said in the same sentence as James Brown and Michael Jackson. Those are insanely high standards to live up to, so I was was expecting a lot from the “OMG Tour” live performance.
Amidst scantily clad women, soaring lasers, massive video screens, a hyperactive backing band and sweating buckets in front of a sold out crowd, Usher does an 19 song long Michael Jackson impression. Am I watching the next King of Pop? Or (lord help me) King of R&B? (may the ghosts of Motown have mercy on whomever anointed Usher with that moniker). No, I am not. I am, however watching an extremely smooth dancer, a hard working entertainer, and charismatic singer lead an enormous stage production with a confident, cool professionalism.
Posted in: Disc Reviews by William O'Donnell on December 2nd, 2011
A pirate radio station offers to grant wishes to listeners on full moon nights, but all of said wishes come with grave consequences as it seems that there have been monthly murder/suicides occurring since the radio station's inception. Without knowing what sort of evil she might release, a teenage girl, who is grounded by her parents, makes a wish with the “Oracle” of the station and soon her friends are falling victim to evil possession.
Like a million horror films before it, we start of the film by being introduced to a band of sexy teenagers (played by actors most likely in their twenties) who pal around and generally act like annoying idiots (for lack of a more graceful label) to the point where I could care less if they fall victim to a maniac or curse of any sort....but we'll get to that later on. The story goes, one of the sexy teens is grounded by her parents and cannot attend a party where she was planning to meet up with her crush; which in the teenage world, seems to be the equivalent of having your limbs sawed off. In her angst she calls a mystical pirate radio station and makes a wish that starts off a set of tragic events involving all of her friends and family. Apparently, only a young girl's crush triangle and petty feud with her parents were at stake, which meant that the audience has nothing worthwhile invested in these characters when some of them start to die.
Posted in: Disc Reviews by Michael Durr on December 1st, 2011
My parents were always an oddball lot when it came to music. My mom liked the crooners and if she ever did touch rock and roll, it was something very light and airy. My dad however was a totally different animal. He listened (and still does) to Led Zeppelin, the Moody Blues and Queen. But perhaps one of his favorite albums of all time is Paranoid by Black Sabbath. The front man for Sabbath is the one and only Ozzy Osbourne. I find myself in a fortunate position where I get to review his documentary, God Bless Ozzy Osbourne.
As we open up this documentary, we are told that the makers of this movie have spent the last two years on the road with Ozzy Osbourne. Nearly everyone survived. We visit Argentina as one of Ozzy’s tourstops. We get a very candid look at Ozzy as he puts on makeup, exercises his body and his voice and his slow walk to the stage. He seems to be an everyday normal heavy metal singer but this person who is always been labeled as “Rock n Roll’s definitive crazy person” has a special tale to tell.
Posted in: Disc Reviews by Gino Sassani on November 30th, 2011
"The party is most definitely on."
This direct to video sequel of Disney's Beauty And The Beast is a much more low-budget affair than The Enchanted Christmas was to become. While the film did use the voices of many of the original cast including Jerry Orbach, Robbie Benson, Paige O'Hara, and David Ogden Stiers, the production values show the economy of the project.