Posted in: Disc Reviews by Archive Authors on October 28th, 2011
Ken Burns has achieved a rare feat in the world of filmmaking: he makes clean, concise, uncontroversial documentaries and yet has somehow become a household name, or as close as any documentarian can get in this society. It also depends, I suppose, on the ratio your household's television is tuned in to PBS compared to, say, Spike TV.
Posted in: Disc Reviews by Gino Sassani on October 27th, 2011
"Boldly go where no man has gone before."
Is there anyone out there who hasn't noticed that William Shatner the actor has become William Shatner the character over the years? Give the man some credit for finding ways to reinvent himself. After Star Trek he was the only actor to find himself another regular television character and shakes the typecasting that most actors in the franchise have been victimized by.
Posted in: Disc Reviews by Gino Sassani on October 27th, 2011
I can't help it. Whenever I see David Boreanaz I can't stop seeing the brooding vampire Angel. It's not really his fault. This character couldn't be farther from the Angel character, but that's what I see. It's also true that Bones, now entering its sixth season, has been around longer than Angel. It's also very likely that he now has fans that aren't even aware of that previous character. It has been quite a few years. I'm usually better at letting go of a character once the show has ended and the actor has moved on.
Posted in: Disc Reviews by M. W. Phillips on October 24th, 2011
“l know, it must seem like an eternity, but your eternity is only just beginning. Do you really want to spend it trapped here?”
The woman (Mira Sorvino) arrives at a cabin on a remote island in Oregon. At the cabin waits the ghost (Shane West) standing and staring at the woman as she goes about her daily tasks. She can’t see him, but he subtly makes his presence known. When her boyfriend (Justin Kirk) makes a surprise visit to the island, both the ghost and the woman are put out by his presence. Soon the woman begins behaving irrationally and showing the signs of spiritual oppression and possession.
Posted in: Disc Reviews by David Annandale on October 21st, 2011
It’s willing suspension of disbelief time, folks, as this reality show chronicles the soap-operatic lives of a group of young lesbians. Cari and Kacy want a baby – will they find the appropriate sperm donor? Romi and Kelsey are are having trouble with their sex life. Whitney is having all sorts of girl trouble, while Sajdah (whose name oddly does not end with “y” or “i”) is seeking her first relationship.
Posted in: Disc Reviews by M. W. Phillips on October 16th, 2011
“Rush Week just became Death Week!”
Let me say first off that director Alex Pucci knows something about production values. For a film shot on Super 16mm for a reported budget of around $1 million, Pucci delivered a film that looks and sounds far more expensive. Reportedly attempting to be a homage to the seventies grindhouse slasher/revenge flicks, Pucci’s focus on detail is amazing, even if his seventies period piece comes with a few anachronisms.
Posted in: Disc Reviews by William O'Donnell on October 11th, 2011
An aging soap opera starred, played by Sally Field, is the target of a jealous supporting cast and a conniving producer (Robert Downey Jr.). The head writer of her show (Whoopi Goldberg) seems to be the only ally she has as a former love's character (Kevin Kline) is recast to throw her off her game, along with a mysterious family member barging into her world and work life.
Posted in: Disc Reviews by Gino Sassani on October 11th, 2011
"Cal Lightman sees the truth. It's written all over your face. It's also in your voice, your posture, the words you choose. Give him five minutes and 20 questions and he'll know whether you went off to Argentina to cheat on your wife, lied about a well-timed stock sale, or murdered a one-night stand."
I spent quite a few years as a detective. My specialty turned out to be in the interview room. When some of my fellow detectives had a suspect they couldn't break, they often called me in.
Posted in: Disc Reviews by William O'Donnell on October 8th, 2011
Two young filmmakers from New York city, Ariel Schulman and Henry Joost, start documenting the burgeoning relationship between their roommate (and brother in the case of Ariel) Nev and a family from Michigan. Said relationship exists only through online correspondence and phone calls. As a romance seems to be arising between Nev and Meghan, who is oldest daughter in the family, the filmmakers decide to make a trip to meet the family in person.
Posted in: Disc Reviews by David Annandale on October 7th, 2011
A few years back, Paramount released all eight of the studio’s Friday the 13th films in a so-called “Ultimate Edition.” With cut versions of the films and no 3D, it wasn’t really that ultimate. So here we are again, with another Ultimate Edition (also Limited!) and this time, the package is much more worthy of the name, bringing together all the deluxe versions of the series.
