Posted in: Disc Reviews by Michael Durr on November 23rd, 2011
To say I am a sucker for hard rocking music films is an understatement. One of my favorite films in this genre is Rockstar of which I am still waiting for a good blu-ray release. Other films like This is Spinal Tap or even The Runaways also hold my interest for a good time. So, I was a little interested when I saw Trigger come to my doorstep, a tale about two reunited female musicians who are brought back together for one great night.
Two girls tear up the stage and put on a great performance of rocking their hearts out set to a peaceful piano number. The music ends with some guitar bashing, lead singer boozing and general chaos. Ahhh, so peaceful. We fast forward to ten years later and arrive in a fancy restaurant. Vic (played byTracy Wright) shows up (the guitarist) and is seated at a table. About forty five minutes to an hour later, Kat (lead singer) (played by Molly Parker) shows up and apologizes for being late.
Posted in: Disc Reviews by Michael Durr on November 11th, 2011
In the 1980’s, I feasted on a bevy of animation growing up. I watched typical cartoon shows like Transformers, G.I. Joe, and Voltron. Honestly, my habits were to watch every piece of animation that came across in those days at least once. Yes, even the Care Bears. But sadly despite all of that, I completely missed some great ones. One of those truly great ones was the Robotech series. Now, with an 85 episode behemoth of a complete series set, I get a chance to rectify that grave injustice.
Robotech originally ran March of 1985 in the United States. It had started out as a Japanese series and then Harmony Gold USA came in, reworked the dialog and content so that they could sell it to stations in the US as first-run syndication. However, Harmony tried hard to include most of the complexity and drama of the source material. Producer Carl Macek supervised the proceedings and the sweeping epic was born. The show did very well and had attracted a more mature audience that was not expected.
Posted in: Disc Reviews by William O'Donnell on November 9th, 2011
The king of the parodies has been consistent in the studio, in videos and on stage for nearly 3 decades. This DVD allows him to prove the latter. Though various costume changes and instrument shifts, Al and his longtime band mates delight a packed Massey Hall in Toronto.
The lion's share of the set list is dedicated to Al's latest release Alpocalypse. Of course, a few of his staples, such as “Smells Like Nirvana,” “Amish Paradise” and “Fat” have to be present. There is also a lot of fan service made during a medley of 11 songs, new and old, played at the halfway point of the concert. During this set of songs, when it seems appropriate, Al will assume the lead character of the song . This sometimes means he's adopting the persona of the performer he is parodying, such as donning a blonde wig and thrashing about the stage ala Kurt Cobain, becoming the cartoonish version of an artust that has appeared in one of his music videos, such as Al's infamous fat suit for the “Fat” parody of Michael Jackson, or something completely original, such as his unnerving but amusingly lecherous lounge singer character for “Wanna B Ur Lovr,” who prowls through the audience seeking female targets to leer at while he croons sexual innuendos at them.
Posted in: Disc Reviews by David Annandale on November 8th, 2011
This is the DVD release of the film whose Blu-ray incarnation was reviewed by Gino, so I’m going to let him take it away for the review of the film itself. I’ll check back in for the specs.
"It’s back to the 1950?s with its telltale alien invasion science fiction matinees. There’s Doo Wop coming out of the radio. The cars have tail fins and plenty of color and chrome. That’s right. This is 1950?s Americana. Well … almost. You see, the alien invaders are humaniacs. They turn the helpless population into mind-controlled zombies, and they eat brains for breakfast. Those sure are the classic cars, all right. But they’re rounded, and instead of wheels they ride on a cushion of air. And then there’s the “people”. They’re green. They have tentacles for hair. And they have only 4 fingers and toes on each hand or foot. Can anyone say, “Give me a high four”?
Posted in: Disc Reviews by William O'Donnell on November 6th, 2011
Somewhere between Iron Maiden and Pink Floyd lies Queensryche's concept albums Operation Mindcrime parts one and two. Part One was released in 1988 and has since been heralded by many as one of the finest heavy metal albums (concept or otherwise) of all time. The sequel arrived in 2006. This concert film is from the subsequent tour that featured the band playing both albums in their entirety, back to back, with actors, animations, and an elaborate stage setup to perform this rock opera.
The plot follows a man who has been coerced into become an assassin of political figures. The sequel is a revenge story after he is jailed for his actions. A small team of actors fill in the roles that lead singer Geoff Tate does not.
Posted in: Disc Reviews by William O'Donnell on November 2nd, 2011
Here are four evenings music fans did not anticipate coming, yet anyways hoped for. In 2005 Cream reunited for the first time since their breakup (save for one performance when they were inducted into the Rock n Roll Hall of Fame in 1993) for four concerts at the legendary Royal Albert Hall. The bad blood between the members of Cream was almost as famous as their influential music. With that in mind, it is wonderful to see these extremely talented men play just as tightly as they did in the 1960s, and some might argue that they've never played better than at these shows.
The set list is a rich mixture of chart topping originals (White Room, Sunshine of your Love...), classic covers (Born under a bad Sign, Crossroads...) and even some songs that the band had never played live before, such as 'Pressed Rat and Warthog.' The set that appears in this film is cobbled together with clips from each of the evenings, most likely to give us the best possible concert experience. As well, along with the songs, Ginger Baker gets a lengthy drum solo and, of course, Eric Clapton is alloted many opportunities to demonstrate some of the smoothest Blues guitar playing that has ever blessed our listening ears.
Posted in: Disc Reviews by William O'Donnell on November 2nd, 2011
Bubokan is one of those venues that has become a goal for any major band. Dream Theater had toured Japan numerous times over the course of 12 years but never yet rocked this venue. Japan is, and has been, one of those markets that tends to embrace things differently than North America or Europe; and Progressive Metal is not exactly rocking the Top 40 stations (at least, not since RUSH were in their prime...and even then...). It was only a matter of time that the most relevant “Prog” band playing today would make it to Budokan, and they celebrated by making it into a concert film.
Each member of this group is a virtuoso at their instrument. Taking time for instrumentals or solos are rather commonplace for arena concerts. Instead of the standard guitar or drum solo, all but the lead singer of the group would flex their progressive metal playing muscles while putting on a clinic of just how flashy a musical education can be when the most technically impressive of scales and rhythms are played at breakneck paces and mixed with very strange time signature changes.
Posted in: Disc Reviews by M. W. Phillips on November 2nd, 2011
“I might be wrong, but I'm guessing you know something that I don't.”
First off, this is not the 2011 Sucker Punch directed by Zack Snyder. This was shot in 2008, but released in 2011 under the name Sucker Punch just months after Snyder’s action fantasy. I can only imagine this was done to capitalize on confused DVD renters and buyers.
Posted in: Disc Reviews by David Annandale on November 1st, 2011
His troops defeated and massacred, General Pang (Jet Li) staggers away from the battlefield, more dead than alive. After a brief by intense overnight encounter with a mysterious Lian (Xu Jinglei), he falls in with bandits headed up by Er Hu (Andy Lau) and Wu Yang (Takeshi Kaneshiro). He finds a renewed purpose in life with this group, and forges the band into a formidable fighting force, one that will play an ever greater role in shaping the conflicts that are dividing China. But the fellowship he forms with his blood brothers has a fatal flaw: as fate would have it, Lian is promised to Er Hu. Betrayal and tragedy lurk in the wings.
First, the positives: this is a very handsome production, with a visual sweep that is appropriately epic. The battle scenes are expertly staged, whether these be small-scale skirmishes or grand campaigns. These are spectacular, exciting moments in the film. The characters and their story, however, are far less interesting. The love between Pang and Lian is difficult to empathize with – we don't really understand why these two are obsessed with each other, and must take it on faith that they are. All of which makes it difficult to care about the relationship, and thus its consequences are more irritating than tragic. And while Pang's internal conflicts are sometimes compelling, Lian's characterization is so perfunctory that she comes across as little more than venal, misogynist caricature. In the end, then, the film seems to drag on longer than its 113 minutes, as one finds one's eyes glazing over between the battle scenes. This is a beautiful movie, but an uninvolving one.
Posted in: Disc Reviews by David Annandale on October 29th, 2011
Season 2 of the Tyler Perry-created series continues misadventures of Leroy Brown (David Mann), who, last season, opened up a seniors’ residence. This season has all the characters firmly in place, and the stage is set for no end of misguided schemes and misunderstandings, all of which conclude with lessons learned and heartstrings tugged.
If the above sounds a little generic, that’s because so is the series, and furthermore, I’m referring to an archaic quality to this series’ generic nature. Put another way, this is an unapologetic (though it should be deeply ashamed) throwback to situation comedy’s dismal era of the 1980s. The performances broad, unfunny caricatures, all squealing yelps and bugging eyes. The laugh track comes in on every other line, underscoring just how desperately unfunny the dialogue is. As for the plots, I cry mercy. Brown hopes to get rich marketing his family’s barbecue sauce, Brown becomes an over-demanding patient after being grazed by a bullet, Brown wins twenty bucks in a lottery and becomes a gambling fiend, and so on and so on and so forth. Storylines that would creak even if the main character were named Ralph Kramden, overlaid with thudding sanctimony and Real Social Issues.
![Queensrÿche: Mindcrime at the Moore [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/queensrche-mindcrime-at-the-moor-large.jpg)
![Live at the Royal Albert Hall 2005 [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/live-at-the-royal-albert-hall-2005-large.jpg)
![Live at Budokan [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/live-at-budokan-blu-ray-large.jpg)
