Posted in: Disc Reviews by Archive Authors on May 20th, 2006
Synopsis
Duane Hopwood (David Schwimmer) works as a casino pit boss in Atlantic City, and is an alcoholic. His drinking has already cost him his marriage, and now ex-wife Janeane Garofalo is having to face the possibility of curtailing his visitation rights after he drives drunk with his young daughter in the back seat. After he makes a bad call at work, his job is in jeopardy as well. But there is hope for redemption still.
Roger Ebert calls this a “career-transforming performance.” Hardly...
Posted in: Disc Reviews by Archive Authors on May 20th, 2006
Before we get into it, just a quick recommendation to check out "Making Movies" by Sidney Lumet, the director of Network, Dog Day Afternoon and 12 Angry Men. While it's a quick read at 220 pages, it talks about dealing with the actors, rehearsal, a day on the set, and other various forms of a production, and includes stories that happened on his sets also. It's an intriguing book, worth checking out at your local bookstore. A "Ryan's Book Club" pick, if you will.
Posted in: 2.35:1 Widescreen, Disc Reviews, Dolby Digital 2.0 (English), Dolby Digital 5.1 (English), Drama, DVD, New Line by Archive Authors on May 19th, 2006
Synopsis
Virginia, 1607. English ships arrive and a colony is set up, but with considerable difficulty. Famine and disease take their toll. Captain John Smith (Colin Farrell) heads off to seek help from the Powhatan. He is captured, sentenced to death, but saved by Pocahontas (Q’orianka Kilcher, whose character is never actually given that name). So begins a fateful relationship.
Terence Malick has something of the Stanley Kubrick around him: he only puts out a movie about once a decade, hi...
Posted in: Disc Reviews by Archive Authors on May 19th, 2006
The world of politically charged films has certainly grown in the past few years. Films like Farhenheit 911 have seen big success, while other films like Rupert Murdoch’s OutFoxed have seen more of a critical success. Both of these films had extreme media attention, one obviously more than the other, prior and after their releases. Both asked questions and demanded answers to topics and issues we, as people, wondered about but never really asked about as a simple person can’t really enact a high success...
Posted in: Disc Reviews by Archive Authors on May 18th, 2006
Synopsis
Adam Sandler plays Robbie Hart, wedding singer in 1985, making a living covering other people’s songs, but happy with his life, until he is dumped at the altar. Total professional meltdown then ensues (in the big money scene that everyone saw in the trailers). Hope for romance still exists, however, in the person of Drew Barrymore, a waitress about to be married to a total jerk.
This is the film that demonstrated that Sandler was more than a one-trick pony, that the man could act i...
Posted in: Disc Reviews by Archive Authors on May 17th, 2006
One reviewer accurately described The White Countess as having "echoes of Casablanca." More than that, this last production from Merchant-Ivory seems like it lifted its premise entirely from the classic Bogart film. But at the same time, there is enough different about this colorful and mesmerizing piece to distinguish it as something original - or original enough. With murmurings about that Hollywood may one day remake Casablanca (as it seems they have everything else), I hope and pray the gods ...
Posted in: Disc Reviews by Gino Sassani on May 17th, 2006
The Producers has taken an almost cinematic storyline of its own. In 1967 Mel Brooks filmed this tale with one of his mainstays, Gene Wilder. The film was a modest success. It was as a Broadway production that this material reached a wide audience. The play has been a hit for decades now. It only seems inevitable that a new film would surface. This 2005 version of the story is closer to the stage production than the original film. There are quite a few more musical numbers, and that’s essentially where this film goes wrong.
Posted in: Disc Reviews by Archive Authors on May 16th, 2006
To say that director Danny Boyle has quite an eclectic resume for his directing filmography may be a bit of an understatement. After an impressive first feature in Shallow Grave, he moved on to the cult classic film about heroin addiction called Trainspotting. From there he took an interesting part for a film called A Life Less Ordinary, followed by directing a hot commodity named Leonardo DiCaprio in The Beach. He took on an interesting zombie film called 28 Days Later, and that brings him up to the children's film(?) called Millions.
Posted in: Disc Reviews by Archive Authors on May 15th, 2006
Synopsis
Her hands covered in blood, a distraught-beyond-coherence Julianne Moore wanders into a hospital with a story of being carjacked in a predominantly black housing project area. Detective Samuel L. Jackson, assigned to the case, learns from her that her young son is apparently still in the car. Given that her brother is a cop in the adjoining white area, all hell breaks loose and racial tensions threaten to send an explosive situation into terminal meltdown. But the question is whether there i...
Posted in: Disc Reviews by Archive Authors on May 14th, 2006
Here's the dilemma with these kinds of movies; it's hard to successfully fit a hard R story into a PG-13 package. Usher is a big draw in the under-18 market, so the challenge is to take a strong dramatic story and mold it to hit that balance between Hard Eight and Raise Your Voice. However, I have said it before, and here we go yet again... movies that try to appeal to everybody will successfully appeal to nobody. This is a movie that is a bit too racy and violent for your average 12-year-old girl, but way too soft for adults.
