Posted in: Disc Reviews by Archive Authors on July 14th, 2003
Quite possibly the worst Jackie Chan film ever … strike that … quite possibly one of the worst films ever, City Hunter is a live-action film based off of the Japanese anime of the same name. Here, Chan plays private detective Ryu Saeba, who, along with his partner, Kaori (Joey Wong), are hired to track down the missing daughter of a wealthy Japanese publishing tycoon.
Ryu is quite the ladies man and his initial thoughts of turning the job down vanish once he sees a picture of the magnate’s beautiful ru...away daughter, Shizuko (Kumiko Goto). He and Kaori track Shizuko down to a cruise ship and Ryu is immediately smitten with her and it becomes hard to tell if he’s more interested in returning her to her father, or getting in on some of the … ahem … action himself. Unfortunately for Ryu, when some American baddies hijack the ship and hold its passengers hostage, his carnal interests in Shizuko take a back seat to dispatching the bad guys. It’s now up to Ryu, Kaori, and Shizuko to save the day and then make sure that Shizuko is returned back to her father safely.
Posted in: Disc Reviews by Archive Authors on July 11th, 2003
Joyously unhinged and very inventive, O Brother Where Art Thou? is the latest film from the imaginative minds of the Coen brothers. Based very roughly (and loosely) on Homer’s “Odyssey”, it’s a Depression-era musical about three convicts who escape from a chain gang to unearth a buried treasure, get one of the men home to be reunited with his wife, become overnight musical sensations as “The Soggy Bottom Boys”, and at the same time, elude a bloodthirsty team of Mississippi lawmen. For those of you who don’t ...uite remember Homer’s tale, it doesn’t really matter too much here. However, for those interested in a quick history lesson, Homer composed “The Odyssey” around 700 B.C. as the epic poem takes place over a decade and focuses on Odysseus (aka Ulysses) and his journey home to his wife Penelope after fighting in the Trojan War.
The main character is a loquacious, debonair fellow named Ulysses Everett McGill (George Clooney) who is part of a Mississippi chain gang during the Depression. When he's not slicking back his locks with Dapper Dan hair pomade, admiring the pencil-line precision of his Smilin' Jack mustache, or squeezing nine-dollar words out of his 50-cent brain, he continually thinks he has it all figured out. Ulysses uses the lure of a bogus hidden treasure to con two of his simple-minded chain-gang buddies into escaping with him. He takes charge of this gang because, as he tells his cohorts, he “has the capacity for abstract thought”. Our other tragic heroes in this tale are Pete Hogwallop (John Turturro) and Delmar O'Donnel (Tim Blake Nelson), who make a getaway that seems far easier than the one Ulysses himself made from the ashes of Troy. Out on the lam, they encounter a series of obstacles and lucky breaks, bizarre characters and aberrations of nature.
Posted in: 1.33:1 Fullscreen, Action, Artisan Entertainment, Disc Reviews, Dolby Digital 2.0 (English), Dolby Digital 5.1 (English), DVD by Archive Authors on July 10th, 2003
Synopsis
Professional hit man Christopher Lambert is given a new contract, but this one doesn’tinvolve killing. He is to travel from Europe to Cape Town (where his parents were killed whenhe was but a wee lad) and protect Dennis Hopper, a businessman with mob ties who is going totestify against psychopathic gangster Christo. Even in jail, Christo’s reach is long and deadly, andLambert has his work cut out for him protecting the very unpleasant Hopper and his daughter.So far, so conventional... if you can call the sight of Hopper in a bad black toupee and goateeconventional. Then, halfway through the film, the main characters hightail it out of Cape Towninto the countryside, and the movie turns into a stately meditation on guilt, redemption andforgiveness. I’m not entirely convinced the project works: the imbalance of heavy action in thefirst half and hardly anything happening for the second is most peculiar, and the storytelling israther disjointed all the way through. The various subplots all get tied together rather too neatlyas well. Still, the very peculiarity of the film works in its favour, and made for a much moreinteresting viewing experience than I was expecting. The final shot is unlike any you’ll see in justabout any other recent action movie.
Posted in: Disc Reviews by David Annandale on July 9th, 2003
Synopsis
Posted in: Disc Reviews by David Annandale on July 7th, 2003
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Posted in: Disc Reviews by David Annandale on July 7th, 2003
Synopsis
Posted in: Disc Reviews by Archive Authors on July 7th, 2003
To be completely fair, Dude, Where's My Car? was neither the worst movie of last year, nor the worst movie of its kind during the year. Heck, at times, it even showed signs of comedic inspiration. However, before I seem too kind, Dude, Where's My Car? is as dumb and crass as its title implies.
Taking obvious cues from Bill and Ted’s Excellent Adventure from years gone by, Danny Leiner’s Dude, Where’s My Car? follows in those same footsteps of the past in an almost slavish manne.... Here, we substitute Bill and Ted for Jesse (Ashton Kutcher) and Chester (Seann William Scott), who employ pretty much the same speech patterns and slack-jawed surprise in circumstances. It seems that the main reason for Dude, Where’s My Car? is to simply update the genre with two new brain-dead dweebs to chuckle at – however, it’s questionable whether these two stars will ever hit the heights that Keanu Reeves has.
Posted in: Disc Reviews by Archive Authors on July 6th, 2003
I could sit here and type away for hours, deconstructing the finer points (using the term loosely) of the latest Ice Cube project, All About the Benjamins, were I so inclined. I could tell you about Bucum the bounty hunter (Cube), his target-turned-partner Reggie (Mike Epps, otherwise known as “Hey, that isn’t Chris Tucker!”) losing a sixty million-dollar lottery ticket and accidentally learning about a diamond heist while being relentlessly pursued. I could tell you about Bucum’s complicated motivation for ...anting to solve the diamond heist and ensuing murders before the Miami PD (after all, it’s all about the Benjamins!). I could tell you all about the chase scenes featuring several bazookas, a ridiculous dog track sequence, or a scene lifted right out of Scarface, the last surprising no one. I believe that when a rapper hits it big, a poster of Scarface comes in the “Opulence for Beginners” kit that the producers of MTV Cribs provides, so I suppose some of them must have actually seen the movie. I could try all of that, or I could save us both the time, and boil it down to this: All About the Benjamins is basically 48 hrs + Miami Vice. If you’ve seen one buddy comedy with a tough guy and a funnyman, you’ve seen them all. To that end, you’ve seen All About The Benjamins.
Of course, it would be irresponsible of me to simply assert that “this movie sucked,” and move on. Besides the lukewarm jokes, predictably bad action sequences and some extremely annoying characters (cough MIKE EPPS cough), one aspect of the Benjamins juts out as jarringly bad: Mr. Bray’s direction of this boat wreck. Bray’s directorial roots are in music videos, and if no one ever told you, you’d STILL know it beyond a reasonable doubt. One can recognize the frenetic fast cut style from a mile off. Certain sequences are repeated several times over, even though they only actually occur once (i.e., someone throws the diamonds in the air three times), a technique that becomes annoying the second time it’s used. Of course, there are plenty of girls in bikinis, fancy cars, camera angles right out of Batman: The TV show, and finally, every single action sequence seems to be in slow motion. Ice Cube running toward the camera? Slow motion. Gun flying through the air? Slow motion. Bad guy exiting car? Slow motion. Boat speeding across the Biscayne Bay? Slow motion. Mike Epps looking in the refrigerator? You guessed it: slow motion.
Posted in: Disc Reviews by Gino Sassani on July 4th, 2003
Synopsis
Posted in: Disc Reviews by David Annandale on July 4th, 2003
Synopsis
