Posted in: Disc Reviews by Gino Sassani on February 25th, 2009
Posted in: Disc Reviews by Gino Sassani on February 25th, 2009
“They’re not leaving till they get dessert.”
Director John Gulager might be the son of famed cult B movie star Clu Gulager, but that’s not how he broke into the business. He was a Project Greenlight winner. Project Greenlight is a competition for up and coming directors. They compete in a reality show style setting for the opportunity to direct a major release film. Now, I didn’t say it was a big budget film, but it does get backed and released by a major studio. When John Gulager won, his reward film was the original Feast. The film did well enough that now a couple of years later we’re on the third installment of what has become a somewhat cult hit franchise. Nothing has changed in this third film; in fact, it could be argued that the three films could be cut together into one long epic piece and it would work just as well.
Posted in: Disc Reviews by Gino Sassani on February 25th, 2009
Posted in: Disc Reviews by Gino Sassani on February 24th, 2009
Paul Newman was born in 1925 near Cleveland, Ohio. He was an attendee of the world famous New York Actor’s Studio drama school in 1947. His first movie is included here, The Silver Chalice. The effort actually embarrassed him, and he took out an ad apologizing for the performance. It was looking like this young actor was going to disappear into obscurity in short order. Fortunately for moviegoers everywhere he decided to stick it out. He would deliver in the 1960’s and 1970’s some of the best movies ever made. His team ups with Robert Redford made for one of the best acting partnerships in film history. That’s what I’d like to see as a collection. Films like The Sting, All The President’s Men, and Butch Cassidy and the Sundance Kid would make the best collection
With the Acadamy Awards nearby, Warner Brothers decided to trot out a tribute to the recently deceased Paul Newman. Unfortunately they picked some of his worst, and certainly lesser known films to do the job. All of these films represent either an early point in Newman’s acting or directing career or as is the case with When Time Ran Out, a late career paycheck before Newman found out he could still do good films. None of these efforts represent his power films of the 1970’s.
Posted in: Disc Reviews by Michael Durr on February 23rd, 2009
There are many shows out there that never make it past the original pilot episode. Most of them fail because there isn’t anything original about the plot or perhaps the cast chosen isn’t strong enough to bring out a good character. Heck, it could even be as trivial as the locale chosen to whether or not the network executives give it a nod. So the question remains, what exactly happens to these pilots that either fail or haven’t been picked up yet for next season? They get released on dvd. A little publicity never hurts.
Joseph Armstrong (played by Keith David) is the head of the SIS, the Special Investigation Section. The SIS is a secret department of the Los Angeles Police Department that seeks out the worst of the worst habitual offenders and brings them to justice. One way or another. After one of the squad dies in a violent gunfight, Assistant Chief Armstrong needs to find a replacement, one that won’t cause anymore problems and won’t make mistakes.
Posted in: Disc Reviews by Archive Authors on February 21st, 2009
Ridley Scott’s Body of Lies is a reliable piece of filmmaking exemplary of the great director’s ability to make a tensely watch-able film, even if said film isn’t his best work. Such is the case with this Leonardo DiCaprio-Russell Crowe-led action-thriller that focuses on the post-Iraqi invasion conflict. DiCaprio’s Roger Ferris is left with those little pieces of death that have proven so much more dangerous after the old regime was toppled by U.S. forces, and he seems fine with it.More at home is he in the Middle East because control always seems to be within his grasp. It’s when that control is threatened by the meddling of Washington, D.C., bureaucrats that he finds it difficult to function.
Posted in: Disc Reviews by Gino Sassani on February 19th, 2009
“You’ve got Samuel L. Jackson. You’ve got Bernie Mac. Just turn on the camera and I guarantee you got something you can keep.”
During an August weekend in the past summer of 2008 the entertainment world lost two of it’s brightest stars in just two days. On August 9th comedian extraordinaire Bernie Mac died from complications of pneumonia. The Mac-Man, as his friends liked to call him, was little more than 50 years old. Just a few hours after Bernie Mac passed, on August 10th legendary soul man Isaac Hayes also died. Hayes was 10 days shy of his 66th birthday. This was certainly a tragic weekend for the entertainment community, but the unlikely coincidence is made somewhat bittersweet by the fact that both men appeared together in what would be one the final appearances by both performers. That movie was the comedy Soul Men. To make the coincidence carry further, that film would have as its main plot point the idea of getting to the funeral of a soul legend, recently passed away.
Posted in: Disc Reviews by Gino Sassani on February 19th, 2009
Remember when Eddie Murphy was funny? You know, before the fat suites and fart jokes. I guess many of you hadn’t even been born yet. Ronald Reagan was still president of these United States. CD’s were the latest thing. VHS was just catching on. The Rams were still in L.A., and it was the Cardinals that were playing in St. Louis. No one had ever heard about DVD, MP3, or Wi-fi. It was 1988 and Eddie Murphy was staring in Coming To America.
I’ve long considered this the last funny Eddie Murphy film. It just seems like he’d turned to gimmicks and quick physical humor. He got lazy, and you know what? So did I. I decided it wasn’t worth the effort to get my seat into those theater seats to see him clown around anymore. So journey with me back to a magical time when Murphy was still hungry and he let his talent shine.
Posted in: Disc Reviews by Gino Sassani on February 19th, 2009
Leslie Nielsen was once a serious actor. He starred in one of the most important science fiction films ever made, Forbidden Planet. He was a staple on the 1950’s television dramas. His unique features and voice made him a busy character actor all the way until the 1980’s. That’s when the cornball kings Jim Abrahams, David Zucker, and Jerry Zucker cast him as the “don’t call me Shirley” Dr. Rumack in Airplane. From that moment on Nielsen went from being a serious actor to becoming the face of an entire comedy genre of corny films. If there was a subject to spoof throughout the 80’s and 90’s, you could count on Leslie Nielsen having a prominent role. Two years after Airplane he had a television series, for all of 6 episodes. It was a cop show spoof called Police Squad. In the show he stared as Detective Frank Drebin, a modern day Inspector Clouseau. He would bumble his way through the show’s unique cases, always finding a way to stumble on the solution. The only case he couldn’t crack was how to get people to watch the show. The brand of humor that Nielsen is now famous for has a very narrow niche. You either get it or you don’t. You either like it or you don’t, and most of America decidedly didn’t.
So what do you do with a miserably failed television show that ran just 6 episodes? You make it into a series of major motion pictures, that’s what you do. Six years after the series was gone and forgotten, the Abrahams/Zucker team decided to take it to the medium they’ve had so much success in already. What didn’t work at all on television appeared to have new life at the box office. The film brought in an impressive $79 million, which was a phenomenal number for a comedy in 1988. It went on to become the 8th highest grossing film of 1988. With a production budget of only about $20 million, this was a cash cow Paramount couldn’t afford to milk. They did indeed go to the well twice more, with the bottom falling out on the third try. The audiences loved it, but they could only take so much.
