Posted in: Disc Reviews by Archive Authors on January 30th, 2007
Synopsis
Of all the recent multi-film director stories that have been told in recent years, not too many have been as, well, historical, as Clint Eastwood’s two part telling of the battle at the Japanese island of Iwo Jima. The battle over a key stretch of property in World War II cost thousands of lives, but never seemed to get a proper cinematic treatment as many of the European theater battles have. Regardless, in Letters From Iwo Jima and Flags of our Fathers, Eastwood has given the world ...nother series of films that go beyond the normal “war is hell” mentality, and the first one has just come to DVD shelves.
Posted in: Disc Reviews by David Annandale on January 29th, 2007
Amber Tamblyn, playing Sarah Michelle Gellar’s sister, comes to Tokyo to help Gellar, currently in a hospital and considered insane. The help is too little too late, and soon Tamblyn is contending with the same evil ghosts. Two other storylines intertwine with this one: a young American student goes into the evil house on a dare, and she and her two friends attract the unwelcome attentions of the spectral mother and son. And back in the States, a blended family moving into a new apartment is gradually torn apart by the influence of the malevolent duo.
When Takashi Shimizu revisited Ju-On as The Grudge for Western audience, he did so with a script that, while streamlining the original and making it more comprehensible, still stuck close to the story, and the resulting film was arguably superior to its predecessor. The Grudge 2, on the other hand, jettisons the story of Ju-On 2. That sequel had a pretty convoluted plot, but it built a quite the horrific charge, and was a great spook story. The new film’s storyline starts from a false premise (that the ghosts were previously confined to the house, when they manifestly were not) and proceeds from there to work diligently at creating a result that is nonsensical, repetitive, and dull.
Posted in: Disc Reviews by Archive Authors on January 29th, 2007
Based on Augusten Burroughs� popular biographical memoir of the same name, Running With Scissors is a dark, comedic tale of surviving a bizarre and painful childhood.
The film covers Augusten�s life mostly from about age 12 to 16. Part of what makes this film intriguing is that it�s so outlandish that viewers can hardly anticipate events before they happen, so I will attempt to avoid spoiling it all in this review. With that in mind, here�s my very high-level plot summary: Augusten�s parents� relatio...ship is at best antagonistic. His mother, Deirdre (Annette Bening), is bipolar and becomes worse as the film progresses. His father, Norman (Alec Baldwin), is an alcoholic. The marriage crumbles very early in the film, which leads to Augusten becoming intimately acquainted with his mother�s therapist, Dr. Finch (Brian Cox), and Finch�s family.
Posted in: Disc Reviews by Archive Authors on January 16th, 2007
Halfway through The Celestine Prophecy, I was exasperated and ready to turn it off. If I hadn't been watching it for this review, I would have, and would have been better for it.
When this DVD came across my plate, my interest was piqued. I'd never heard of the film, or the worldwide bestselling book it's based on, and the cover quote said, "...a huge leap forward in spiritual adventure films." My first thoughts were, "if it's based on a bestseller, maybe it has a great script" and "hey, I didn't even know there was a spiritual adventure genre".
Posted in: Disc Reviews by Archive Authors on December 30th, 2006
Comments on the supplemental material on this edition have been ported over from Ryan Erb's excellent (and recent) review of the HD DVD, which also can be enjoyed on this site. Now onto this review...
Remember when it was announced that far-left conspiracy theorist (and resident Castro admirer) Oliver Stone would be making a film about the September 11 attacks? Of course you do. In fact, the collective pucker of the nation tightened in horror and trepidation when the notion was first thrown around, and later grew in suspicion as the film's realization became closer and closer.
Posted in: Disc Reviews by Archive Authors on December 5th, 2006
Synopsis
Christmas, 1914. In the trenches, we see the Scots, French and Germans beginning to celebrate in their own way. Singing in one trench inspires more in the opposing one, and before long, an unauthorized truce has broken out, and the enemy combatants are marking Christmas together. The film concentrates on a handful of characters who play a pivotal role in the truce in this particular section of the trenches, in particular the local commanding officers.
Posted in: Disc Reviews by Archive Authors on November 25th, 2006
(Portions of this review have been pulled from the original one-disc version of Ronin, which can also be found in the reviews portion of the site)Synopsis
I think the only thing I remember about Ronin initially was that Robert DeNiro (Heat) was involved in some scandal involving a French "house of ill-repute" or something along those lines. But when Ronin was released, people quickly forgot about that mess, as what came from it was an action film that put a little more e...fort into the characters than other action films. But that’s not to say the action scenes were neglected; the car chase scenes that negotiate through winding French country roads, and through city sidestreets so narrow you couldn’t open either car door to get out of the car, are some of the most nail biting in recent memory. Based on J.D. Zeik’s story and rewritten by Richard Weisz, a.k.a. David Mamet, Ronin’s introduction is a title card about Japanese samurai without a master, who are mission-less assassins. As a US operative named Sam, DeNiro is introduced almost immediately to the group, who include Frenchman Vincent (Jean Reno, Leon), the Russian, Gregor (Stellan Skarsgard, Dogville) and the Brit, Spence (Sean Bean, Lord of the Rings). Their liaison between them and their employer is the Irish lass Deirdre (Natascha McElhone, Solaris), and their object is a briefcase whose contents are mysterious.
Posted in: Disc Reviews by Gino Sassani on November 24th, 2006
No monster movie is bigger than King Kong. AFI members recently considered King Kong to be the most influential film ever. The original King Kong has inspired more filmmakers, actors, and technicians than any film in Hollywood’s history. The score is considered the first modern film score. For the first time the music is timed to accent certain aspects of the action. Willis O’Brien practically invented movie special f/x with his revolutionary stop motion technique seen earlier on The Lost World. One of those filmma...ers so inspired was director Peter Jackson. It seems none of the wonderful journey that was Lord of the Rings would exist on celluloid if not for King Kong. At 12 years old, Jackson set out (unsuccessfully) to create his own version of the iconic film and has apparently dreamed of remaking it ever since. After a hopeful but aborted start in 1996, Peter Jackson finally brought his childhood fantasy to life, and was it ever worth the wait.
The first question you might ask is how does this film compare with the original or the 1976 Kong? This film simply blows away the 1976 debacle. As for the original? Obviously the 70 years of f/x progress means that Kong himself shows the greatest improvement. No question the stop motion Kong was the most spectacular thing 1933 audiences had ever seen. Today we live in a computer age where if you can imagine it someone can bring it to life. Jackson’s WETA Digital is very much like George Lucas and ILM. In New Zealand they are movie f/x. Unlike Lucas, Jackson integrates his f/x so intimately into the action that we cease to think of them as movie magic. Lucas tends to overload each scene with a “look ma what I can do” overindulgence. Andy Serkis plays the Kong character as he did with Gollum so that the other actors have something real to act against. His emotional range gives Kong a façade of realism that sucks us into the story without really thinking about the f/x. So, like the original, Kong is a real character to us, capable of feelings and deserving of our empathy When he finally slips from the tower of the Empire State Building, we share an emotional moment with Ann (Watts) that can only be possible for a real being. The film is far longer than the original. In this extended version Jackson’s Kong is about double the original’s running time. Jackson’s Skull Island, while richly detailed and far more elaborate than the original, maintains the illusion that we are in that same place. The creatures are purely magic, rivaling the best we’ve seen from Jurassic Park.
Posted in: Disc Reviews by Archive Authors on November 15th, 2006
The Shawshank Redemption is a film that didn't do much at the box office. However, home video, word of mouth and countless airings on TNT have made it an enormously popular film in the time since. Director Frank Darabont returned to prison with The Green Mile, another film based on a story by acclaimed writer Steven King. One could almost look at these two films as companion pieces. Whereas the central theme of Shawshank was the importance of never giving up hope, The Green Mile was more about the changing power of love. Granted, a 1930's prison death row cell block isn't the most obvious place to set a love story. Then again, we've all seen the obvious love stories countless times before. King has always had a knack for the original, and this film is most certainly that.
The film is a thorough examination of the guards and guests at this inn without a door. The guards are mostly cynical and worn down by the long line of murderers that have come through their walls, the inmates are deserving of their fate, and the warden benevolently looks over the whole affair, with his own demons patiently waiting for him at home. The guards and the inmates have something of a kinship, as they all spend every day together. Though there is a clear distinction between the haves and the have nots, the two sides still spend the majority of their days talking and working together.
Posted in: Disc Reviews by Archive Authors on November 11th, 2006
(Portions of this review have been pulled from the original one-disc version of Platoon, which can also be found in the reviews portion of the site)Synopsis
There are a good number of people who have labeled Oliver Stone as a fan of conspiracy theories, out to destroy foundations of conservative ideology, while at the same time re-visiting 60’s nostalgic icons. Despite the jokes and the stereotyping, one has to admit that, as a filmmaker, he has helped bring to screen some of the most talk...d about cinematic experiences of our time, including Midnight Express, Scarface, not to mention Conan the Barbarian. As a director, his works, such as The Doors, Nixon, JFK and Natural Born Killers, have generated discussion both within and aside from the technical merits. Platoon was his most personal work, and is widely regarded as one of the defining films of the Vietnam War.
