Posted in: Disc Reviews by Archive Authors on November 9th, 2006
By the time this film was announced, everyone and their dog had asked me if I’d read The Da Vinci Code. I hadn’t.
Yes, I’d heard it was the bestest book in the whole wide world. No, I didn’t want to borrow their copy. Months later, when I finally sat down to watch this DVD, I had still not read Dan Brown’s masterpiece. See, I decided to be one of the few who could judge the film as completely separate from the novel.
Posted in: Disc Reviews by Archive Authors on November 7th, 2006
Synopsis
Bernard Campan, diffident office worker with a bad heart, enters an Pigalle brothel/bar and informs prostitute Monica Bellucci that he has just won 4 million Euros. He will pay here handsomely to live with him until the money runs out. She agrees. Campan’s doctor friend disapproves, being particularly worried about what a bombshell like Bellucci will do to Campan’s heart. Can the couple find true love? Or is the relationship only based on money? And what about loquacious gangster Gérard Depa...dieu, the other man in Bellucci’s life?
Posted in: Disc Reviews by Archive Authors on November 5th, 2006
16 Blocks is what separates petty criminal Eddie Bunker (Mos Def) and broken down cop Jack Mosley (Bruce Willis) from exposing several corrupt NYPD detectives. Jack Moseley an aging alcoholic NYPD detective is faced with a crucial decision whether or not he will sell out his long time friends/colleagues or trust a criminal he had just met. The movie takes us through the crowded streets and narrow ally ways of New York City as they scramble to understand themselves and each other. We come to learn of their se...arate and equally interesting pasts, and even plans for the future.
16 Blocks is more than your standard action movie, it is nicely balanced with acting and a constantly advancing story line. We feel claustrophobic as they run down the streets of New York with little time to make it to the courthouse, and the suspense is constantly escalating. We come to care for the characters, and what is going to happen to them.
Posted in: Disc Reviews by Gino Sassani on October 25th, 2006
Wasn’t it just yesterday that The Fast and the Furious raced across our theatre and soon after took the checkered flag on DVD in our own living rooms? I guess not, because Fast and the Furious: Tokyo Drift is upon us, and it’s the third and least imaginative of the franchise. Unfortunately, none of the previous films’ characters return for this third outing. I don’t count the clever little cameo that serves as the film’s coda. Gone are also the cool American muscle cars that gave the franchise its edge. The souped ...p autos this time around don’t stand out beyond the bright paint jobs. Lucas Black is quite one dimensional as a teen who has been busted one too many times street racing. He’s forced to move to Japan where his father is stationed, where he pretty much takes up where he left off. This time around the film concentrates its energy on a driving style apparently popularized in Tokyo called drifting. Hence the name. Drifting is the ability to make sharp turns by basically sliding sideways. Boy, that can’t be easy on the tires.The trouble is, the maneuver is pretty boring to watch. It might better please the figure skating crowd, but not the hard core NOS driven racing nuts that seek out these films. The only character worth caring about is Twinkie (Bow Wow), the fish out of water ghetto kid on the streets of Tokyo. The love interest this time around is a gangster girlfriend, Neela (Kelley) but she shows about as much emotion as the cars. And it’s the cars where this thing quickly runs out of gas.
Video
Posted in: Disc Reviews by Archive Authors on October 25th, 2006
It’s been a decade since Brian De Palma’s Mission: Impossible hit theatres to box office success, established a new blockbuster franchise and added ‘action hero’ to Tom Cruise’s résumé. In 2000, John Woo’s highly stylized follow-up raised the franchise to new box office heights. This year, the long-awaited third installment arrived amidst controversy about Tom Cruise’s crazy off-screen antics.
M:i:III’s U.S. box office take suffered from the public backlash to its headliner’s whacky rants and questionable actions. Too bad about Tom Cruise being a kook, because J. J. Abrams’ top-notch action flick deserved better. I saw this one on the big screen, and I recall moments when I actually gripped the arm rests and held my breath. If that’s not the mark of a great summer blockbuster, I don’t know what is.
Posted in: Disc Reviews by Archive Authors on October 22nd, 2006
I must admit that I fully expected to hate this film. Turns out, I didn’t. The truth is, Little Man, the latest comedy from the Wayans brothers, is too harmless for such a vehement reaction.
Sure, Little Man is not very good, but if you can manage to check your brain at the door, you’ll probably get some laughs out of it. Then again, they’re probably the same laughs you had watching the trailer. My problem with comedy like this is that it’s really much better suited to short sketches than feature films.
Posted in: Disc Reviews by Gino Sassani on October 18th, 2006
In 1984 Brian De Palma dusted off his best Alfred Hitchcock imitation in the by now infamous Body Double. We all know the story by now. In fact, if you’ve seen the far superior Vertigo and Rear Window films, you knew the story already. Claustrophobic vampire actor Jake Scully is having a hard time. He’s just been fired because he can’t lie in a coffin, and getting home early, he walks in on his girlfriend in bed with another man. Out of work and homeless, things look up when a fellow actor gets him a sweet housesit...ing gig in a flying saucer shaped condo overlooking the Hollywood valley. There, he is obsessed with a neighbor he spies on with a conveniently provided telescope as she performs all sorts of sordid little things naked in the window. Looks like things are really going well now, until he believes he has witnessed a murder. His investigation into what he saw leads him to the underworld of the porn industry and into the arms of porn queen Holly Body (Griffith). Most of the film takes place at a painfully slow pace. De Palma offers up a lot of stylistic cinematography but not enough action or suspense to keep us all that interested. While the erotic nature of the film was quite shocking in 1985, it just doesn’t pack that kind of a punch today. When De Palma wants to, he can simply ooze atmosphere on film. In Body Double, he oozes something a bit less flattering.
Part of the blame for the film’s awkward pace must be taken up by Craig Wasson. He simply can’t emote beyond a typical movie of the week level. The same can be said for villain Sam (Henry). On one hand, De Palma is trying to dazzle us with the epic scope of the thing, but his two main actors limit that range significantly. Credit should be given to Melanie Griffith, who is miscast in her part, but carries it off with more credibility than one would expect. The stand out has to be Deborah Shelton, who is captivating with little to say. Dennis Franz stands out in his comedy relief portrayal of the director who fires Jake. He’s playing De Palma to a fault, including De Palma’s own clothes. Both men admit in the extras that Rubin was indeed based upon De Palma..
Posted in: Disc Reviews by Archive Authors on October 17th, 2006
Synopsis
Ariel is the rebellious teen daughter of King Triton. She falls in love with a human prince (whom she rescued from drowning), but her father will not hear of it. So she makes a bargain with the evil Ursula – she will be granted legs for three days (but no voice), and if she has not been kissed by then... well... you know how deals with Evil generally go.
Posted in: Disc Reviews by Archive Authors on October 16th, 2006
Synopsis
A meteor lands in your typical SF/horror movie Small Town (and it could well be the same meteor that brought the original Blob to town). Bullet-headed mug Michael Rooker stumbles over it one drunken night, and promptly becomes infected with carniverous slug-parasites from outer space. He sets about spreading the good news, as it were, and before long the entire town is a chaos of slithering nastiness and zombiefied townspeople.
Posted in: Disc Reviews by Archive Authors on October 15th, 2006
After numerous horrible, horrible Batman films (Batman and Robin and Batman Returns are my least favorite), the Batman film’s have finally returned to a place where someone can be proud to have seen and proud to own to this film. Director Christopher Nolan (probably mostly known for Memento) was chosen to helm this latest Batman film while actor Christian Bale (American Psycho, The Machinist) was chosen to portay Mr. Bruce Wayne.
The film mostly follows how ...ruce became Batman. As the film begins we learn how Bruce’s parents were killed, what happened to Bruce to cause his initial fear of bats and how he trained to become Batman. After the death of his parents, something Bruce blames himself for, Bruce continues his life never really feeling like himself. During his early twenties, Bruce decided to head overseas where he gets caught up in a kind of theft ring, which results in his arrest. Turns out that he was stealing from his own company. Once in jail, Bruce decides to stand up to a few guards basically eliminating them quickly. He’s thrown into a cell where he meets Henri Ducard (Schindler’s List’s Liam Neeson). It’s here that Bruce learns the art of stealth and fighting. This gains the eventual attention of a man named Ra’s Al Ghul (The Last Samurai’s Ken Watanabe in a short, but fabulous performance). Bruce eventually returns home and becomes Batman.
![16 Blocks (Combo HD DVD and Standard DVD) [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/16-blocks-combo-hd-dvd-and-standard-dvd-hd-dvd-large.jpg)
![Batman Begins [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/batman-begins-hd-dvd-large.jpg)
