Posted in: Disc Reviews by David Annandale on February 15th, 2012
Back when I reviewed the original Blu-ray/DVD combo release, I said that those wanting special features should wait for the inevitable double-dip. Well, here it is, and so loaded with features that they get a Blu-ray to themselves.
Following the events of Transformers: Revenge of the Fallen, the Autobots are working hand-in-mechanical-glove with human authorities (in other words, the apparently all-powerful CIA), keeping close watch for Deception activity, but also helping out in human-on-human conflicts. Meanwhile, Shia LaBeouf has traded in improbably hot girlfriend Megan Fox for the equally improbable Rosie Huntington-Whiteley (an improbability that the script does have some fun with). He is also out of work and dismayed at not being given due consideration as a saviour of the planet.
Posted in: Disc Reviews by David Annandale on January 20th, 2012
The Paranormal Activity franchise steps back in time for this third entry, revealing how and why sisters Katie and Kristi come to suffer demonic assaults later in life. We are back in 1988. The blended family of mother Julie (Lauren Bittner), daughters Katie (Chloe Csengery) and Kristi (Jessica Tyler Brown) and stepfather Dennis (Christopher Nicholas Smith) are settling in to life together when the first odd things start happening.
Wedding video producer Dennis is the first to suspect the outright paranormal, and sets up cameras upstairs and down to capture events. Ominously, little Kristi has an imaginary friend, Toby, who, in proper Captain Howdy style, reveals himself to be all too real. What is he saying to Kristi? What does he want of her? Answers are forthcoming, and they are not reassuring.
Posted in: Disc Reviews by Michael Durr on December 28th, 2011
When I was a kid, I read a lot of books. The most fond tales of my youth include Sword of Shannara (Terry Brooks), Dear Mr. Henshaw (Beverly Clearly), Charlotte’s Web (EB White) and Mr. Popper’s Penguins (Richard & Florence Atwater). Each one of those books holds special memories and I’ve read each of them at least a few times. Today, we get to explore another one of those treasured books in film form. Enter, Mr. Popper’s Penguins.
It is the year 1976, we have a very young Tom Popper Jr. who is simply known as Tippy Toe on the radio. His father on the other side of the broadcast is known as Bald Eagle and he travels around the world in search of various adventures. They communicate for a long time over the radio but sometimes have lapses (such as the one from 1976-1981) where Bald Eagle does not make contact for the longest time. The last transmission was that he was on the verge of something big. That was unfortunately thirty years ago.
Posted in: Disc Reviews by David Annandale on November 28th, 2011
It is 1979. While filming a Super 8 horror movie, a group of young friends on the cusp of adolescence witness a spectacular train wreck. They later discover that they accidentally captured evidence that there was an alien creature on the train, and it is now loose in their small town. But if the mysterious disappearance of dogs, engines and (increasingly) people wasn’t trouble enough, the military descends upon the community with an agenda far more merciless and inhuman than that of the alien itself.
I was 12 in 1979, and I was shooting Super 8 monster movies, so I get the nostalgia that writer/director J.J. Abrams is going for here, and this is an utterly unapologetic exercise in nostalgia. Abrams is is out to recreate the experience of a Spielberg movie from that era, and with the man himself acting as producer, the mission is accomplished. Super 8 plays like the Lost Spielberg Movie, with all the wonder, thrills, and sentimentality one would expect. There is so much here that works beautifully. The young cast is terrific, the dialogue crackles, the effects are spectacular, and the creature is both menacing and sympathetic, like some unholy version of ET reworked by H.P. Lovecraft.
Posted in: Disc Reviews by David Annandale on November 8th, 2011
This is the DVD release of the film whose Blu-ray incarnation was reviewed by Gino, so I’m going to let him take it away for the review of the film itself. I’ll check back in for the specs.
"It’s back to the 1950?s with its telltale alien invasion science fiction matinees. There’s Doo Wop coming out of the radio. The cars have tail fins and plenty of color and chrome. That’s right. This is 1950?s Americana. Well … almost. You see, the alien invaders are humaniacs. They turn the helpless population into mind-controlled zombies, and they eat brains for breakfast. Those sure are the classic cars, all right. But they’re rounded, and instead of wheels they ride on a cushion of air. And then there’s the “people”. They’re green. They have tentacles for hair. And they have only 4 fingers and toes on each hand or foot. Can anyone say, “Give me a high four”?
Posted in: Disc Reviews by David Annandale on October 30th, 2011
The Reverend Cotton Marcus (Patrick Fabian) has made a tidy living preaching the Gospel and working his specialty: exorcisms. But he has lost his faith and, along with it, his willingness to fleece the gullible. He does, however, acknowledge that an exorcism can prove psychologically beneficial if the recipient believes in the ceremony. All that said, Marcus wants out of the business, but he takes on One Last Case, and a film crew tags along with him to the backwoods (where else?), where the devout Louis Sweetzer (Louis Herthum) is convinced that his daughter Nell (Ashley Bell) is possessed. Marcus slips into his routine, but soon discovers that there is is much more afoot here than he could have imagined.
The first half or so of The Last Exorcism is not without interest. It does, in some ways, handle the faith-vs-reason question more interestingly than The Exorcism of Emily Rose, and it does a credible job of gradually building suspense. But as we approach the climax, the cracks in the found-footage conceit begin to show, and the resolution blasts straight past “frightening” and into “ridiculous” and makes nonsense of the entire mockumentary premise. Maybe it’s time to retire what is rapidly becoming a tiresome cliché. In the end, then, the film is a misfire, but kudos to Ashley Bell for her disturbing physical performance – she does all the back-breaking double-jointed shenanigans without the benefit of special effects.
Posted in: Disc Reviews by Gino Sassani on October 12th, 2011
"From the day we arrive on the planet and blinking, step into the sun, there's more to see than can ever be seen. More to do than can ever be done. There's far too much to take in here. More to find than can ever be found..."
There's a period in the 1990's that has often been referred to as the second golden age of Disney animation. The studio had fallen from its once mighty perch, and most film historians tend to agree there was a creative dark ages through the 1980's. But the renaissance of the studio began with Aladdin in 1992 would go on to include such tremendous classics as Beauty And The Beast and The Little Mermaid. None of these films speak to the resurgence of the animated feature like The Lion King. The film set every animated record there was and holds some of those box office records today. It can be safely stated that the great flood of animated projects that followed can be traced to the impact of The Lion King. In 1996 Simba was the most popular name chosen for new housecats. Elton John saw his appeal extend to children, and there could be no mistake that the animated feature was back.
Posted in: Disc Reviews by William O'Donnell on October 8th, 2011
Two young filmmakers from New York city, Ariel Schulman and Henry Joost, start documenting the burgeoning relationship between their roommate (and brother in the case of Ariel) Nev and a family from Michigan. Said relationship exists only through online correspondence and phone calls. As a romance seems to be arising between Nev and Meghan, who is oldest daughter in the family, the filmmakers decide to make a trip to meet the family in person.
As the months pass, the story becomes so elaborate and strange that many critics have questioned the authenticity of this film as a documentary. I personally find it is worth looking past any doubt or beliefs and simply enjoy the mystery bubbling under the surface of the romance plot, as well as surprising level of pathos and intriguing character drama one receives from this story.
Posted in: Disc Reviews by David Annandale on September 27th, 2011
In the wake of the financially successful but critically drubbed Transformers: Revenge of the Fallen, Michael Bay and company return to the fray with this considerably more coherent exercise. Given that this movie committed to advancing the cause of 3D like no other film since Avatar, the question arises as to how well its visual splendour and over-the-top technological extravagance will translate to home video. The answer is: pretty damn well.
Following the events of Transformers: Revenge of the Fallen, the Autobots are working hand-in-mechanical-glove with human authorities (in other words, the apparently all-powerful CIA), keeping close watch for Deception activity, but also helping out in human-on-human conflicts. Meanwhile, Shia LaBeouf has traded in improbably hot girlfriend Megan Fox for the equally improbable Rosie Huntington-Whiteley (an improbability that the script does have some fun with). He is also out of work and dismayed at not being given due consideration as a saviour of the planet.
Posted in: Disc Reviews by Michael Durr on September 18th, 2011
Fight Fans welcome. We have for you today in the center of this ring, the story of four young men from different backgrounds but who have all come to fight in the Beatdown. The Beatdown is a place where passion can fuel the desire of the fighters to become the very best. But, there are many obstacles in their way in life and in the ring. What exactly will happen and how many broken bones will take place? Join me in the cage and we shall experience, Never Back Down 2: The Beatdown.
Are you ready?, I said are you ready? Then for the thousands in attendance (or just me and two nervous cats) and the millions (or possibly dozens) watching around the world (okay domestic United States and possibly Canada), let's get ready to go down the cast page and story plotline. We have some interesting characters tonight and there is no way you can follow the action if you don't have a program to go by. Programs are sold at the door and are available at www.donttakethisseriously.com.
