Posted in: Disc Reviews by Archive Authors on September 22nd, 2005
This is the kind of film that usually comes from the English or the French... not the Germans. Let's face it, Germany is not known for a stable of modern intellectual comedies. If you need a beer, or a fine automobile, you go to the Germans. If you need an entertaining art film, you go to France. Still, this is a film that bucks the trend... and will hopefully start a new one.
The Schultze of the title is a retired German miner that finds himself lost in his newfound abundance of free time. Eventually,...he turns to his accordion playing as a release from the banality of everyday life. This pursuit eventually leads him to discover Louisiana Zydeco music, and his world is turned upside-down. If you have seen About Schmitt, then you are on the right track with the tone of this film. Personally, however, I preferred this picture much more than the Jack Nicholson vehicle.
Posted in: Disc Reviews by Archive Authors on February 10th, 2005
Films like Crimson Tide, Hunt for Red October and U-571 have tried on their own ways to take their place as the definitive modern submarine movie, but Das Boot still stands as King, over 20 years after its release. I remember hearing about this film growing up, and as a lad of 10, wasn’t into foreign films, or war films, as I am now, which may not be saying much. In seeing it when the Director’s Cut first came out in 1997, many people snapped up the 5.1 soundtrack, and Director’s Commentar... which was on the flipper disc. In my first viewing, I became enamored by the experiences of German war correspondent Werner (Herbert Gronemeyer), as he watches the transformation of the baby faced crew of the U-Boat transform into unshaved, withdrawn men and the end of their journey in the 10 foot wide by 150 foot long submarine.
Jurgen Prochnow (Air Force One) is the Captain of the sub, who has become jaded from hearing the numerous failures of the sub, and while he does follow orders, and attempts to attack an Allied shipping convoy, the mission is almost one of survival. Doing what you can to stay sane, almost civil, during the time in cramped quarters. When his (and other) boats encounter the Allied ships, the chase is sonically powerful, with loud depth charges booming in the water, rattling the metal chassis of the sub, along with the contrasting quiet of the crew, hoping to avoid the ships above them. Wolfgang Petersen (The Perfect Storm) does an outstanding job of portraying the cramped quarters, the decaying morale of the crew, and all of the suspenseful elements up to, and including, their trip home.
Posted in: Disc Reviews by Archive Authors on July 17th, 2004
I am sure that many consumers have noticed the disturbing trend taking place in DVD land with regard to the same movie being released in multiple versions. This practice, commonly referred to in the industry as “multiple bites at the apple”, is a cheap way for studios to persuade consumers to buy movies that they already own over and over again, since each new release offers some sort of extra upgrade from the previous versions. Even those of us in the DVD community sometimes get burned on this type of thing, as ther... is not always a way to tell if we should purchase a product when it is new, or wait for a few years, in the hopes that a better version will come along. Adding to the frustration is the fact that on some occasions, versions are so different that consumers actually want to own multiple versions of a film. This is the case with the Lord of the Rings films, as the extended editions are quite different from their theatrical counterparts. Arguably, the upcoming Kill Bill releases will merit this kind of double purchasing as well.
Das Boot is also one of those films that has fallen victim to the practice of multiple releases. Originally, the film was released in a standard American theatrical version. It became such a hit with movie buffs, however, that an extended Director’s Cut was issued as well. Following this release, a separate Superbit edition of the Director’s Cut hit the shelves. All versions sold well, and the legend of Wolfgang Peterson’s epic film about a German submarine crew during World War II continued to grow. As more and more people saw this film, word started to circulate about the existence of a massive five-hour version of the film. Being a town that never misses a chance to make a buck, Hollywood listened to the ramblings, and in 2004, the complete epic was finally released on DVD.
Posted in: Disc Reviews by David Annandale on September 20th, 2003
Synopsis
Posted in: Disc Reviews by David Annandale on June 17th, 2003
This is closer to a being a tone poem than a narrative, so there is hardly any plot as such. We move through Berlin in the company of angels. They can hear our thoughts, but they cannot interfere or feel the physical world. Two of the angels -- Damiel (Bruno Ganz) and Cassiel (Otto Sander) are increasingly disenchanted with their existence, and Damiel, falling in love with a trapeze artist, wants to become mortal. This simple story is built on very gradually, and most of the film consists in our hearing the innermost thoughts of various characters, and all these thoughts are presented in poetic (often elliptical) words. The cinematography is quite extraordinarily beautiful.
Audio
Posted in: Disc Reviews by Gino Sassani on April 7th, 2003
Synopsis
