Posted in: No Huddle Reviews by Michael Durr on May 10th, 2023
One of my favorite movies of all time is Se7en. Morgan Freeman, Brad Pitt, and Kevin Spacey star in this amazing film about a senior and rookie pair of cops on the hunt for a serial killer who is murdering victims depicting the seven deadly sins. It's so breathtaking, and so long overdue for a 4K release, it's ridiculous. It has also led me when I receive packages to blurt out, "What's in the box?" in the deadpan tone that Brad Pitt uses in the movie. So naturally, whenever I hear of a film that draws comparisons to this fine film, my head certainly does a double take. Enter Hinterland. In this film, Peter Perg who just came home after World War I, is searching for a serial killer who is taking out former soldiers in a very ritualistic pattern. Let's check it out.
The film opens with some background. World War (I) is lost. Austria, once a proud major power, is turning into a small and insignificant state. The emperor has stepped down, and now Austria is regarded as a republic. The soldiers who have come home realize that nothing is as it was before. What's worse is that some of those soldiers did not return until years later (prisoners of war).
Posted in: No Huddle Reviews by Michael Durr on May 8th, 2023
Films about World War II and Nazism are hard for me to watch. No matter how well-intentioned they may be, I can barely make it through Schindler's List or Dunkirk or even something like Inglorious Bastards (I do, however, find The Producers to be hilarious). Most of the time, it hits a little too close to home. For you see, my Polish grandfather (may he rest in peace), his parents were taken away to a concentration camp. So anytime I watch a film set in that time period, I think, well, what if he had been taken away. It's not like those horrible people showed any sort of restraint on children, and then where would my grandfather be? Or my mother? Or myself? Anyway, I got lured into Chess Story by the promise of a thriller with the game of chess as the backdrop. Unfortunately, by the end I was reminded of the horror, but also that there is still great modern moviemaking even with Nazis. Let's take a look.
We hear whispers all around from every direction, and there is a light crackling overheard. It continues until it fades to black.
Posted in: Disc Reviews by Gino Sassani on October 28th, 2011
"That be the cold hand of fate I feel down my nape."
With each of the previous Pirates Of Caribbean films pulling in over a billion dollars in total revenue, it was indeed the cold hand of fate that determined the franchise would not end. Like Captain Jack Sparrow himself, this franchise isn't going to be easy to kill. It's true that the last two films, the third in particular, were rather universally scorned by the critics. But they still pulled in a boatload of money and quite honestly weren't near as bad as all of that. Like the theme park attraction that the franchise was named after, you have to consider these movies as rides. The only intention is to entertain. And by all accounts they've been doing a pretty good job of that for several years now. Even when the rest of the supporting cast bowed out of the franchise, it isn't finished yet, and there's no indication that the voyage is nearing its end any time soon.
Posted in: Disc Reviews by Michael Durr on September 26th, 2011
The Durr household often enjoys a good vampire flic to warm the candlelight around the old HDTV (hey, shouldn't I be writing this for the 31 days of October delight?). The taste of blood, the price of your soul, nothing can prepare you for the demons that are right outside your door. Sure, they can promise you sexual pleasure and immortality but that blood is really hard to get out of your clothes. This evening we explore the title We Are the Night featuring four ghoulish women on the cover. Will they sate our palette for blood or perhaps share with us grooming tips? Let's find out.
We open up to a plane on auto-pilot that is witness to a horrifying display of murder and blood letting. Three girls, Louise, Charlotte, and Nora (played by Nina Hoss, Jennifer Ulrich, and Anna Fischer respectively) survey the damage. Unfortunately, none of them really know how to fly a plane, but that's what they get for killing the pilot. They get ready for their departure but Louise hears one more voice from the back of the cabin. She finds a stewardess and looks deep into her eyes before snapping her neck. The three women soon depart for the ground below.
Posted in: Disc Reviews by Gino Sassani on November 9th, 2010
His name was Fleming, Ian Fleming, and he would go on to create the most famous spy in literary history. James Bond would actually be based on Fleming's own experience in Her Majesty's Secret Service. But Fleming had another side. It's hard to believe that the man who gave us such ubervillians as Dr. No and Goldfinger brought us one of the most enchanting children's stories of our time. Chitty Chitty Bang Bang's bond association doesn't end with its celebrated author. Albert "Cubby" Broccoli might have been just as instrumental for the success of Bond as Fleming himself. It was Broccoli who saw the potential and snapped up the rights to the spy series. He turned it into the famous Bond film series that still carries on the same traditions today, only at the hands of his daughter Barbara Broccoli. So it is only fitting somehow that Cubby would be the one to bring Fleming's children's story to life in movies, as well. The Bond associations don't end there. Director Ken Hughes brought us Casino Royale. The comic villain of the movie would be almost unrecognizably played by Gert Frobe, none other than Auric Goldfinger himself.
MGM has long been known for its epic musicals. The studio had a reputation for sparing no expense while delivering some of the most sweeping musical films known to mankind. Complete with complicated dance numbers and casts of thousands, the MGM grand-style musical was once something to behold. But Chitty Chitty Bang Bang wasn't really the model for these impressive spectacles at all. In fact, this movie follows more closely the Walt Disney model that it is one of the most misidentified films in the popular conscience. In a survey taken in the 1980's, only 1 out of 4 respondents correctly identified the film as an MGM production. The rest were confident that Uncle Walt and his Mouse House had given us the popular children's musical.
Posted in: Disc Reviews by Gino Sassani on November 4th, 2010
"The Toys Are Back In Town"
That's right. All of your favorite toys are back in Pixar's latest great film Toy Story 3. This time the toys are dealing with the inevitable. Andy (Morris) is about to go off to college. It's been a long time since he's played with his friends, and they are getting desperate and worried they will get tossed away. Although Andy bags them to be stored in the attic, a misunderstanding sends them to the curb and a date with the garbage truck. After that close call they decide to get themselves donated to Sunnyside Daycare, where they hope to live out their lives with tons of children to play with them. But things aren't all that sunny at Sunnyside. The place is ruled by the iron paw of Lotso Bear (Beatty) and his cronies. The bad guys include Big Baby. He and Big Baby once were accidentally abandoned by their owner and Lotso was replaced, making him bitter. Now the toys have to escape the armed camp of Sunnyside.
Posted in: Disc Reviews by Gino Sassani on August 18th, 2010
"I remember once going on a school trip to the top of the Empire State Building. When I looked down at the crowds of people on the street, they looked like ants. I pulled out a penny and some of us started talking about what would happen if I dropped it from up there and it landed on somebody's head. Of course, I never crossed that line and actually dropped the penny. I don't think Early Grayce even knew there was a line to cross."
Posted in: Disc Reviews by Gino Sassani on April 16th, 2010
Remakes are a fact of life. It might seem now more than ever that we are plagued with this reality, but it's been true for a very long time. It's not so new, as you might expect. Even the lauded Cecil B. Demille The Ten Commandments was a remake of his own silent 1923 film. They've existed almost as long as the movies themselves and will continue to exist for the foreseeable future. So, the question should be: Why should a particular film be remade? Often technology catches up with the content in a film. The ability to create on the screen something that was simply impossible originally is a legitimate reason to tackle an older film. Sometimes the movie is so powerful that it bears retelling for a new generation.
But then there are the reasons why a film should not be remade. There are some classics that simply should be off limits forever. Would anyone even dare attempt to remake The Godfather? There are those films that are just not worth being remade. How many versions of Piranha do we really need? Then there are the films that are remade in title only, like the 1999 version of The Thomas Crown Affair.
Posted in: Disc Reviews by Gino Sassani on March 12th, 2010
"Perseus and Andromeda will be happy together. Have fine sons... rule wisely... And to perpetuate the story of his courage, I command that from henceforth, he will be set among the stars and constellations. He, Perseus, the lovely Andromeda, the noble Pegasus, and even the vain Cassiopeia. Let the stars be named after then forever. As long as man shall walk the Earth and search the night sky in wonder, they will remember the courage of Perseus forever. Even if we, the gods, are abandoned or forgotten, the stars will never fade. Never. They will burn till the end of the time."
Talk about your perfect storm. You take the master of stop motion technology, Ray Harryhausen, and you combine those creature animation talents with one of the oldest stories surviving today in Perseus and Andromeda. How can the combination not be magical? The story has always been a favorite of mine, likely because I was born on the Summer Solstice, the critical moment of this story. I was preordained to love this film. The truth is that this film never got quite the recognition it so richly deserved. Now, on the cusp of a computer generated remake, it was my unmitigated privilege and joy to watch the original 1981 film in the glory of high definition.
Posted in: Disc Reviews by Gino Sassani on February 4th, 2010
"There are stories a river can tell. And truths it cannot hide. There are ways it brings us together that we may never see, connecting us with places never suspected. Places like fear, like betrayal, like murder."
One thing you have to say for Clint Eastwood. In his later years as a director and producer of films, maybe from Unforgiven onward, he has selected some of the most compelling stories for his film projects. You get the sense that he hasn't been in this for the money in a long time. You easily believe that he doesn't make a film unless it reaches him completely and deeply. Think about his most recent films: Letters From Iwo Jima, Flags Of Our Fathers, Gran Torino, Unforgiven, and yes, Mystic River. He's turning 80 now, and so he's not what you would call prolific anymore. It's as if he understands there are only a finite number of films left that will bear his name, so he has decided to make every last one of them count. Someone once joked that when Clint Eastwood asked him to be in a movie, the actor asked how much money for the part. When Clint said, "Only $100,000." The actor quickly replied, "Who do I make the check out to?" There's a level of respect and reverence that goes beyond his steely look and terse one-liners. Getting a part in a Clint Eastwood movie seems to make everyone "feel lucky", and it always "makes their day". I'll never get to play a part in an Eastwood film, of course, but those same remarks apply to me or anyone who is about to sit down to an Eastwood film, whether he's actually in the movie or not. Mystic River is no exception.
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