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Ghost Town, the new romantic comedy from writer-director David Koepp, succeeds in not only introducing its British star Ricky Gervais to a wider audience but also in telling a simple, familiar story with an addictive charm all its own. Gervais plays Jack Nicholson in As Good As It Gets without the extreme OCD. What he lacks in this, however, he makes up for in his hatred of humanity.

The Longshots is one of those sports films that in many ways you see coming from miles away. It certainly feeds upon that against all odds sports cliché that you’ve likely seen a hundred times if you’ve seen it once. But in so many other ways, this is a story with more than a champion’s heart and courage. In many ways it’s about family and redemption. While the film is based loosely on the story of Jasmine Plummer,

July 18th, 2008. The movie: The Dark Knight is unleashed into the world. The budget is large but the profit generated was so much larger. After amassing nearly a billion dollars in revenue, the Dark Knight is considered the most successful film of 2008. Many wished to focus on Heath Ledger’s death as a major source of the generated revenue. However, the film benefited from strong performances from its cast and production crew. This tied into the fact that Heath Ledger put on an Oscar worthy performance and his unfortunate overdose made the movie huge. So, if you are one of the eighty people who have not seen this movie (78 of which are living outside of the United States), please step inside for the 2-disc review of the Dark Knight dvd, a must own for the holiday season.

The worst thing about The Chronicles of Narnia: the Lion, the Witch and the Wardrobe is that it followed the most successful fantasy film trilogy of all time. Just two years after Return of the King blew us away in theatres and swept the Oscars, and only one year after the flagship Extended Edition release set a new standard for DVD excellence, ‘Wardrobe promised the return of high fantasy to theatres near us. Unfortunately, it proved to be nowhere near adequate for any Lord of the Rings comparison. It was sweet, non-threatening and even a little campy, where Peter Jackson’s films had been majestic, serious and polished – one fluffy, the other dramatic.

When The Chronicles of Narnia: Prince Caspian hit theatres in late 2007, I hoped it would offer a more mature Narnia, but I wasn’t too optimistic (these are supposed to be child-friendly, after all). Imagine my pleasant surprise early on when Trumpkin uttered this to the four child heroes: ”You may find Narnia a more savage place than you remember.”

Most women would consider Matthew McConaughey a hot guy. Hubba, hubba, the whole nine yards. Typically when he stars in a new motion picture, women flock to see the show for him to walk around for ninety minutes preferably with his shirt taken off and speaking romantic to some leading lady. For those ninety minutes, those women wish that they were in his arms, they were in his touch. But what if Matthew was portraying an out of work treasure hunter, broken down on his luck and owing some guy named Bigg Bunny a whole lot of money? I think this will all depend on whether his shirt is coming off or not.

There have been many films about the Vietnam War. Some have been epic. Some have been emotional. Some have even been very bad, but now comes one that is absolutely funny. Are we ready for this kind of a send up? That might be the overriding question, but I think that we are. Tropic Thunder took the chance that the public was ready to accept such a film and be able to enjoy it. To soften the blow, it was likely a good idea that the film doesn’t address the war in itself. The film takes aim at movies about the war, and in an extension of that theme it pokes a lot of fun at Hollywood.

Very much in the tradition of such other overheated Mexican emotional dramas as Amores Perros and Y Tu Mamá También, Drama/Mex gives us two intertwining plot strands, each dealing with relationships as tormented as they are sexual. In one, upper-class Fernanda’s bad boy ex-lover Chino resurfaces, takes her violently, but she doesn’t exactly hate it, and this has, as one might imagine, some awkward consequences for her relationship with current boyfriend Gonzalo. Meanwhile, a middle-aged man, guilt-ridden over what he has done to his daughter (take a guess), is contemplating suicide when he runs into a precocious teenage hustler. In other words, basically enough material to give Sarah Palin a fatal coronary.

To start with I give Spielberg credit for going against the wishes of Lucas to film this thing in digital. Not only did he attempt to reproduce the same film stock look, but he edited the film, not on a computer, but an old movieola. The attempt to make this look like the other films is obvious and appreciated. Some of the sets are simply incredible. The Akator set is massive and dressed with all kinds of detail. It conjures up images of many of Indy’s tomb-raiding past. Again you have to credit Spielberg for wanting his actors in a real place as often as he did.

I like Mike Myers. I think he’s really talented, and I’ve enjoyed him in films like Wayne’s World, So I Married an Axe Murderer and Austin Powers: International Man of Mystery. That’s why I didn’t want to see The Love Guru. Seeing the trailers for this latest Myers project, I had the distinct feeling it was going to be a black mark on his filmography.

What an understatement — 20 minutes into The Love Guru, I wanted to punch Mike Myers in the face.

“Who? Or What is the newest, most breath-taking, most sensational super-hero of all?”

That was the question asked on the cover of Marvel’s Tales Of Suspense issue number 39. Pictured with that buildup was a character quite different from the Iron Man that we would come to know and love over the next 40 plus years. He was all silver and appeared to be wearing combat boots. He was not very slender, and you could almost hear the clunking as he moved.