Posted in: Disc Reviews by Gino Sassani on April 6th, 2009
“A dog has no use for fancy cars, or big houses, or designer clothes. A waterlogged stick will do just fine. A dog doesn’t care if you’re rich or poor, clever or dull, smart or dumb. Give ‘em your heart and he’ll give you his. How many people can you say that about? How many people can make you feel rare and pure and special? How many people can make you feel extraordinary?”
In the name of full disclosure, I should probably give you a little background in the circumstances in which I find myself watching and reviewing Marley & Me. If you’re a regular reader of this site and my reviews, you have come to learn that I have a Siberian Husky named Athena.
Posted in: Disc Reviews by Gino Sassani on April 6th, 2009
If you can’t see where this thing is going after 10 minutes, check your forehead for lobotomy scars. I strongly suspect that everyone associated with this film, from the writer to the actors to the money people who thought this was a good idea, all have matching scars. The box art claims that someone from Bloody Disgusting calls this the best time travel movie of all time. What?! Either that guy was taking some serious medication at the time, or he was paid off, or his sister worked on the film in some capacity, or he’s actually managed to never see films like
Posted in: Disc Reviews by Gino Sassani on April 6th, 2009
“The crime you see now, it’s hard to even take its measure. It’s not that I’m afraid of it. I always knew you had to be willing to die to even do this job. But, I don’t want to push my chips forward and go out and meet something that I don’t understand. A man would have to put his soul at hazard. He’d have to say, ‘OK. I’ll be a part of this world’.”
We all know by now that No Country For Old Men became last year’s “must see” Academy Awards Best Picture.
Posted in: Disc Reviews by Gino Sassani on April 1st, 2009
For first time screen writer Allen Loeb, Things We Lost In The Fire is quite an ambitious script. It relies almost completely on the writing and the performances that can be gotten from the acting leads. There’s really no place to hide in this story for anybody. And while I certainly found several elements of the story forced or contrived, there was an underlining emotion to the whole thing that carried through strong enough for the actors to find some very solid grounding. With that grounding Halle Berry and Benicio Del Toro delivered what should have been award winning performances.
Posted in: Disc Reviews by Athena on March 23rd, 2009
Hi, Athena here. Well, this is going to be my last post for the doggie movies at Upcomingdiscs. Gino says it’s time to retire. He says my investments need to be cashed in so I can take it easy, before they’re all gone. I guess that means someone’s trying to eat up my treats. They better watch out or I’m going to go Siberian Husky all over them. I may be 14 years old and a little slow, but my teeth work just fine. Just ask Baby. She’s the newest member of the family here, and I had to let her know who the boss is right away, if you know what I mean.
Posted in: Disc Reviews by Gino Sassani on March 4th, 2009
Is it me, or have we been getting a lot of talking animal movies of late? I suspect the use of the CG technology that exists today lends itself to this kind of film. You might even make the argument that it hasn’t really been any different than the talking animal cartoons that have been with us forever. It’s just that now we can make live action dogs, or any other creature, for that matter, appear to be talking in a fairly realistic way. And as far as the use of that technology, Beverly Hills Chihuahua certainly blends the CG and live action footage seamlessly enough. And while I can’t really find much fault with this movie, it just seems like I’ve seen and heard it all before, a little too often as of late.
Posted in: Disc Reviews by Gino Sassani on March 3rd, 2009
“Did you pick your feet in Poughkeepsie?... Have you ever been to Poughkeepsie?... When you were in Poughkeepsie, you sat on the edge of the bed, didn’t you? You put your fingers between your toes and you picked your feet…. If I can’t bust you on this other thing I’m going to bust you for picking your feet in Poughkeepsie.”
There can be no argument on this point. The 1970’s was a golden age for the cinema. When you think about the iconic characters and films the decade produced, it’s hard to contradict the point.
Posted in: Disc Reviews by Gino Sassani on February 25th, 2009
In 1913 Marie Belloc Lowendes wrote the novel that this film was based upon. She claimed to have once met a woman at a dinner party who claimed to have had Jack The Ripper as a lodger at her boarding house. Lowendes never tried to verify the claim, or learned anything else about the incident, but it did cause her to do some research on the infamous killer. The result combined with that simple encounter’s claim became a best selling novel. It would be adapted to film not once but several times, including a film by Alfred Hitchcock.
Posted in: Disc Reviews by Gino Sassani on February 25th, 2009
There is an old saying that in the land of the blind, the one-eyed man is king. Don’t tell that to Julianne Moore’s character. In this quasi science fiction morality tale, her character learns that it’s not what you can’t see that will hurt you, rather what you can see. This is a very dark film that takes an incredibly cynical look at humanity. She’s the only seeing person in an isolated group of mysteriously blind people. The film is obviously told from her perspective, as anyone else’s would be impossible to present, at least on film.
Posted in: Disc Reviews by Gino Sassani on February 24th, 2009
“Safety is the greatest risk of all, but safety leaves no room for miracles, and miracles are the only sure thing in life.”
Spike Lee finds a noble cause in the experiences of the Buffalo Soldiers, fighting in Italy during World War II. There’s no question that history hasn’t always dealt fairly with the contributions the black soldiers have made on the battlefields that have, at times, defined our nation.