Posted in: Disc Reviews by Archive Authors on September 25th, 2007
If you told me about a film by the screenwriter of Forrest Gump, The Insider and Munich, and the director who brought us L.A. Confidential, I'd say bring it on. If you went on that it was set in the high stakes world of professional poker, I'd be excited. But then you'd say it's a romance starring Eric Bana (Troy) and Drew Barrymore (Never Been Kissed). I'd begin to doubt. Then I'd think back to The Insider, and tell myself a great script is the only way to make a great film.
Then I'd watch Lucky You and realize even a great screenwriter can turn out a clunker. But maybe there'd be hope for the DVD?
Posted in: Disc Reviews by Archive Authors on September 24th, 2007
2004 brought moviegoers two big-budget historical epics in Oliver Stone's Alexander and Wolfgang Petersen's Troy. One bombed. The other performed well, but was by no means heralded as a critical success. No, Troy was praised for slick production values and exciting battles, but derided for a lack of emotional depth.
Can it all be blamed on running-time constraints and compromises made for the ratings board? The answer is here, with the unrated Troy: Director's Cut, Petersen's second shot at eternal glory, this time with more than 30 minutes of additional footage.
Posted in: Disc Reviews by Archive Authors on September 18th, 2007
As any respectable history professor will tell you, if you want to learn about our past you should watch Hollywood historical fiction. That explains why MGM’s College Essentials: History 101 features Platoon – Special Edition, Windtalkers and Dances With Wolves. All three are clearly excellent examples of thoroughly accurate representations of historical conflicts, right?
Alright, so maybe educational impact isn’t the intention here. This is just MGM’s way of unloading some sub-par discs on unsuspecting buyers. What’s wrong with getting three movies for the price of one, you ask? Nothing. Unless one disc is out-dated and the other two should be incinerated by a giant laser.
Posted in: Disc Reviews by Archive Authors on September 16th, 2007
Every time I long for the free and easy days of my youth, something like Disney Princess Enchanted Tales comes along to remind me why it's good to be done with childhood. If I was a kid, I'd be entertained by this stuff. Since I can no longer appreciate kid-friendly, sitcom-like productions, I will imagine I'm a seven-year-old girl for the remainder of this review. In order to keep things nice and coherent, though, I'll write like I'm not.
All you need to know about this original release from Disney is that it's Disney-lite, with lower production values and more heavy-handed stories. However, I'm sure it will please children, especially those who love all things princess.
Posted in: Disc Reviews by Archive Authors on August 31st, 2007
I don’t care what anyone thinks, A Night at the Roxbury is awesome. Back when Will Ferrell and Chris Kattan would do the skits on Saturday Night Live I loved it, and when the movie came out I pumped. This was back when I was barley a teenager and for me, this one has still got it. The hard part is explaining why this movie is so funny to me and its cult following. It has no real story, character development, etc. But still it manages to keep me laughing, time and time again. I’ll get more into that later, for those of you who haven’t seen A Night at the Roxbury I’ll play it out for you.
It doesn’t really get much simpler than this; Doug (Chris Kattan, Corky Romano) and Steve (Will Ferrell, Blades of Glory) Butabi (Are they brothers? No…. Yes!) love the nightlife, and aspire to be club owners. The only thing is they can’t ever get into any clubs despite there flashy threads and their dad’s BMW. Until one night a chance accident with Richard Grieco (21 Jump Street) leads them into the doors of the infamous Roxbury. Here they meet the clubs owner Benny Zadir (Chazz Palminteri, Running Scared) and hit it off with him and some club girls. The girls of course think they have money, and spend the night with them at Zadir’s house party. The Butabi’s pitch an idea for a club to Mr.Zadir that he loves, but apparently the next morning his assistant Dooey (Colin Quinn, Saturday Night Live) says that wasn’t the first time he picked up some losers and dumped them the next day. Everything seems to be falling apart for the Butabi brothers, can they get it together? Wow that makes this movie sound a whole lot more dramatic than it is.
Posted in: Disc Reviews by Archive Authors on August 17th, 2007
Are We Done Yet? That's not just the title of this film, it's a form of the question you'll be asking repeatedly during the film's runtime, until you eventually reach a climax of desperation and cry out for all to hear, "For the love all that is good and pure in this world, when will it end?" Not soon enough, my friend. Not soon enough.
Should you find yourself watching this torturously stupid sequel to 2005's Are We There Yet?, all I can say is, you should have known better. While opinions about movies are subjective, this one's a special case that allows me to say with 100% confidence: if you liked Are We Done Yet? you deserve a big ol' smack upside the head.
Posted in: Disc Reviews by Archive Authors on June 20th, 2007
Shooter is closely based on Point of Impact, an excellent novel by thriller writer Stephen Hunter. I read the book in the late 90’s, and enjoyed it. A lot. When I began seeing trailers for this film last year, you can bet I was excited at the prospect of seeing Bob Lee Swagger come to life on the big screen, even if it had to be “Marky” Mark Wahlberg in the role.
The film updates Hunter’s story to present day, shifting Vietnam to Iraq and villains to mercenary pawns of thinly veiled Dubya coho...ts. Otherwise, it’s fairly true to the story structure in the novel, which is a good thing in my book, but obviously the movie has to play well on its own. I’d call this one entertaining overall, but uneven – some parts are terrific, others drag it down.
Posted in: Disc Reviews by Archive Authors on May 27th, 2007
Synopsis
Steven Soderbergh has done a successful job of leveraging his reputation through the years in order to experiment with various directorial techniques and styles. With mainstream successes like Erin Brockovich and Traffic, he’s managed to keep in the spirit of anindependent film, producing stellar, less visible works like Bubble and a remake of Tarkovsky’s Solaris. Many of his works over the last few years have been with George Clooney, who starred in Solaris and < ...>Ocean’s Eleven, and was Soderbergh’s partner in a production house that released their own pieces of cinema. So Clooney and Soderbergh team together on film once again for The Good German, Soderbergh’s ode to ‘40s noir films.
Posted in: Disc Reviews by Archive Authors on May 26th, 2007
This just in: Hugh Grant stars in yet another formulaic romantic comedy. Having polished his shtick in such films as Nine Months, Notting Hill and Two Weeks Notice, I’m betting Grant barely had to pay attention on the set of Music and Lyrics.
Rom-com fans will find Grant’s turn with lovable Drew Barrymore (Fever Pitch) more than palatable, I’m sure. Heck, I enjoyed Music and Lyrics, in the way one appreciates the occasional handful of those tiny marshmallows in a mu... of warm cocoa. The film is absolutely formulaic, but it succeeds moderately thanks to the good on-screen chemistry of its star-blessed lovers.
Posted in: Disc Reviews by Archive Authors on May 25th, 2007
Portions of this review have been "borrowed" from Brendan Surpless' recent review of the HD-DVD version of the disc, which can also be found on the site.
Synopsis
