Posted in: Disc Reviews by Michael Durr on May 14th, 2007
Synopsis
Meeska Mooska Mickey Mouse! (tell me you just didn't say that) So what happens to a 31 year old adult who sits through a show alone that is geared towards children who might not even be in grade school yet? Besides binge drinking & wondering why he doesn't have a date this weekend? Apparently some good wholesome family entertainment. I was actually a little surprised how decent this was after twenty minutes into the program.
Posted in: Disc Reviews by Archive Authors on April 5th, 2007
This winner of the Oscar for best animated feature of 2006 is one fantastic movie.
Happy Feet is the story of Mumble, a teenager who - thanks to his daddy dropping him early on in life - is mildly physically challenged. You see, Mumble can't sing like other Americans - he can only dance. As a result, he has never fit in with his people. When he accidentally crosses the border into Mexico, his disability and greater height over the small, energetic Mexicans earn him a sort of respect. With his newfoun... friends, the teen heads back to the U.S. to trick the girl he loves into believing he's no longer challenged, Cyrano De Bergerac-style. While she admits she'd be happy if it were true, she quickly exposes his lie. Fortunately, Mumble owns up to it and goes back to being himself, with gusto.
Posted in: Disc Reviews by Archive Authors on April 1st, 2007
I’ve always been fascinated by ocean life much more than space. Sure, planets and stars are cool, but growing up I was reading books about sharks, not supernovas. That interest in the wonders of the sea has never really faded, so you can imagine that I was pretty stoked to watch IMAX: Deep Sea.
Unfortunately, I missed this one in theatres when it was IMAX: Deep Sea 3D. The only thing three-dimensional about this DVD release is the sweet lenticular slipcover. If you stare at the cover while you turn it slowly, a shark appears to swim up to have you for lunch. Nice.
Posted in: Disc Reviews by Archive Authors on March 29th, 2007
Pedro Almodévar is a big deal in Spanish film, and well respected worldwide by those in the know. Almodévar - director, screenwriter and producer - has had major success with films that explore complex themes and favor female characters. His latest, Volver, remains true to those qualities.
Starring Penélope Cruz (Vanilla Sky), Carmen Maura (Comunidad, La) and Lola Dueéas (The Sea Inside), Volver is a film about female resilience, and the power of death over life. Raimunda (Cruz) is a hardworking mother with a lazy husband and a teenage daughter, Paula. When Paula's dad drunkenly approaches her for sex, claiming he's not really her father, she accidentally stabs him to death. Raimunda, taking charge and protecting her daughter, cleans up the mess and hides his body in the freezer of her neighbor's nearby vacant restaurant, which she's supposed to be minding.
Posted in: Disc Reviews by Michael Durr on March 25th, 2007
Synopsis
Family pictures usually miss when viewed by a lonely dvd reviewer who has nothing better to do on a saturday morning. There are no kids to laugh at the bad jokes and slapstick mayhem, there are no wives to go awwwww and marvel at the cute kids. All that one man can hope for is a decent lead who provides thought provoking characterisms and smart laughs. Wait, I'm watching Are We There Yet?, so I have pretty much no chance of that. Are We There Yet? is the stor... of Nick Persons (played by Ice Cube) who just bought a Lincoln Navigator (good blatant advertising to start a film off of) and works at the local fine sports collectibles shop. One day he spots a fine woman ( Nia Long as Suzanne Kingston) and wants to ask her out until he realizes she has two kids (been there, done that) Lindsey and Kevin (played by Aleisha Allen and Philip Bolden respectively. After another brief encounter he decides to pursue her anyway and gets introduced into the friend zone. He tries to break out of the zone and is unsuccessful until an opportunity arises when somebody is needed to escort the kids to meet her in Vancouver for New Year's eve. So from there, we get Ice Cube and two terrible kids in and out of a Navigator for an hour and a half. Hilarity, mayhem and a single dvd reviewer who wishes to impale himself with blunt objects ensue.
Posted in: Disc Reviews by Archive Authors on March 24th, 2007
Children are the future. They're why we strive to make the world a better place, or at least to maintain the world we've got. But what happens when there are no more children, when there is no future?
That's the context for Children of Men, the latest film from director phenom Alfonso Cuarén (Harry Potter and the Prisoner of Azkaban). Based on the novel by P.D. James, Children of Men is set in 2027, our near future. There are no flying cars, or space-suit clothes. In fact, the world appears pretty rundown, and the reason for its shabby state is the most striking difference between our present and the film's - humankind is infertile.
Posted in: Disc Reviews by David Annandale on February 27th, 2007
A small town is being terrorized by a gang of thugs who use extortion and violence to buy up all the businesses. The only person who tries to stand up to the gang is the sheriff, but then he meets a violent end. His son (Kevin Sorbo), who, one gathers from vague references, has military training, shucks his apathy, dons his father’s badge, and sets out to clean up the town.
The cover art is hilariously misleading, in that it shows what appears to be Sorbo leading his posse for the titular payback. But those folks behind him are actually the villains. Whatever. At any rate, this follow-up to the remake starring The Rock is mildly entertaining, but no more. Sorbo has little of Dwayne Johnson’s screen presence or sense of humour, and the storyline is utterly by-the-numbers. So routine is it, that the lack of action set-pieces really makes itself felt. On the upside, AJ Buckley is so completely unpleasant as the primary villain that he kicks the film to a semblance of life.
Posted in: Disc Reviews by Michael Durr on February 18th, 2007
Synopsis
The filming world seems to be full of un-original ideas. Everything from endless sequels to the same types of films repeated and repeated until one falls into a deep dark slumber. The Quiet staring Elisha Cuthbert(24, Girl Next Door) as Nina Deer & Camilla Belle(When A Stranger Calls) as Dot from the cover and box description appears to be another teenage high school drama about some new girl and sexual tension sans Cruel Intentions. How...ver, this is not the case once you go through this brilliant movie. It really is the story of a Dot, a deaf and mute who is dealing with the pain of just losing her father in a car accident (and lost her mother to cancer many years ago). She has been sent to her god parents; Paul & Olivia Deer played by Martin Donovan (Weeds, Dead Zone ) & Edie Falco (Sopranos). However, the family is not as they seem. All of them including the daughter Nina (Cuthbert) & Dot harbor deep secrets as it comes together to a satisfying conclusion.
Posted in: Disc Reviews by Archive Authors on January 11th, 2007
Certain Christian churches and organizations in North America preach something often called �the prosperity gospel.� In a nutshell, this refers to the idea that God wants us to be rich, physically, emotionally and materially.
It�s a pretty controversial message, but also a very attractive one. After all, what could be better than marrying Christianity to the American dream?
Posted in: Disc Reviews by Gino Sassani on November 24th, 2006
No monster movie is bigger than King Kong. AFI members recently considered King Kong to be the most influential film ever. The original King Kong has inspired more filmmakers, actors, and technicians than any film in Hollywood’s history. The score is considered the first modern film score. For the first time the music is timed to accent certain aspects of the action. Willis O’Brien practically invented movie special f/x with his revolutionary stop motion technique seen earlier on The Lost World. One of those filmma...ers so inspired was director Peter Jackson. It seems none of the wonderful journey that was Lord of the Rings would exist on celluloid if not for King Kong. At 12 years old, Jackson set out (unsuccessfully) to create his own version of the iconic film and has apparently dreamed of remaking it ever since. After a hopeful but aborted start in 1996, Peter Jackson finally brought his childhood fantasy to life, and was it ever worth the wait.
The first question you might ask is how does this film compare with the original or the 1976 Kong? This film simply blows away the 1976 debacle. As for the original? Obviously the 70 years of f/x progress means that Kong himself shows the greatest improvement. No question the stop motion Kong was the most spectacular thing 1933 audiences had ever seen. Today we live in a computer age where if you can imagine it someone can bring it to life. Jackson’s WETA Digital is very much like George Lucas and ILM. In New Zealand they are movie f/x. Unlike Lucas, Jackson integrates his f/x so intimately into the action that we cease to think of them as movie magic. Lucas tends to overload each scene with a “look ma what I can do” overindulgence. Andy Serkis plays the Kong character as he did with Gollum so that the other actors have something real to act against. His emotional range gives Kong a façade of realism that sucks us into the story without really thinking about the f/x. So, like the original, Kong is a real character to us, capable of feelings and deserving of our empathy When he finally slips from the tower of the Empire State Building, we share an emotional moment with Ann (Watts) that can only be possible for a real being. The film is far longer than the original. In this extended version Jackson’s Kong is about double the original’s running time. Jackson’s Skull Island, while richly detailed and far more elaborate than the original, maintains the illusion that we are in that same place. The creatures are purely magic, rivaling the best we’ve seen from Jurassic Park.
