Posted in: Disc Reviews by Archive Authors on November 9th, 2006
By the time this film was announced, everyone and their dog had asked me if I’d read The Da Vinci Code. I hadn’t.
Yes, I’d heard it was the bestest book in the whole wide world. No, I didn’t want to borrow their copy. Months later, when I finally sat down to watch this DVD, I had still not read Dan Brown’s masterpiece. See, I decided to be one of the few who could judge the film as completely separate from the novel.
Posted in: Disc Reviews by Gino Sassani on October 25th, 2006
Wasn’t it just yesterday that The Fast and the Furious raced across our theatre and soon after took the checkered flag on DVD in our own living rooms? I guess not, because Fast and the Furious: Tokyo Drift is upon us, and it’s the third and least imaginative of the franchise. Unfortunately, none of the previous films’ characters return for this third outing. I don’t count the clever little cameo that serves as the film’s coda. Gone are also the cool American muscle cars that gave the franchise its edge. The souped ...p autos this time around don’t stand out beyond the bright paint jobs. Lucas Black is quite one dimensional as a teen who has been busted one too many times street racing. He’s forced to move to Japan where his father is stationed, where he pretty much takes up where he left off. This time around the film concentrates its energy on a driving style apparently popularized in Tokyo called drifting. Hence the name. Drifting is the ability to make sharp turns by basically sliding sideways. Boy, that can’t be easy on the tires.The trouble is, the maneuver is pretty boring to watch. It might better please the figure skating crowd, but not the hard core NOS driven racing nuts that seek out these films. The only character worth caring about is Twinkie (Bow Wow), the fish out of water ghetto kid on the streets of Tokyo. The love interest this time around is a gangster girlfriend, Neela (Kelley) but she shows about as much emotion as the cars. And it’s the cars where this thing quickly runs out of gas.
Video
Posted in: Disc Reviews by Archive Authors on October 17th, 2006
Synopsis
Ariel is the rebellious teen daughter of King Triton. She falls in love with a human prince (whom she rescued from drowning), but her father will not hear of it. So she makes a bargain with the evil Ursula – she will be granted legs for three days (but no voice), and if she has not been kissed by then... well... you know how deals with Evil generally go.
Posted in: Disc Reviews by Archive Authors on October 15th, 2006
After numerous horrible, horrible Batman films (Batman and Robin and Batman Returns are my least favorite), the Batman film’s have finally returned to a place where someone can be proud to have seen and proud to own to this film. Director Christopher Nolan (probably mostly known for Memento) was chosen to helm this latest Batman film while actor Christian Bale (American Psycho, The Machinist) was chosen to portay Mr. Bruce Wayne.
The film mostly follows how ...ruce became Batman. As the film begins we learn how Bruce’s parents were killed, what happened to Bruce to cause his initial fear of bats and how he trained to become Batman. After the death of his parents, something Bruce blames himself for, Bruce continues his life never really feeling like himself. During his early twenties, Bruce decided to head overseas where he gets caught up in a kind of theft ring, which results in his arrest. Turns out that he was stealing from his own company. Once in jail, Bruce decides to stand up to a few guards basically eliminating them quickly. He’s thrown into a cell where he meets Henri Ducard (Schindler’s List’s Liam Neeson). It’s here that Bruce learns the art of stealth and fighting. This gains the eventual attention of a man named Ra’s Al Ghul (The Last Samurai’s Ken Watanabe in a short, but fabulous performance). Bruce eventually returns home and becomes Batman.
Posted in: Disc Reviews by Archive Authors on September 20th, 2006
Rap movies have com a long way. They have begun to evolve, from glorified music videos, to black cinema (which has come a long way in its own right), on up to a new level of art. Hustle and Flow brought the new style of black film into the limelight, and ATL follows right behind. I was really surprised how much I liked this film. In my line of work, you see a lot of bad films, and you can usually spot them from a mile away. I admit that I was fooled by this one. I was expecting to find another tired tale of a young hustla' making it big in the hood, but instead I found a genuinely touching film about what happens to four friends when High School is over and the next stage of life has not yet begun.
Now, that's not to say that the film is perfect. There are still some cliches here, and the scenes at the skating rink are probably a bit too flashy for their own good, but all told, this is an ambitious film that succeeds in much of what it is trying to accomplish.
Posted in: Disc Reviews by Archive Authors on September 8th, 2006
Poseidon doesn’t waste any time getting to the action so I won’t waste any time with an introduction to this review. Yes, it’s a remake of the 1972 film, The Poseidon Adventure. Yes, it is chock full of convenient cardboard characters (a former Navy man, a fireman, a nurse, etc...). But we don’t watch movies like Poseidon for character exposition, do we?
Poseidon is a rip-roaring 90 minutes of intensity and even delivers some gory goods. Yes, I said gory. I know Poseidon...is a PG-13 movie, but it is chock full of carnage. It's also very exhausting. I haven’t had a movie leave me feeling beaten down in a long time, if ever. Does that make Poseidon an excellent movie? No. But it’s 100% effective for a disaster film – and deserved a better fate at the box office.
Posted in: Disc Reviews by Archive Authors on August 19th, 2006
Written By Jeff Mardo
This disc certainly had me fooled. I though I was in for another one of those lame teenage “comedies” where the emphasis is on lame and cliché jokes and the occasional glimpse of gratuitous nudity. What I wound, however, was a wonderful movie that is the very definition of an indie film. If you liked Kevin Smith's first foray into filmmaking, then you will probably like this piece as well. I would contend that Clerks was a better film, but this Mexican film certainly has it's on charm as well. While Smith's fi...ms are packed full of dialog, Fernando Eimbcke has crafted a piece that is about those moments when there is nothing to say.
Posted in: Disc Reviews by Archive Authors on August 8th, 2006
Synopsis
A group of masked criminals, led by Clive Owen, take over a Manhattan bank and hold everyone there hostage. Denzel Washington arrives on the scene as police negotiator, and he rapidly finds that his opponent is extremely clever, and appears to know every move the police will make even before they do. Complicating matters further is the arrival of Jodie Foster, an ice-cold fix-it woman hired by bank-owner Christopher Plummer to protect his interests: there is a safety deposit box he desperate...y wants to avoid having opened.
Posted in: Disc Reviews by Archive Authors on May 30th, 2006
In Stephen Sommers’ Van Helsing, we meet Gabriel Van Helsing (Hugh Jackman) who is a professional monster-killer with a sidekick named Carl. Van Helsing must first track down Mr. Hyde who lives in the Notre Dame Cathedral and, sometimes, likes to venture outside for the occasional murder here and there. After completing this basic mission, Van Helsing is sent to the famous Transylvania to deal with Frankenstein’s Monster where he meets Anna Valerious (Kate Beckinsale). Anna and her brother Velkan represent the...last of nine generations of a family whose one goal is to rid the world of Dracula. Naturally, Anna is suspicious of this Van Helsing character but eventually teams up with Helsing to kick some butt.
It amazes me how Sommers convinced Universal to grant him well over $150 million dollars to make this film. I suppose this is because Sommers’ last two adventure based films, both Mummy films, were great summer adventure flicks which both made Universal some nice coin. However, Van Helsing never seemed to click with audiences as it just made over $160 million dollars domestically. Certainly not the huge success Universal or Sommers were hoping for. Some feel the reasoning was the lack of star power, but was Brendan Fraser really that much of a bankable star? Some feel that Van Helsing focused too much on CGI with all the various amounts of monsters that prowled the screen. I tend to lean toward the latter as Van Helsing seemed like 132 minutes of CGI effect after CGI effect.
Posted in: Disc Reviews by Archive Authors on May 9th, 2006
Harrison Ford stars as Jack Stanfield, an online security chief for a mid-sized baking chain. One day, he is introduced to a new possible candidate in Bill Cox (Paul Bettany). We learn this turns out to be a setup. Cox and his men are holding Stanfield's wife (Virginia Madsen) and their two children hostage. In return, Cox demands that Stanfield hack into his bank's computers to transfer a fortune into Cox's offshore accounts.
Firewall, in whole, contains a smart plot, one that makes you think. The ...asic plot, however, is nothing new. The plot has been updated with newer technology, such as an iPod containing everything Stanfield needs to get into his bank. It seems a bit odd that a small little device like an iPod could hold this much data. The bigger question is if a film like this needs events that are plausible in order to make a shred of sense. Fortunately though, mostly due to how entertaining Ford is to watch, the film holds its own and doesn't necessarily conclude in an odd manner.
![Batman Begins [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/batman-begins-hd-dvd-large.jpg)
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